Book Jacket

 

rank 159
word count 41115
date submitted 07.01.2010
date updated 09.05.2012
genres: Fiction, Fantasy
classification: moderate
incomplete

Nobody's Knight

G. M. Atwater

It's a hell of a lot more dangerous to save a dragon than to slay one. Morgan is figuring that out.

 

All Morgan wants is to work on his carpentry, drink his beer, and mind his own damned business. For the right price, he can be persuaded to solve problems like marauding bears, or even the occasional dragon.

No one in their right mind would imagine him rescuing a dragon. But when some do-gooder elves ask him to do just that, Morgan accepts their coin. The consequences prove deadly. Morgan is stuck smuggling a traumatized elf and a dragon whelp out of the district, one step ahead of assassins.

He soon realizes the only way to save his own hide may be to save the dragon. With the aid of a sketch-artist elf, a chubby naturalist, and a graduate of Evan ap Gruffydd's School for Audacious Gentlemen, Morgan embarks on what looks unnervingly like a quest.

But Morgan and his companions are unable to escape an ever-widening web of intrigue, conspiracy, threats of civil war, and really annoying politics.

(NOTE: Revised. Re-posted for constructive critique. COMPLETE, 14 chapters loaded.)

 
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adventure, battle, dragons, drama, fantasy, fiction, humor, intrigue, kingdoms, politics, revenge

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Chapter 1

 

Hangovers and dragon slaying made a bloody lousy mix. The gurgle of Morgan ap Cynydd's guts served notice of this fact, as he peered at the greying old man on his doorstep.

"It coom back," said Farmer Howel.

"Really," Morgan croaked.

"This time the heifers. Ye've got a job to do, lad. Lord Guy will want the end of this."

"Right. Just give me -."

Morgan's stomach lurched and he lurched with it, past his unwanted guest to puke in the dewy grass. Messy business, but when done he felt better. His head steadied and he could focus both eyes on Howel's dour expression.

"I'll expect you directly," the old man said.

With a final scowl, Howel clambered into his wagon seat and rumbled off down the fog-shrouded lane.

"Bloody wonderful," Morgan groaned, and fumbled his way back inside.

Not long after, he glanced down at the chest containing the tools of his everyday trade: the chisels, planes, augers, hammers and saws of a carpenter. However, he reached into a tall wardrobe by the window and from it withdrew a sword, a quiver of arrows and a long-staved yew bow. He belted on sword and quiver then held the polished length of yew for appraisal.

"Well, old boy," he said, "it's you and me, again."

#

Howel waited for him at the pasture gate, wreathed in sunlit morning fog. Morgan could see two mounds of bloodied brown and white lying amongst the meadow's green.

"Two of my best," Howel said, as they studied the ravaged carcasses. Massive tooth marks confirmed the predator's identity. "That's two would have been good milkers, come time."

"I know." Morgan nodded, and winced as his brain thumped the inside of his skull.

Everything he needed he carried with him, short of a speedy way to cut off his own head and end his suffering.

"You get the damned thing, boy," Howel said, pale eyes fierce as he stared at Morgan. "You get him and you finish him!"

Rather than risk another nod, Morgan tilted his bow in salute and walked away. Others in the country could do his job, but no one else wanted it, and he did enjoy the pay.

He tracked the thing readily, gouged earth here, churned gravel there, the splintered pale bone of a cow's femur. Half an hour later, he noted scuffmarks where fingers of hazy sunlight pried between the trees.

"Ate your fill, did you?" he muttered. "Then too fat and full to move."

Finally, the tracks vanished on the edge of a bluff. At his feet spread a wide mosaic of forest, fields and meadows, bathed now in morning sun. Green hollows held shreds of mist while a silvery river, the Afon Glas, curled in and out of view. Few chose to dwell so near the Gwaun Mawr, the high northern moors.

Morgan squinted towards the hills across the valley, their barren crowns forming the moors' southern rim. There he spied a cleft in the hills, its top crowned with elbows of stone.

"That's where you'll be," he murmured. "Yonder up that pass where the rocks warm by day. Sleep well, boyo. Soon you'll sleep for always."

Down a steep path and under the trees, he loped beneath a verdant roof of forest, and upon crossing the river, he turned northwest. An hour past noon, he reached the foot of the pass.

From there he clambered over half-buried rocks and shaggy tussocks of grass, the effort burning away the last haze of beer. His path took him well above the forest, leaving him uncomfortably exposed, but the cool smoothness of the bow in his hand and the weight of the sword at his hip lent confidence.

The smell warned him of his quarry's proximity, thick and musky, and his pulse quickened. He slid an arrow from his quiver, nocked it to his bowstring and stepped with a careful tread: a tread that squelched into a ghastly, noisome stink. His stomach twisted as he looked down at what clung to his boot. With a growl of irritation, he wiped it on a tussock of grass and climbed on.

Soon the animal stink mingled with a metallic odor, like that of a blacksmith shop, and Morgan's heart tried to kick a hole in his ribs. A cave opened above and he flexed his grip on his bow; let the thumb of his right hand brush the arrow's stiff fletching. Then he blew a sharp breath and resolutely ignored the shrieks of his better sense.

"HOY!" he shouted. "Come out, old worm! Come out!"

A moment's pause, then a shattering roar clouted the mountainside and his horizon filled with a vision of jagged jaws and eyes ablaze. Fear clawed Morgan's throat, but he heaved to his feet, roaring back.

"Ahhh, shut up!" And he loosed his first arrow.

The beast bellowed as it rose up to beat a thunder of leathern wings, propelling a reek like swamp water in a forge. Morgan's second arrow clattered against his bow as he drew.

And he loosed but never saw the arrow's flight. A jet of flame burst full in his face and he hurled himself backwards and down. Furnace heat lashed over him, crisping his eyebrows and gone, and he lunged once more to his feet. Nock and shoot and shoot again, ere a massive blow slammed him, tumbling all knees and elbows, headlong among the boulders. He scrambled for his bow, scrambled anew for the arrows spilled from his quiver, and fire roared again and he screamed shrill as a girl. Yet he found himself curled bug-like amongst the heather with only the ends of his hair singed.

For a moment, stillness reigned. Morgan warily raised his head, dirt and weed-bits clinging to his scruff of beard. Up the slope, the great beast rumbled and its head slowly recoiled, the pale quills of Morgan's shafts jutting at ugly angles from its hide. For a moment it seemed not to see him, huddled there among the grass and stones. But as he gathered himself, the neck whipped around and great, slitted eyes fixed on him with terrible awareness. The jaws dropped open – and Morgan stood and drew and a clothyard shaft of good Brynshire yew flashed into the creature's maw.

The resultant shriek nearly burst his ears. He ducked as the dragon thrashed about in throes of awful pain, but he'd come to do a job, and now he had it to finish.

"You got me--" pulse hammering, he firmed his stance, "--out of a comfortable bed--" thock, the arrow smote home, "--when I could have slept off a hangover!"

Two more shafts struck their mark. The roaring reached cataclysmic intensity, while vast wings beat the hillside and Morgan needed this to just end, please God.

With a madman's howl, he leapt up the slope and threw himself and his sword past clashing jaws that could cleave him like day-old sausage. Then he bellowed his own cry and with both hands swung a mighty blow--and another and another and another.

