The Lamia

You do flashbacks effortlessly. Smoothly guiding the reader into the next scene.
This is not always easy to do, so well done on that.
The story is interesting, especially as it's supernatural, my own genre.
It's origional too. I've never heard of a Lamia!
Writing is intelligent and flows well. Not stilted, very smooth.
Only thing i can find to critique is your choice of cover!
The woman looks really evil in it. I know they say 'You can't judge a book by its cover,' but it is the first thing people see and I find myself put off by the cover of a book when comparing what to buy.
i hope that's ok, the story is really good, though.
best of luck with it.

I'm on chapter 10 but I feel I shouldn't keep the author waiting to hear how much I'm enjoying this story. What starts out as a hard-boiled DEA procedural with a wispy supernatural undercurrent really catches fire when the MC, Dema, gets into trouble with the bad guys and her hidden potentialities rise to the surface. While the drug trafficking investigation is good, workmanlike writing on its own, the supernormal elements are so carefully delivered that the realization of what's happening is entirely believable to me. I'm worried about Dema, confident with the narrative's direction and reading it with uncommon delight.

What a fascinating story - I wish I had this one on Kindle.
The relationship of the sisters is touching and sets a nice background, and then we are straight into the action. The intrigue carried me along, the insight into the seedier side of life seeming realistic, and the anti-drugs message so appropriate for our times. Who won't be rooting for the good guys (or gals) to win!?
The growing sense of mystery carried me along, and I was not disappointed. I'm up to 10 and I can't put it down.
Lovely writing, easy to read - you deserve to get ahead with this one. Full stars and backed. Good luck!
JayDee
The Chronicles of Eva

Fascinating premise. Combining hot-topic current events, cops and robbers, ancient mysteries, the mean streets of Chicago and the timeless landscapes of the Southwest, this book has it all, written in a clean, clear style that doesn't scream "Look at me!", but allows the reader to slip comfortably in a strange world the pits ageless intuitive wisdom against the cagey wiles of amoral, exploitive greed. A cautionary tale for our times that offers an alternative world view to boot. Backed.

Certainly a unique angle for a story. I love that it delves into a spirituality, but does so with a very modern setting and problems. The relationship between the sisters is set up nicely in the first chapter; their dialogue is believable and makes them seem like real people we can be concerned about. Well done.
---Mary
The Qualities of Wood

A Nice, descriptive and well written book. Your writing style is very impressive, dialogue are realistic with vivid charachters and narrative is at great pace. Highly rated.

Reads like fine Chandler. Backed.

I read through the first two chapters and I think you have the beginnings of a great book. The premise for the story is fresh and different from anything I have seen here before. Both your short pitch and your long pitch are solid, drawing me in to make me want more. Your dialogue felt natural but there were a few times when I thought it needed to be broken up a bit with a character action or something. This is not a big deal and only my opinion. You have a smooth rhythm that makes your story an enjoyable read. All in all I think it’s a great story. Thanks so much for the read and I wish you luck. High stars to you!

Hi Jim,
I’m here for our read swap. Sorry it’s taken this long to get here. Below are my findings/comments. They are of course my humblest opinions, so please take them for whatever they’re worth.
The word order of your short pitch doesn’t work, or at least it doesn’t say what you mean to say. Should be “Driven by the loss of her sister to become a DEA agent” Otherwise you’re splitting the sentence in an odd way.
Might behoove you to quickly explain what Lamia means for us morons who don’t know :D.
I love the premise here, but the pitch kind of reads more like a synopsis. Whittle out some of the backstory. Remember, your goal is simply to lure the reader into opening your book.
Part 1
Don’t underestimate the effectiveness of a strong opening-line hook. You might consider reworking this one. I don’t think they always have to be, but sometimes it makes for a smoother read.
Effective flashback. Really helped enhance the story and pull the reader in.
I think the imagery could be amped up a bit. Where you use it, it’s very good.
A great start. Love the MC and your narrative voice. I can see this doing well here. Did you create the cover? Love it.
Best of luck.
Phil
(Deshay of the Woods)