When at last he stopped, heaving for breath and sword dragging, only the echoes of roars remained.

As the vast body collapsed with a final groan, Morgan staggered back and dropped to sit on a rock nearby. There he swore he could feel his sinews rattling against his bones.

"Besides that," he panted to the corpse, "you made me step in a pile of dragon shit!"

He sat with his sword propped between his knees for quite a little while, until he could comfortably breathe. Comfortable being relative, as various scrapes, knots and bruises began to make themselves known. Finally, glancing up, Morgan frowned at the dragon's now-silent hulk. Sunlight gleamed on metallic hues of black, deep purple and copper, while the wings lay heaped like dark, crumpled sails. A thing of awful beauty, terrible and grand to behold in flight, which few men saw and fewer survived.

"Damn fool," Morgan grumbled. "Should have stayed up here."

Then he collected his sword, his bow and his lingering hangover and trudged back down the pass.

#

That evening, Morgan walked through the village of Hen Ystrad and up the hill to Lord Guy's manor. Light shone in high, narrow windows and spilled across the lawn. Above the front entryway, a stone arch bore the defaced sigil of a rampant lion, its crowned head bludgeoned away by hammer-blows. Thus went the symbols of the old rule, since Lord Guy and his ilk brought war a decade ago. New laws, new lords now governed the land.

The servant who answered the door let him in without question, and Morgan strode through the cavernous interior of the great house. The servant caught up in a flurry of slippers just in time to open a heavy oak door for him.

"My lord," the servant announced, "Master Morgan ap--."

"Yes, yes," grumbled Morgan and pushed past into the room. "He can see for himself. Hello, your lordship."

Never yet had Morgan called one of the conquerors "my lord," not with the bloody fields of Glynhir and Aberdu still haunting his dreams.

Pale, piercing eyes in a florid face studied him over the top of an extraordinarily large book. Though grey-haired and dressed in the robes of gracious leisure, the man still owned the hard-muscled frame of a soldier.

"Ah, Morgan, my good man." Be-ringed fingers flicked the servant on his way. "Come in. I trust the job is complete?"

Even after ten years in this country, Guy still spoke with the softened r's and mushy vowels of his mother tongue.

"Dead as a stone," Morgan replied, and halted with both thumbs in his belt.

"Did you bring proof?"

"With all respect, I'll be two days putting an edge back on my sword, as it is. I didn't want to ruin a good knife adding to your dragon toenail collection."

Lord Guy's expression looked pained as he closed the book and set it on the couch beside him. "Dragons do not have toenails, dear fellow. They have talons."

"As you like. But I'd think a nice wolf or bear hide would make a more useful trophy. How about I bring you one of those?"

Most ruling lords would hand Morgan his head for such cheek, but Guy seemed to find his impudence amusing.

"Ah, yes," he chuckled, and got up, stepping to a nearby oak secretary. "It is a sad testimonial to the knighthood of this country, when the only man I find willing to solve our depredation problems--." Reaching into one of several pigeonholes, he pulled forth a small, heavy purse and turned to his guest. "-- is a carpenter."

Morgan shrugged. "Tricky lot, us carpenters," he said. "Never can tell what mischief we might get up to."

Guy's ruddy features bent into an indulgent smile. "You are a curious man, Morgan. I wonder how close we came, upon those fields of battle. Odd to think we may have been a sword-stroke away from ending our association before it could begin."

Morgan made no reply. He didn't reckon Guy expected him to, as he deposited the purse in his hunter's palm.

"Keep this well, Morgan," he said. "I look forward to the day when it will be the deed to your house and land that I place in your hand."

"Thank you."

Guy met Morgan's gaze somberly. "I shall hope this is the end of it," he said. "There is no place for dragons in this world any more. We have built a new order, a new hope for greatness." He dropped a firm grip onto the younger man's shoulder and let go. "You are part of this, Morgan, in your rustic way. This country needs scholars and thinkers, but it will ever need men of action, ready to answer the call."

"Thank you, Lord Guy," Morgan said, and sketched a short bow ere turning away. The weight of coin rested comfortably in his pocket as he made his way to the door. Once outside in the stone shadows of the courtyard, he stopped and exhaled gustily. Opportunistic dragons and ex-soldiers of a lost war: neither held a proper place in this world.

"Answer the call?" he muttered. "Last call, more like, and I've worked up a thirst."

 

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Maevesleibhin wrote 136 days ago

G.M.
I have read through the end of chapter eight and I am completely hooked. This is a very fun, entertaining and well crafted dragon fantasy, and I highly recommend it. I give it six stars and put it the waiting list of my bookshelf for an upcoming shuffle. I am frankly surprised that I am reading it here rather than as a store-purchased book. 
You ask for constructive critique, but most of what I have is praise.
Hook and plot- I am picky on early hooks for most genres. This title delivers handsomely. The first, really clever thing you do is to make your main character funny. This is a very clever technique, as this does not in the slightest pretend to be a comedy. So I open the first page expecting a "life in the shire" introduction and I find myself cracking up. Besides this, you quickly develop Morgan with broad stokes as a part-time dragon slayer (like it is the most natural thing the world for a carpenter to o for a bit of extra lolly). Second, while not dropping the comic tone, you bring the quest in on chapter 2.This was a clever hook on various fronts. First, you brought in elves as the customers, adding a bit of mystery to the whole thing. Second, you made the request unusual- for a slayer to be a rescuer. This would not have worked if you had not made Morgan so very indifferent when we first meet him. As it is, you add a thriller element to this, making Morgan the highly trained but out of his depths MC of a classic thriller. 
The plot is fantastically well developed so far. You take us through his indifference to the fate of the elves to his becoming unwillingly involved to his actually caring, all very compellingly. Part of this you do by clearly defining their objective early on- it looks like a simple enough objective, and Morgan keeps promising to drop out. This is a clever device because it keeps the waypoints of the plot relatively short, and kept the story moving.
Character development. Morgan is an exquisitely developed character. You are careful to quickly show him in many different contexts and situations, and show his wit and brawn. You present him at work, at drink, with friends and even with his parents. Very clever. 
The elf Cinuin is veiled in mystery, which is actually a benefit in his case. Nevertheless, he is well drawn in his enigmatic self .
The supporting characters, from Oran to Lord Guy to Rhys are all painted with efficient, elegant broad strokes.
Part of the great success of this book for me is it's great character development of Morgan. He is a fabulous character, and you handle his transition from a mercenary to a flag bearer of the mission very well. 
Last, but not least is Gregory, who, of course, is the most adorable dragon imaginable. 
Ambiance and setting- this is one of the aspects that really surprised me about your book- how well you wrote these fantastic descriptions that at times were almost poetic. Several of your dawn descriptions made me pause- such lyricism is not expected in a fantasy book. Your descriptions are rich and vivid, from the smells in the Cock and Crown to the view of the moor, to the squalid randomness of Oran's hut.  This is mythical Wales at it's finest. But you are also very careful not to go overboard, mixing description and ambiance with plot. 
Internal consistency- there are a few points where you do stretch in this regard. Mostly it has to do with Morgan's pursuers. When he goes back into town after his house is burnt to the ground it is hard to believe that he would not have been found out. Ciunin is just a bit too lucky not to wind up dead, particularly as he is haunting about with a great dragon calf (he says he outran the pursuers, but he has a bit of trouble keeping up with Morgan). Most problematic, how did Guy's men not catch up with the gang, particularly as dragon tracks cannot be easy to miss. Now, your book is so good on other fronts that this becomes a minor issue. And I don't have a good answer to fix them  (well, maybe the elf could have some sort of mesmerizing power, and maybe Morgan could spy the men leaving town before venturing into the inn). So it is a very minor critique. However, as I read further I become more aware of internal consistency, which can make the difference between a good and a great fantasy for me. 
Mechanics- this book so far is deliciously polished and beautifully written, far beyond the standard of the genre. I found no typos or other issues. I did have an issue with the underlining (I recommend you use italics instead) and the hash mark as section breaks (I suggest three asterisks).

Here are my comments as I read
1
Great first line
Recommend you consider stars rather than a hash for the break 
"Everything he needed he carried with him, short of a speedy way to cut off his own head and end his suffering."
Lol
Oh, this is really funny
"Furnace heat lashed over him, crisping his eyebrows and gone, and he lunged once more to his feet.". And gone? All but gone?
"Besides that," he panted to the corpse, "you made me step in a pile of dragon shit!"lol
Truly excellent first chapter. Fantastic tone and character development. 
2
Fantastic ambiance. 

"I do not know the location, sir, or we would not be having this absurd conversation" But the conversation is not absurd. So, maybe "it would be absurd to be having this conversation"

Very good story development and plot hook. 
Fabulous description of the dragon. 

This is very good. Good new hook as one is ending. 

3
Great change of scenery

 " withdrew another arrow and moistened thumb and forefinger fingers to smooth the fletching. "don't need "fingers"

"That's how it usually works," Morgan replied. "It's sort of inherent to the nature of ambushing.". Lol

This is a good chapter, rich in both ambiance and plot development. You have made me very curious about all this fuss over a baby dragon. Morgan is very clever, which combines well with his sloppiness to make an endearing character 
4 Very good burial scene. Good setup. 
I am a bit surprised he decided to go back- how could the posey not find him? But you get away with it, so it is not a big concern. 
The cheese eating dragon is funny. Very well described. 

"As all precious things become beautiful, when one fears they will lose them."
That's for sure. 
Very good. Nice familial scene. 



"To walk in your forests is to feel the pulse of the world beating faster, stronger, more real.". Nice. 
Fun scene with feeding the dragon.
Good explanation of the reasons behind the mission. 

 6
I like Oram, and the conversation about him being a wizard is very funny. 

I love your attention to detail, like Morgan's morning headbath. 

Fantastic chapter, getting the quest started

7 Ffantastic description of the town. 

8
Gwilym well introduced. 
Funny with the prunes. 
One would think that the dragons tracks are easy to follow. Not sure how you can fix this without magic. 
Very good cliffhanger chapter. 


I will send you more comments when I read what you have posted. I am a big fan, and there is true lack of justice in the world if this does not make it to the desk. 

Best,
Maeve

Sharahzade wrote 758 days ago

NOBODY'S KNIGHT
G. M. Atwater

I feel as if I have fallen out of bed whilst having a lovely dream. I long to continue this adventure. I do hope you intend to give us more. I see there are others who hunger for the rest of this tale.

Dragons soar through the minds of many of us writers. I have a healthy dose of them in my book. Instead of responding to every request that I have been getting to read and back others books, I decided to go shopping for a story that would appeal to me containing dragons. I found yours.

I must say it was a thrilling ride on this quest. My traveling mates have become so familiar that now I shall miss them sorely. Please be kind enough to let me know where I can meet up with them once more should you care to show the way.

My heart goes out to Cinuin and I agree with Morgan about the injustice he has suffered. I feel protective of little Gregory. He is a companion who carries possibilities I can only imagine. I wonder if he can mind speak. I love him. Thank the gods for Oran and his caring ways. We are fortunate to enjoy his company. Gwilym is indeed a mystery. He is closed and yet seemingly rather innocent. I am not sure what to make of him. I get that he means well but has crosses to bear.

I want to thank you for allowing me to travel along with this fine group. May they continue with safe journeys and reach their goal.

My best to you.
Sincerely,

Mary Enck
Author of A King in Time

Ancient Reader wrote 847 days ago

Dear G.M.,

Just finished all you had up and want to know where can I find the rest of it? I am dazzled and in love with this ungainly crew of questers and their bedraggled baby dragon!

You are a fine and talented author and it would be an injustice to all fantasy for this not to be published!

Of course, it helps my review that I am crazy about dragons, although in all else I have read about them, their stink has not been mentioned. I never thought about it, but no doubt you are right!

"A thing of awful beauty, terrible and grand to behold in flight . . ." Perfect!

Love the first chapter; plenty of action and an antihero main character. Who could ask for more?

Having The Cock and the Crown as a second family and home to Morgan is a refreshing idea. Most pubs or inns hardly present that kind of image.

Each chapter leads the reader on with great hooks to keep reading. It's fascinating and I had no trouble wanting to read it all.

Cinuin's description of why the elves love the mortal world is so lovely and so unexpected in a fantasy. Usually, the elves just want to get out of the mortal world.

"Thick clouds dragged their bellies across the heath . . . " Wow! I can just see it!

"Knobs of rock thrust throughthe heather like the ends of old bones . . ." Excellent at capturing the eerie feeling of the bog.

The dragon "burbling" is just right; something bewteen a trill and a growl.

Well, my dear, you have outdone yourself with this! It is fantastic and If I could shelve it twice, I would! All the best! It is shelved!

Ancient Reader

Miss Wells wrote 849 days ago

Terrific writing from the oft, full of vigour and an ease which belies the evocative power of the cleverly chosen word combinations. There’s a thrilling surprise in most of your sentences, an unexpected little gift hidden in the midst of them. Somehow the story manages to be both prosaic and magical at the same time – prosaic because we recognise the world you describe, magical because of the way you describe it. This trick brilliantly prepares us for the mythological realm of your tale. Loved this to bits.

alias miss ferkit wrote 865 days ago

G.M.! This here? This here is an endangered species: exceedingly good prose. Looks effortless, and perhaps, for you, it is. I'll pick a sentence more or less at random: "He offered the purse pinched between two fingers, and let it drop heavily into Morgan's outstretched palm." Perfect sound, perfect image, perfect thud. There are other sentences, perhaps more wonderful and illustrative - but I chose a workhorse sentence (that carries action) because - this is your *baseline*, and it's a helluva baseline to have! That this prose is carrying a delectable *story* is of course, what should make it all into an exceedingly good book. Oh! The story! Love it - but need to read more to comment knowledgeably.

Shelved with great admiration,

Andrea Levin
(Last Days of the Transitional Objects Institute)

jmoshins wrote 13 days ago

This reads true to me - that is I can lose myself in it only occasionally being drawn up short by some phrase or style that is anachronistic (e.g Sod off) which sounds to my American ear as something you'd hear in a modern setting. But overall it remains true to the style and age.

CJMcKee wrote 69 days ago

Excellent read so far! Definitely hooked and can't wait to read more! I am enjoying your writing style, fast paced and interesting, very well developed characters. All the senses come alive within your book. Well done!