You do flashbacks effortlessly. Smoothly guiding the reader into the next scene.
This is not always easy to do, so well done on that.
The story is interesting, especially as it's supernatural, my own genre.
It's origional too. I've never heard of a Lamia!
Writing is intelligent and flows well. Not stilted, very smooth.
Only thing i can find to critique is your choice of cover!
The woman looks really evil in it. I know they say 'You can't judge a book by its cover,' but it is the first thing people see and I find myself put off by the cover of a book when comparing what to buy.
i hope that's ok, the story is really good, though.
best of luck with it.

The Lamia

Jim,

This is a very interesting premise for a story. Dema is a great MC. Strong, intelligent, but with a softer sensitive side as well. A wonderful female lead. I read the first three chapters and then skipped ahead to chapter 14. I love the part about the Lamia herself. That fascinates me.

All the makings of a wonderful story. Nicely done,

Sharon
“Lykaia”



Chapter 1:
Good first chapter. We get a good insight into Dema. The flashback worked well to show us her last conversation with her sister and her heartbreak over loosing her.

Chapter 2
I like then interview of the guy at the park. Good job. You have a paragraph that begins with “And so Jeff took Dema…” You are narrating there. If you re-word that a bit it will flow better.
You have “totally preoccupied” Totally is one of those words that is supposed to bring the level of your writing down. Don’t feel bad, I totally use it too much also.

Chapter 3
Abduction..interesting.

Chapter 14
Love this chapter.

SF42

Hi Jim

I've read 17 chapters - by far the most I've ever read on here. It is well written with a very good premise. My notes:

Head turned as she went by - what are you saying? Are you meaning that she's attractive and so drawing everyone's eye? Or just that simply being the only person moving naturally draws looks as she goes by? If it's the former then it would be worth stating that a little more clearly; if it's the latter, again it could be more clear, if it's necessary. As is, it doesn't really add anything except questions. Unimportant questions which have made me waste nearly a minute typing instead of reading!

'trying to help track down' - doesn't read right to me. Is she TRYING to help, or helping? She'd be trying to track them down, yes, but trying to help? That one word makes me imagine that she's really only getting in the way.

'she thought(.) I've found Kore!

You say that sudden emotion engulfed her, but why not show us. It's a little weak at the moment - it just reads as though she feels sorry for the victims; I certainly didn't expect to read about her sister. Show us her heart nearly break a rib, her hands shaking, perhaps dropping the file, the sick feeling she'd have... Again in the next paragraph, you say it turned into another emotion entirely, but don't make any mention of what it might be. We assume it's sadness and disappointment, but for all we know it could be relief that she doesn't have to see her evil twin again.

Wouldn't her hands have stopped turning pages already?

He went back to his desk? Why did he go over in the first place?

The sentence starting 'Jeff drove up on Broad...' has 3 ands in it - I don't think you can get away with more than 2.

The last part of chapter 2 - where he asks her to dinner - isn't written as well as the rest. It's like you just rushed to get to the end. Just those two sentences.

Tonia?

'depth and strength (than even) she knows.' I think that would read better

The door lock just happens to be broken? Very convenient. I'm guessing that maybe these powers of hers told her it would be, without her realising, but perhaps you should do something to gently and subtly allude to this.

'raises her hand and beckon(s) to it'

For the most part the dialogue is good and natural, but now and then it...isnt. I find this mostly with her and Sedna.

I think her transition and thought process and whatnot once she is back at Sedna's house goes on ever so slightly too long - perhaps just one chapter too long. I found myself skipping chapter 16 altogether in order to find out whether Dema ever leaves the house again.

Lastly, can you point to where we can see that this is sci fi?