AudreyB wrote 76 days ago

Hi, there – this is review from AudreyB. I am often accompanied on my reviews by my English teacher alter-ego, The Grammar Hag. If I say anything you don’t like, it was probably her idea.

“…served notice of this fact…” sounds prissy, and I don’t think I’m reading a prissy book. A manly “…told him as much…” would sound more expected.

You really convey a lot of information in that first conversation. I know that Morgan drinks. I am assuming he lives alone. I know that he hunts something (I’ve read the pitches so I know it’s dragons) and is being hired by this Lord Guy to hunt some that have returned. Really very well done.

“scuffmarks where fingers of hazy sunlight pried between the trees.” Well, that’s just lovely.

Now I’m really annoyed about the “served notice of the fact” line. You are one skilled writer. Besides the outstanding word choice—every image and detail is rendered in the absolute right words—you also do an amazing job with structure. You provide no details we don’t need. You create a sense of mystery. Every sentence is interesting.

I am reading way outside my preferred genre because Evie liked your book. I can sure see why. I like it, too.

~AudreyB
Forgiveness Fits

Sheilab wrote 120 days ago

Hi GM - I can't recall why I added this to my list (possibly Maeve's recommendation??) but I'm SOOO glad I did. You had me hooked with the opening line - so much so that I have just burnt my kids' dinner! This is fantastic, fabulous fun. Starred and will be shelved as soon as there's a space. Wonderful!
Sheila

Soulfire wrote 129 days ago

Hahaha! This is so much fun to read. I think I could fall deeply in love with your main character. The descriptions of his hangover are the best I've ever read.

This certainly puts a smile on my face as I read it and draws me in. If I must be at all critical, I spotted some of the things already mentioned below e.g. the eyebrows 'and gone'? The only other thing I'll say is I felt there could be too many 'ands' used in the sentences. It could be personal taste but I think I'd prefer sharper sentences, especially during the dragon fight.

Having said this, I've watch-listed you and given a big star rating. I feel just a touch of editing polish would make this gem really shine. Great entertainment and shouldn't that be what fiction is all about?

Fantastic. I'll watch the book's development with great interest.

Kind regards,
Paul.

T. Atkins wrote 133 days ago

Extremely well-written. Interesting plot and subtle characterization. Well done!

Maevesleibhin wrote 136 days ago

G.M.
I have read through the end of chapter eight and I am completely hooked. This is a very fun, entertaining and well crafted dragon fantasy, and I highly recommend it. I give it six stars and put it the waiting list of my bookshelf for an upcoming shuffle. I am frankly surprised that I am reading it here rather than as a store-purchased book. 
You ask for constructive critique, but most of what I have is praise.
Hook and plot- I am picky on early hooks for most genres. This title delivers handsomely. The first, really clever thing you do is to make your main character funny. This is a very clever technique, as this does not in the slightest pretend to be a comedy. So I open the first page expecting a "life in the shire" introduction and I find myself cracking up. Besides this, you quickly develop Morgan with broad stokes as a part-time dragon slayer (like it is the most natural thing the world for a carpenter to o for a bit of extra lolly). Second, while not dropping the comic tone, you bring the quest in on chapter 2.This was a clever hook on various fronts. First, you brought in elves as the customers, adding a bit of mystery to the whole thing. Second, you made the request unusual- for a slayer to be a rescuer. This would not have worked if you had not made Morgan so very indifferent when we first meet him. As it is, you add a thriller element to this, making Morgan the highly trained but out of his depths MC of a classic thriller. 
The plot is fantastically well developed so far. You take us through his indifference to the fate of the elves to his becoming unwillingly involved to his actually caring, all very compellingly. Part of this you do by clearly defining their objective early on- it looks like a simple enough objective, and Morgan keeps promising to drop out. This is a clever device because it keeps the waypoints of the plot relatively short, and kept the story moving.
Character development. Morgan is an exquisitely developed character. You are careful to quickly show him in many different contexts and situations, and show his wit and brawn. You present him at work, at drink, with friends and even with his parents. Very clever. 
The elf Cinuin is veiled in mystery, which is actually a benefit in his case. Nevertheless, he is well drawn in his enigmatic self .
The supporting characters, from Oran to Lord Guy to Rhys are all painted with efficient, elegant broad strokes.
Part of the great success of this book for me is it's great character development of Morgan. He is a fabulous character, and you handle his transition from a mercenary to a flag bearer of the mission very well. 
Last, but not least is Gregory, who, of course, is the most adorable dragon imaginable. 
Ambiance and setting- this is one of the aspects that really surprised me about your book- how well you wrote these fantastic descriptions that at times were almost poetic. Several of your dawn descriptions made me pause- such lyricism is not expected in a fantasy book. Your descriptions are rich and vivid, from the smells in the Cock and Crown to the view of the moor, to the squalid randomness of Oran's hut.  This is mythical Wales at it's finest. But you are also very careful not to go overboard, mixing description and ambiance with plot. 
Internal consistency- there are a few points where you do stretch in this regard. Mostly it has to do with Morgan's pursuers. When he goes back into town after his house is burnt to the ground it is hard to believe that he would not have been found out. Ciunin is just a bit too lucky not to wind up dead, particularly as he is haunting about with a great dragon calf (he says he outran the pursuers, but he has a bit of trouble keeping up with Morgan). Most problematic, how did Guy's men not catch up with the gang, particularly as dragon tracks cannot be easy to miss. Now, your book is so good on other fronts that this becomes a minor issue. And I don't have a good answer to fix them  (well, maybe the elf could have some sort of mesmerizing power, and maybe Morgan could spy the men leaving town before venturing into the inn). So it is a very minor critique. However, as I read further I become more aware of internal consistency, which can make the difference between a good and a great fantasy for me. 
Mechanics- this book so far is deliciously polished and beautifully written, far beyond the standard of the genre. I found no typos or other issues. I did have an issue with the underlining (I recommend you use italics instead) and the hash mark as section breaks (I suggest three asterisks).

Here are my comments as I read
1
Great first line
Recommend you consider stars rather than a hash for the break 
"Everything he needed he carried with him, short of a speedy way to cut off his own head and end his suffering."
Lol
Oh, this is really funny
"Furnace heat lashed over him, crisping his eyebrows and gone, and he lunged once more to his feet.". And gone? All but gone?
"Besides that," he panted to the corpse, "you made me step in a pile of dragon shit!"lol
Truly excellent first chapter. Fantastic tone and character development. 
2
Fantastic ambiance. 

"I do not know the location, sir, or we would not be having this absurd conversation" But the conversation is not absurd. So, maybe "it would be absurd to be having this conversation"

Very good story development and plot hook. 
Fabulous description of the dragon. 

This is very good. Good new hook as one is ending. 

3
Great change of scenery

 " withdrew another arrow and moistened thumb and forefinger fingers to smooth the fletching. "don't need "fingers"

"That's how it usually works," Morgan replied. "It's sort of inherent to the nature of ambushing.". Lol

This is a good chapter, rich in both ambiance and plot development. You have made me very curious about all this fuss over a baby dragon. Morgan is very clever, which combines well with his sloppiness to make an endearing character 
4 Very good burial scene. Good setup. 
I am a bit surprised he decided to go back- how could the posey not find him? But you get away with it, so it is not a big concern. 
The cheese eating dragon is funny. Very well described. 