I think it needs an edit for things like unnecessarily long sentences, words that can be removed to make it read smoother and more snappily, and so on. But otherwise it is good and should do well, I think. I will back it. Good luck with it :)

Dear Jim,

I like stories that deal with mythological concepts in a realistic manner and try to offer rational explanations for them. That said, I enjoyed your story immensely. Your writing is flawless and the pace is just perfect. I’ve read till the end of chapter 7 and will be compelled to read on. It reminds me so much of the Darkness / Witchblade storylines.

I have a small suggestion which you may find useful.

This is how I would’ve liked the events to have played out: When Dema wakes up in the cave and finds that her wound has healed she is unable to fully recall the past night’s events. She can only remember bits and pieces. The black car. Hands searching her. Violating her. Sudden rush of panic. Pain. Blood. A black snake. Did it speak to her? What did it say? And then she slowly works her way out of the woods. (Let her not reminisce and think of Shamanic lore just yet. There’ll be time for that later) As the day progresses, she notices the subtle changes taking place in her and becomes more and more confused, yet somehow also able to take comfort in her slow transition. (Its better not to explain her change in terms of lower metabolism and things like that. It’s sufficient to say how she’s feeling. The reader should be able to draw his / her own inference) She manages to reach her motel room and fall asleep. And then, she’s back in the strange dream again. (This way, the reader will be able to identify with Dema and become a part of her mystery and confusion)

So, that’s that. I’ll get back to you if I have anything more to add. Meanwhile, Lamia has slithered her way onto my bookshelf and coiled up comfortably.

Regards,
AGC

I'm on chapter 10 but I feel I shouldn't keep the author waiting to hear how much I'm enjoying this story. What starts out as a hard-boiled DEA procedural with a wispy supernatural undercurrent really catches fire when the MC, Dema, gets into trouble with the bad guys and her hidden potentialities rise to the surface. While the drug trafficking investigation is good, workmanlike writing on its own, the supernormal elements are so carefully delivered that the realization of what's happening is entirely believable to me. I'm worried about Dema, confident with the narrative's direction and reading it with uncommon delight.

Hey Jim,

Finally got round to The Lamia and was very impressed. Nice opening, efficient sentence structures that match the pace and tone of the story and a nice, interesting female lead character – I found myself wanting to know more about her relationship with her sister.

A couple of suggestions:

“She was early, because she wanted more time to review the case files.” – In novels I think it is much more effective to use commas sparingly and only when necessary. With short sentences like this in which the information after the comma is a continuation of the part before (and not additional info/clarification) I think it is preferable for the reader if the comma is omitted.

“Jeff said you’re as good at that as we were told you’d be.” – slightly awkward/unnatural speech.

“Culver,” he said, “You’re going out...” - It is my understanding that this requires either a full stop after “he said” or a lower case y for “You’re”.

A small formatting thing:

The paragraph beginning “Dema took a deep breath” begins two lines down from the one above it and two lines above the one below it so it looks like a section brake instead of a line between two paragraphs. This tripped me up slightly and may need fixing.

Hope that was useful!

M

(P.S. If you are at all interested, Jim, I will be putting up part two of “The Forever Dark” today...)

The Lamia
Title: the only problem with a strange name like ‘Lamia’ in the title and elsewhere is that you have to explain it. I guess it’s OK in the title, where you can’t really explain, but in the pitch it continues to raise questions.

Short pitch: this is basically grippy, as it should be, but again the ‘Lamia’ name holds it up. Maybe all it needs is something like a precedent clause: ‘destined to become an incarnation of the ancient shaman, the Lamia.’ What do you think?

Long pitch: It’s too long. Those first two paragraphs are unnecessary, at the most the business of the ‘oath’ might be important but, without the story context, it is just another odd thing for a reader to be confused by. Remembering that the pitch is there to sell the story to a reader I would cut P1 and P2. And your tag line ‘The gods… doesn’t add anything either in a pitch blurb.