"As all precious things become beautiful, when one fears they will lose them."
That's for sure. 
Very good. Nice familial scene. 



"To walk in your forests is to feel the pulse of the world beating faster, stronger, more real.". Nice. 
Fun scene with feeding the dragon.
Good explanation of the reasons behind the mission. 

 6
I like Oram, and the conversation about him being a wizard is very funny. 

I love your attention to detail, like Morgan's morning headbath. 

Fantastic chapter, getting the quest started

7 Ffantastic description of the town. 

8
Gwilym well introduced. 
Funny with the prunes. 
One would think that the dragons tracks are easy to follow. Not sure how you can fix this without magic. 
Very good cliffhanger chapter. 


I will send you more comments when I read what you have posted. I am a big fan, and there is true lack of justice in the world if this does not make it to the desk. 

Best,
Maeve

DerekTobin wrote 155 days ago

Hi GM
I enjoyed this first chapter - a nice intro to your boozy, dragonslaying/saving protagonist. The writing was tight and no clunky sections to slow me down. I am definately curious to see how it all goes and so will read more. Job well done. Starred and on my w/l
Derek

I. Soldatos wrote 161 days ago

I've read six chapters in one go and I can only say that this is marvellous. Funny, engaging and well-written. I will be coming back to read everything's that's posted. Something that's stuck in my head since I started reading --and the impression has not faded-- is that it reminds of Terry Pratchett. The more sober Terry Pratchett in books such as "Nightwatch" (which I think is his best one), rather than the hysterical, laugh-out-loud funny Pratchett as in 'Small Gods'.

I know you are looking for intelligent critique, but really, there's not much to comment on. The writing is polished and flows very nicely, and I was gripped from the word go. The only thing that jarred is the use of the word 'ere'. It doesn't fit the overal style of the narration (it would be fine within dialogue), and I would recommend it be replaced by your ordinary, vanilla-flavoured, 'before'. Oh, and "momentarily" means something different this side of the pond, so I had to stop there and think about it, momentarily, ;-) --so if you don't want UK readers being brought up short, there, you could use a different word --or two.
The only other thing I can say is, 'well done'! Truly, very well done! :-)

All the best,
Irene

revteapot wrote 164 days ago

Huzzah! I've been hunting for a decent dragon tale since I joined authonomy, and finally I've found it. Not only is this a dragon tale, it's a Welsh dragon tale! Not only is it a Welsh dragon tale, but it is a Welsh tale of a *baby* dragon. Not only only a Welsh tale regarding a baby dragon, but it's damn good! I was happy as a pig in muck reading this. It is beautifully penned, with finely balanced description and a lovely turn of phrase, and the opening premise carries great potential.

I confess I stopped reading quite soon, not because I tired of it, but because I much prefer reading a book in paper form and I look forward to reading this in comfort once it is published.
(I'm afraid there'll be a lag before I back this, since I don't often turn on my PC.)

Well done.

Lindsay
A Priest's Tale

KGleeson wrote 227 days ago

I couldn't resist dipping back into Morgan's adventures, between other obligations, despite aching eyes. This reads so well and is so polished it provides the perfect escape and relaxation I would get from any really good book. This is a fantasy equipped with humour and a rip roaring good tale, two irreistable combinations. In the next two chapters we learn more of Morgan whose compassion for the elves reveals a deeper side than the battle weary, cynical Morgan he appears. This is a real hero, one who knows there's much against him and doesn't really want to take up the challenge but his compassion, sense of honour and obligation compel him to.

The dialogue is so well timed here and the characterization still distinct the reader has no problem zipping along through the engaging narrative. There is little to complain about here except why isn't it published? Kristin

Michael2402 wrote 227 days ago

Hi,

I have just read your first chapter. I loved the dialogue between the characters and felt it really came to life when they were bouncing off one another - Especially between Morgan and Lord Guy. However, I found that when Morgan went on his hunt that the story was maybe a little too compressed. There was some lovely description but I felt that the process he went though could have been more mapped out. It didn't flow for me.

Take this as you will, I'm on here to get honest, constructive criticism on my work so that is what I want to offer other people. I hope you find it helpful.

I do like the set up and find the premise very interesting.

Michael

Bill Scott wrote 231 days ago

This was obviously written by a sorceress. It held me, spellbound, against my will.
Well done.

Bill
HAKTAW HEART

KGleeson wrote 236 days ago

This is old fashioned storytelling at its best, I have to say. I was only really going to read chapter 1 today and come back when I had more time, but I couldn't help myself I had to read the next chapter (my work still waits me). With great craft that shines through every word chosen for its effect we the reader are treated to a story filled with humour and hijinks. A classic quest set in a fantasy world with earnest elves and seemingly cynical dragons slayers come carpenters.

From the very beginning you establish the fantasy world well, with great economy and not overburdening the reader with extensive and overblown descriptions. We see and feel the moors with each carefully chosen words and get a sense of the time period from the clothes and tools and to some extent, the dialogue. That you mix the dialogue with some old turns of phrase and modernisms like "ta" actually works for me and adds charm to the story. There is a slight modern sensibility running through it but since a strong thread of humour runs through it I think it works in the end.

You have strong characterizatons skills that are deftly employed through the dialogue and mannerisms. I really did enjoy the encounter with Lord Guy and also the elves. Morgan comes across so strongly and not at all as a cliche with his combination of carpentry skills and dragon slaying abilities and sarcasm. You also have a good sense of rhythm and timing in your story; you know when to close a scene and you don't overload it with backstory. You feed the reader just enough to get him to the next point and to understand what's unfolding. So rare in so many fantasy tales and just adds to the quality of your story. And with that I do have to say it's one of the best fantasy novels I've seen here on authonomy. And as a person who runs a book club of teens gaga for fantasy it's one of the best I've read in a while.

If the first two chapters are anything to go by this is highly rated. I will return and read the rest at some point soon. Kristin

MikeofEvil wrote 247 days ago

I've read the first chapter and am impressed and interested. I'll be coming back for a longer read shortly :)

Maghan Gilson wrote 270 days ago

Backed. I'll come back to leave a review when I have more time.

Arion Naomi wrote 287 days ago

This novel, so far, is truely splendid. I love dragon adventures and I feel that there is decidedly more that could be told about the fate of this unlikely fellowship. The fact that I read this entire thing under six hours even amazes me; it is that captivating.

You are quite the story teller! Your character development is enviable.

I can not wait until the end of the journey.

Happy Writing,
Arion

briantodd wrote 302 days ago

This tale continues to fly along with no sign of flagging at all. Lots of proper characters and a great adventure, full of surprises and just enough hazard mixed with the humour. Morgan continues to jump off the page. He is very much a twenty first century leading man. I am still picturing this in my head in a cartoon format but one of the highest quality, for all the family, as it works on many layers, with every character voiced by a top actor. Owen Wilson for Morgan perhaps?

briantodd wrote 315 days ago

I liked that reptilian eye on the cover of this. Reminded me of the scene in the original ‘Jurassic Park’ where actor Bob Peck encounters a velociraptor. The witty short pitch and long pitch are great hooks although the repetition of rescuing a dragon then saving a dragon could be reworded to better effect.
This Morgan sounds like a great character and it’s a good touch to have us meet him when he is hungover.
His interaction with the ethnic farmers is funny although the line ‘sinews rattling against bones’ doesn’t sound right. His first encounter with a dragon felt a bit too easy but perhaps you have a reason for making it so.
Lord Guy is a strong character and the dialogue and interaction with Morgan is great. There is a great pace to this and the motivation of the elves when they appear is a bit of a mystery, however It has certainly got me hooked. The milieu feels a bit like the original ‘Shrek.’ ****** from me and one to come back to when I need cheering up. Will comment again shortly

J. N. Khoury wrote 337 days ago

Love love love!! Great voice, great character-building, no wasted time with back story or lengthy description. Snarky, competent MC promises a fun and exciting read! I'm gonna take a second to back this and then on to chapter 2! I can't wait to find out what happens next.

I love the Welsh influence. I'm curious as to whether its actually set in ancient Wales. Guess I'll have to keep reading to find out.

If you get a moment to take a gander at my complete fantasy THE HEIRESS OF RHIANGAR I'd appreciate it. With your excellent narrative voice and obviously good handle on the genre, your comments and maybe even backing would be particularly appreciated.

Best of luck! Happy writing!

J. N. Khoury

susanbrauner wrote 337 days ago

Hi GM, What a great beginning chapter. Loved your main character, your descriptions were great and he was easy to visualize. Your writing seems very professional and the book cover is perfect. There are so many excellent books on this site that should be published and yours is one of them. I hope you make it and I'll put you on my watchlist for now (shelf is loaded at the moment). As you move up, I'll get you on my bookshelf and help get your book to the top.

Susan
The Adventures of Sohi: Mystery of Moon Island

MarsdenCyn wrote 347 days ago

One the most entertaining dragons tales I have ever read! A reluctant knight able to see the irony of his situation keeps this story from getting too full of itself.

I was all set to back this until I got to chapter 6. What the hell happened? "... dewy morning alive with birdsong, where sunbeams kissed the cheery pink faces of hollyhocks." --are you kidding? I thought this must have been a one off, but no, the purple prose continued for the next four chapters ("...blue veils of dusk, ..." in chapter 5 should have been a warning of things to come).

The story is otherwise well-written with pacing that keeps the reader's interest. The backstory is seamlessly woven into the story and the imagery (at least in the first few chapters) is well crafted without being overly wordy, proof that a good storyteller doesn't need to detail a scene to describe it. That is why I am so disappointed with the middle chapters.

As others have commented, the characterization is excellent. The motley band is comprised of well-thought out personalities that Morgan has to learn to work with, which prompts the question, why a third-person narrative if the story is entirely from his point of view?

Technical issues:

Typos: Ch. 2: "I don't fancy you skipping out on [meas] soon as you get what you want."
"They seem to think there's a wee [dragpm] out there in need of rescue."

If the sixth elf is repacking his satchel, shouldn't the dragon be amidst its 'five' tall wardens?

Ch. 5: "So everyone wants to save the dragons." They were just talking about those who want the realms closed, so it would make more sense that 'not' everyone wants to save them.

Ch. 6: Only periods and commas go inside quotation marks, unless the question mark is part of the quote, so it should be "... What 'companions'?"

Ch.8: We know Gregory is the dragon and Morgan named him; it doesn't need to be repeated in the narration. Beside, the latter instance isn't punctuated correctly.

Ch.9: Unless Guy is drumming his leg, "beat" is the wrong word. It is a theatrical term that has no meaning in prose. If he paused, say so.

Typo two paragraphs later: a capitalized "Nor" in the middle of a sentence.

Ch. 10: split infinitive: They were the tallest things out here ... needed to [not] be incinerated.

Lynne Jones wrote 348 days ago

This is one of the best fantasy stories I've read for a long time. Morgan is a gruff but honourable hero and the plot is an original one. Quite often with fantasy I find myself getting the characters mixed up or forgetting who is who, but not so here; each character has a distinct identity and the names are easy to remember. The pace is fast and there's plenty of action, mystery and magic - and a quest! I've really enjoyed reading this.

T.L. Doutrich wrote 348 days ago

I thoughly enjoyed your book! This is m y favorite genre. Great writing too. I read the first chapter and will return to read more tomorrow. Definately BACKED!

T.L. Doutrich
Lilly and Thomas, Throne of Pidl

aurorawatcher wrote 384 days ago

Morgan is incredibly human and therefore flawed and I loved that! He is a hero despite his flaws and that makes him very approachable. A long time ago, a writer described a hero as "the slowest guy, so he had no choice but to turn and fight." Morgan comes to the quest with his heels dug in and he keeps balking the whole way, but he still does what he needs to do and that's human. There's always a temptation to make your lead character into a nice flawless guy or at least have him overcome his flaws. You didn't fall into that trap. Good for you! Good for the book!

LuvingSolitude wrote 386 days ago

Why is this not published?
Why has an editor not snatched this up?
Honestly, this is one of the greatest books I have ever read!!!!!!!! There so much action, and emotion, the characters are brilliant and so diverse (I am personally in love with Cinuin and gregory :)), the plot is brilliant and captures the attention from the very start with an unlikely, drunk and grumpy hero who in the end turns out to be a big softy at heart.

The plot is imaginative and brought to life with intricate, vibrant settings, though I read all the chapters up in one setting, if felt as though I had only just begun and had been transported to some mystical, brilliant world that came to life...but all too soon it was over, and I guess until more chapters are up, I'll have to let my imagination take over and concoct some means of continuation.

Words simply cannot convey how much I love this book and how talented I think you are, this is far better than many published novels out there.
Please, PLEASE put up more chapters, I am dying to know what happens!!!

Backed, Backed , Backed!!

Bron
The Endless Awakening.

j.barnes wrote 390 days ago

A nice quick first chapter that sounds like it will build up to something bigger

PCreturned wrote 403 days ago

Hi,

As promised, I'm here to have a look at your book. :)

I'll comment as I read since I find that the easiest way to keep track. Please don't be offended by any suggestions. After all, they will just be my thoughts. You can always ignore me if you think I'm wrong or stupid. ;)

(Sorry in advance for any typos, but my keyboard’s a bit knackered:()

Chapter 1: I think this is the 1st time I've seen a fantasy book start with a hungover character ;). Good for you for messing round with conventions a bit. Hmmm when he sobers up it looks like he's off to do some serious business. And it's certainly not gonna be carpentry.

I've a tiny suggestion here. I think, where possible, it's best to lead off with dialogue as it reads quicker and easier that way. eg instead of "Morgan braced his hands on his knees and spat. "I'll be there" " I'd write something like "I'll be there." Morgan braced his hands on his knees and spat".

Reading on... Hmmm looks like 2 cows have been killed by some huge creature. looks like Morgan's off to hunt this beast. And he finds it. Seems like a dragon. Wow I'm amazed at the way he fights it. So fearless. He's either v brave or v stupid. And he actually manages to kill the dragon singlehandedly. Astonishing!