C1: I felt the bit about the Carpathian mountains was odd – given what follows immediately. Maybe I’d get this if I read really well into the story but coming up front like that kinda makes the reader expect some immediate connection.

It is clear form the off that you write very well. However, my feeling straight away was that there were just a few too many descriptives: ‘oil-stained…chipped…century-old…big wooden… age-darkened.’ It just overloads the text of that all-important first para. This tendency fades as one reads on but then there is a new similar overwrought tendency –that of too much information too close together. The paragraph about the sisters simply contains too much physical descriptive dump. How much of this is actually necessary to the plot?

I got a little of the same feeling as I read into C2. Here your description of the car seems unnecessarily detailed. I mean if it’s a police car surely the reader expects it to have a radio? The more I read into this the clearer your style became. I think you are happier with the somewhat quicker paced cop stuff. It seems to work fine.

Generally, at 122k words, this work is in need of that dreaded heavy edit. I think you need to examine the usefulness of each element in a scene and determine if it is valuable enough to survive your editor’s knife.

Jim - Read chapters 33 to 44 (inclusive)

You've managed to maintain the high standard of writing you set in the early chapters. The story of the development of Dema's shaman powers is very absorbing.

In the middle of the book there are a number of chapters that tend to follow a repetitive format. Dema drives to the drug dealers lair - she overcomes the bad guys - retrieves information about their drug operation - tells Sedna - calls in at the office. I know this is an over simplification. I was wondering if you'd consider mixing things up a bit and injecting the format with something a bit left-field?

I was pleased that the plot starts to change around chapter 38 as Kore rejoins the story. I sensed your enjoyment writing about Dema & Kore's reunion. I've left it at chapter 42 but will return to finish reading. Aside from the point I've made above I have nothing negative to say.

Gareth

I do not read other peoples work when I am writing and currently I am writing. However, speed reading some of this has shown that this is a strong story. I'll not comment on any other apspects except to say that it seems well written and constructed. One day I will read it all and I'm sure I will not be dissapointed.

Michael J McKeown

SF42
Jim
Read through Chapters 20 to the end of 32. That blank piece of paper next to me now has some notes scribbled on it. My general feeling as the reader is that you really love writing about Dema's feelings and her skills. Those elements of the story really flow and are very engaging. However, I don't get the same feeling about the overall detective plot at this stage in the book. Both the Philadelphia and Chicago missions follow a very similar format and once Dema has used her ability to thwart their evil, the storyline is too quickly concluded.
The conversations between Dema and Sedna work well but I didn't think you needed to recount the whole mission at the beginning of Part 2; I'd just read what happened at the end of Part 1. I don't want to come across too negatively because it is a very interesting story and I'm hoping the plot now starts to move in different directions.
Just one more thing. Please cut down on Dema's make-up applications. It might be because I'm a bloke and the aggravation of being kept waiting has left a mark.
Gareth

SF42
Jim,
Read to the end of Chapter 20 and enjoying an absorbing plot and some great ideas. Pleased at the scientific theories put forward in Chapter 20. Just one minor thing. Because the characters in her dream state are not named I got a bit confused between the different girls. That might be because I'm a bit thick.
Will continue.
Gareth

SF42
Jim,
Read to the end of chapter 10. I have a blank piece of paper next to me to note down anything that strikes me as a problem. The paper's blank!! No problems at all and the story is totally absorbing and very well written. I shall continue tomorrow.
Gareth

SF42 - I've read the first 3 chapters. You write very well. I immediately feel comfortable that I'm being guided through the plot by a skilled story teller. My thoughts keep going back to the opening paragraph which hints at something very special to come. I like that device. The dialogue is excellent and I can hear the voices clearly in my head. Looking forward to getting back to this story.
The only thing that's slightly nagging at me are the names Porky & Turk. You didn't write this around Christmas by any chance?