I've a tiny suggestion on dialogue, though. I don't think you need beats and speech tags simultaneously. eg in " "Yes, yes," grumbled Morgan and pushed past into the room..." we know who's speaking from the action. I think just " "Yes, yes." Morgan pushed past into the room..." would work fine and use fewer words. ;)

Reading on... I like the interaction between Morgan and Guy. It's fun. Feels like they've known each other for a long time. Hmmm there's a hint at the end of the chapter Morgan's an ex-soldier. That could explain a lot.

Chapter 2: Good description of the tavern. I can really picture it. Sounds like Morgan's a regular there ;). I like his banter with Blodwen. They're only playing, but her fondness for morgan still comes through. Hmmm I wonder what the elves are doing here, though. They don't seem to fit in. Ah the elves seem to be looking for Morgan. That exaplins it.

I've a small suggestion here. I think you don't need to explain your dialogue quite so much. eg in " Solidly, the elf pursued his thought. "The female is known..." I don't think you need any of the explanation as the dialogue does such a good job of letting the reader know what's going on. I think just " "The female is known..."" would read better and faster. Your dialogue's good. Let it shine on its own merits. ;)

Reading on... I feel like I blinked and missed something. The elves want to rescue a dragon? Are they mad? I'm intrigued. What on Earth are the elves up to? Well whatever they're up to, Morgan doesn't seem to mind so long as he gets paid. He happily takes them to the location, then has a heroic nap ;). I almost laughed outloud when the elf sketched him. Really shows how arty/highbrow the elves are, even in incongruous situations.

Aha the elves are successful. they have thir dragon, safe and well. I still wonder why they want it. Odd. Hmmm and at the end of the chapter Morgan gets a firm warning to stay away from dragons in the future and any who have dealings with them. This must be connected with him helping the elves. Something serious is going on, I think...

I just saw how long this comment's getting. I guess I better stop before it grows to a ridiculous size. I'll sum up now, and then shut up. :)

I think you have a great story here, filled with mystery and tension. Your descriptions are well done, and really paint pictures of what's going on. And he dialogue is believable and feels real. I especially like the way you stretch out the tension by releasing information, little be little. At the end of each section, I want to read on and find out what new developments your story has in store. Why do the elves want a live dragon? What will they do with it? Who warned Morgan off? It's starting to feel like he's accidentally involved himself in a struggle far greater than he could have known. To find out, the reader will have to read more. ;)

I've rated your book as highly as possible, and hope you get noticed by an agent. I think there's a real audience out there for your work.

Best of luck,

Pete


Piet wrote 412 days ago

Other than a couple of typo's, didn't really see anything that needed correction. Would like to see the completed version.

maddog 1 wrote 415 days ago

Amusing, if a little shallow.

Stark Silvercoin wrote 415 days ago

Nobody's Knight is a fantasy novel that effortlessly combines adventure and humor. Many fantasy books feature characters that are larger than life, the traditional 2D heroes, tirelessly fighting evil. You won’t find them here. The hero Morgan is more of a mercenary than a crusader. And he’s very human. Basically all he wants to do is drink himself sick and work on his carpentry projects. He gets involved in a world-changing quest only reluctantly, because he needs the money.

But he also has the skills to get the job done, and a compassion that he strains to keep hidden, making him a unique character that readers will love. But he is just one of a motley crew taking on their epic quest, each one extremely well-detailed and full of both skills and flaws. Author G. M. Atwater knows how to write a “realistic” fantasy story. His talent could breathe fresh air into this genre where writers have gone to the cookie-cutter well a bit too often. It is my hope that Nobody’s Knight will spawn a series of quirky, funny, well-written fantasy novels.

John Breeden II
Old Number Seven

Ariom Dahl wrote 421 days ago

This was an absolute and utter delight. More, please. The characters I had expected to be stereotypes turned out to be anything but. Highly recommended.

Lady Isabella wrote 435 days ago

still wish to hear more of this story in adventure & what will become of the characters, etc. ...any idea or news of when more will be available? thanks~ ~lady isabella~

Lady Midnight wrote 446 days ago

Hi there, read the opening chapter of Nobody’s Night and thoroughly enjoyed it. Your writing style is clean, sharp and flows really well. I had very few nitpicks, perhaps because I was so intent on becoming acquainted with Morgan. The characterisation, even the minor one of the farmer, is excellent. The descriptions are wonderful, I felt as if I was there. I wish you the best of luck with this and happily give it my backing.

Pitch.
Tight and focused, giving enough of an insight to the story to draw the reader in.
Chapter 1.
Hangovers and dragon slaying make a bloody lousy mix. Great opening line.
(Some time) later, he glanced down at the chest containing the tools of his everyday trade… Tight description, giving the reader a brief glance into Morgan’s “normal” life. The bracketed word should be one as in: sometime.
Massive tooth marks confirmed the predator’s identity, (however). (Everything he needed he carried with him…) I don’t think you need the 1st bracketed word. The next sentence is a bit confusing, in that it carries on from the 1st. I think it would be better placed in the previous paragraph, ie: “I know.” Morgan nodded and winced as his brain thumped the inside of his skull. Everything he needed he carried with him…
Finally the tracks vanished on the edge of a bluff…Few chose to dwell so near the Gwaun Mawr… The description in this paragraph is wonderful. It paints an immediate picture of Morgan’s surroundings.
There he spied a cleft in the hills, its top crowned with elbows of stone. As above.
The servant caught up in a flurry of slippers… This is great – made me grin – I could see the man scuttling after Morgan.
Guy’s ruddy features (bent) into an indulgent smile. The bracketed word didn’t work for me, perhaps: creased into an indulgent smile.
…and sketched a short bow (ere) turning away. The bracketed word jarred with me. After the clearness of the rest of the narrative and dialogue, it somehow seemed too florid.

grantdavid wrote 467 days ago

G.M.A., "Nobody's Knight" is a fine tale of olden-time, which well deserves its good prospects.
I can't help thinking, though, that a reading of the "Mabinogion", or the Norse Sagas, or even Eric Linklater's "The Men of Ness", would help tone down your admirable but over-rich description; for those stories indicate the unadorned prose of such times, narrating actions by stark characters in bare landscapes, yet allowing for pithy dialogue, and vivid episodes. Admittedly, "no dragons be here", and I don't. suggest emulating the old-'uns, but my fear is that our editors might pounce on too much elaboration, or lapses like "Ta" for "Thankyou", or too strong an author's voice in some wry reflections about characters.
Very confident that you can correct much of this, I'm starring this book generously and watchlisting it for now.
David Grant,
"Pompey Chimes"

Richard Daybell wrote 474 days ago

Good comfortable writing moves this along at a sprightly pace. Morgan makes a dandy protagonist; I particularly relate to his thirst. The dialogue is right on as is the sense of humor.

Juliet Ann wrote 478 days ago

NOBODY'S KNIGHT - Morgan is set up nicely as a reluctant hero – so when the elf and dragon turn up his reaction to them comes across as in character. The quest is clearly defined early on giving the reader a sense of plot and pace. I think the opening chapters would benefit from more excitement and suspense – Morgan’s slaying of the dragon and then taking the elves to collect the whelp happen without incident (the same with the slaying in opening chapter). Having Morgan close to death early on, would help the reader to invest in him and care about what happens next. Give the reader a scare.

There is a humorous undertone to the writing and this also comes across in the pitch – however the humour seems to come from Morgan’s observations, rather than the narration/situation itself. I wonder if Morgan’s constant need to make light of situations and characters will be enough to sustain the humour and whether his irreverence will become a little wearing.

I think other central characters would benefit from being rounded out earlier – particularly the elf that later turns up at Morgan’s with the dragon. Morgan’s character is dominating and this elf is little more than a shadowy mythical figure – being an elf (with all the stereotypical connotations attached) makes it even more important to establish character as distinct and memorable.

The setting with the peasant huts and tavern is pretty easy to picture, but it is also not particularly original – I think you need to work at making your magical world, different to those that have gone before – what other creatures are going to inhabit this land? What would make your story/ setting different to others in this genre?
The read was smooth and easy – not sure who you are aiming this novel at? I did find Morgan being sick in the opening scene a little off-putting and it didn’t endear me to him, but dependent on your target audience, they may love that kind of humour.

I hope my notes are of some use to you – but this is not a genre I am hugely familiar with (except through watching film). Ultimately it is your book and only you know how it should be written. Juliet

Ian Thomas Curtis wrote 479 days ago

Very good continuance into the story. I like how you really waste no time in moving the tale forward, but in a way that feels natural and unrushed. Morgan seems at home in his atmosphere, and you allow the reader ample opportunity to get inside his thoughts and find out his reactions toward things. A mysterious potential enemy and a wrinkle in the plot (leading the elves to a baby worm) were good to continue our attention. All in all, a well told portion of the story. Ian.

Lady Isabella wrote 489 days ago

Love it, love it ! Funny, entertaining & I can`t wait to see what happens next! Please tell me there is more to come & soon? TY TY TY! ! : D ~Lady Isabella~

Ryan Holmes wrote 492 days ago

Nobody’s Knight is a unique and fresh approach to fantasy that redefines one of this genre’s sacred cows: dragons may be animals larger than life, but they are animals, mortal and magnificent, yes, but beasts like any other. Enter a world with reclusive elves and men who conquer all in their sight. Nothing is sacred not even the greatest of fantasy beasts. Will the dragons of this world meet a final end? Will the unlikely hero, Morgan, help bring upon that end, or will he go against the odds and change his world forever? Either way, you can be sure to enjoy the ride in this masterful machining of quality characters and political strife. This is an amazing blend of dialogue and description that immerses the reader in seamless storytelling. Backed with pleasure!

Ryan Holmes
Age of Resurgence

Pia wrote 492 days ago

G.M. -

Morgan, the Dragonsitter - the unflappable, down to earth hero first encountering the enigmatic elves, with faces so coldly handsome a man found them uncomfortable to look upon ... their metronomic gait ...
Soon between two rocks, Morgan's heart makes the choice, and what a glorious escape. And while his family and friends are thrown by his choice, he inspires their respect. A brilliant character with dry humour engaging with Cinuin, the elf, a great pair. I'm happy to follow this story wherever.
Great premise, the devision among humans as well as among the elves as to whether the connection between the realms should remain open. And the baby dragon is one of the last to uphold this possibilty. This stands for something ever vital. Love the style of writing, love the story. I came back after many months to rate this highly and refresh my comment. I did not recognised the title image, you may have changed it. Pia

Ian Thomas Curtis wrote 493 days ago

A dragon slayer turned dragon savior? Interesting twist. I've only read chapter one so far, and find it a suitable "ground floor" to get in on the story. I'm not fond of profanity in fantasy fiction; but that is my personal preference, not a particular hindrence to your writing style. You have something of an anti-hero to begin with; I'm interested to see where you go with him. Does he aspire to greatness? Or does he do what he must grudgingly for the entire tale? I'll keep reading to see where you go, and look forward to the next chapter, Ian.

eurodan49 wrote 494 days ago

Hi. I browsed through the first few chapters, that’s all the time I had. Though fantasy is not my forye I enjoyed your work enough to back it. If you would like a specific chapter critiqued, tell me which one and I’ll do my best.
Your comments and backing of my book will be appreciated.
Dan

Ryan Holmes wrote 496 days ago

Read through chapter 2. Very good story telling. You present a flowing style, command of dialogue and narration, and enjoyable characters. My only problem with it is the apparent ease Morgan had of killing a dragon. This scene didn't seem very believable. I should think killing such a beast is still the crown jewel of fantasy fiends, one only undertaken with vast numbers, or great strategic advantage unless our hero has near god-like abilitiy. If such a thing can be accomplished by a single ex-soldier than you may want to give the reader a clue as to how and why. Otherwise, they may set the book back down with a dismissive, "Whatever!" Personally, I would find the notion of volnurable dragons interesting and want to read more if I had a taste of how or why. Still, I can find no major fault with the work. There were two typos in ch. 2, meas, and dragpm. I hope you find these comments usefull. Feel free to lay into my own work. Rated with 5 stars. Best of luck. I will read more when I can.

Ryan Holmes
Age of Resurgence

Illusion wrote 497 days ago

This is good but I couldnt quite connect to the characters through the first chapter. I think this is something that should be done straightaway so the reader can get right into the book. For me it is important to connect with the characters.
I like your style of writing and the speech differences you have used. Good combination I thought.

Rated :)

If possible could you take a look at my manuscript. Thank you

Lesley-Ann (Ezeldren Spirit of Ezereth)

Linda Brendle wrote 513 days ago

Hello Gloria,
Thanks for your recent backing of my book. I read the first two chapters of Nobody's Knight, and I'm captured. I'm putting you on my watch list for more reading as time permits and for a place on my shelf as soon as one is available. Best of luck with your project.
Blessings,
Linda Brendle
A Long and Winding Road, RVing with Mom and Dad

Jim Heter wrote 524 days ago

Gloria, welcome back1 I've just caught up with you again. This is still one of the best. Jim

bcarrera wrote 530 days ago

Fantasic start!! Just the right amount of seriousness mixed with the moments of life that are amusing. The hero Morgan is exactly who everyone of us would like to be. Resigned to his fate, wanting to be left alone, and finally summoning the courage to stand up and act. I hope to read more.

Bill

Jaye Hill wrote 546 days ago

Absolutely brilliant. What can I say that the others haven't already said. And it doesn't help that your prose is so splendid, - lean, muscular and rhythmic - that it makes ye humble critique looks even more rubbish than usual. Loved the characters and that's what good books are all about - getting to know and have as friends characters that you love., outlined in a few succint phrases, Guy, a be-ringed finger flicking the servant away, Gregory 'How did yellow eyes by day translate to swamp fire green by night?' In fact there's at least one excellent line in every page, nay paragraph practically. On the death of the elves 'An internal storm door locked in Morgan's mind'; when crossing the bog Gregory 'peering round with an expression of reptilan worry,' and 'the fog's chill veils brushing the travellers' faces.' I want to buy copies for all my friends so make sure you get it published Jaye

Michael Parkour wrote 555 days ago

Okay. Morgan's mortal, liked the dad too. Your dialogue is perfect. The "ere" happened 3x in 3 para at the top, I rec one at most. At the walk past the black smith, I rec a pop of fear narration about the dragon encounter at the lair, you used that black smith analogy then, echo it hear and again, a little fear just before the warning would give some bigger pop to the scene.