I've been meaning to get back to your novel for some time and now the visitors are gone and I've caught up a bit and can read on. I've read through to chapter 8 now and will happily read on, hopefully later this week. The story has really taken on its depth now and I find that you've settled into the narrative well and it grips the reader. The premise has always intrigued me and in the last few chapters I really got to the nitty gritty elements that are unique selling points of this novel. The transformative power of snake healing is a great turning point for this novel and the main character.

The main element you might want to focus on to strengthen the novel is the areas where you go into the backstory of Kore and Sedna. Compared to your later narrative they come across more awkward and filled with extraneous and sometimes repetitive information. In Chapter 4 it is mostly devoted to this backstory and I have to say to me it really slows down the narrative. I would combine 4 & 5 and reduce down the flashback into just a brief thought about if it hadn't been for Kore she wouldn't be in this situation. Really you already told us that in the first chapter. Since it is a familiar story of "poor girl fallen into bad ways of drugs" you don't need to keep reinforcing it and, for me at least, the dialogue with Sedna seems unnecessary. You might consider instead just feeding bits of her relationship with Sedna in over the narrative, one sentence here, one sentence there. The scene when she is thinking of her grandmother and the shamanic healing is good, because it's unique. You might want to polish that up a bit.

The transitions into and out of the flashbacks are awkward so in chapter 5 you might consider re wording the sentence and go directly into the car winding up the road: "The car began winding up into the hills, Dema, still bound in the backseat, Porky drowsing besider her and Turk and Vance exchanging banter up the front." Later in the paragraph you might consider rewording a sentence: Dema, tired and drowsy was only vaguely aware of the wooded stretch they entered."

Most of this is just tightening and polishing and doesn't detract from what is proving to be a good tale. Kristin

I've read the first three chapter so far, but I'll be back to read some more. You have an interesting plot twist and I do want to get to that portion of the story. That you write and edit text books is reflected in the good quality of your writing. This is a good opening, with Dema established well in the opening scene and the issue that arises out of her scan of the mug books. You might consider making the transition to the backstory a little different, or really just threading it into conversation a little later on. Or you can have the fellow point to the picture and say how it looks like her sister and she could just tell him. For me it seemed a little soon for a flashback, but that's just me.

The other two chapters I found very well constructed with great pacing and good characterization. You create some nice tension in them as well, especially in the third chapter, which builds nicely. There is just one part of your dialogue where you have one of the cops say "bad guy." That just rings so lame. I've known many Philly cops and they would laugh to read that. Try thugs, if you don't want to use bad language (which most of them would, by the bucketfull). Also as a Philadelphian I would wonder about jogging in Hunting Park (maybe it's changed but it used to be pretty bad there). By Roosevelt, I presume you mean the Boulevard, which is what they would say, otherwise they would assume you mean the high school. There aren't any marinas on the Schuylkill, only Boathouse row for the rowing clubs--it's not a big river. You mean the Delaware which is where mafia and other drug biggies have their boats. These are just really small nits that I know if I don't mention it, some other Philadelphian will. It's a good read and I'll be back for more. Kristin

technically very good. nice flow. the chapters are a good kindle length. my comments are about what broke the flow for me.
chapter 1:
reminded me of [someone] I knew
[Someone] I couldn't help
I might even put in a # / * * * at the scene break or soften the transition.
detail: does she have a work board posted with photos of known actors with lines and bios?
opinion: the name Kore threw me. It's just so unusual. Pronunciation, nationality?
chapter 2:
bad guys - not in character. perps?
last paragraph, too many So starts
chapter 4:
flashback seems awkward. doesn't seem to add to the plot. I would take just the last two paragraphs and stick them into the chapter one flashback to ease back to the detective squad room.

Scott Rhine (Jezebel's Ladder)

The Lamia
Fiction, 3rd Person
The premise for this story is really compelling, interesting and the pitch is well written, promising a fantastic plot.
Chapter 1 has some very good apsects, the setting is neatly presented. For example, I really like "oil stained pavement and chipped granite stairway"... those small features give a really strong visual. Using the missing girl to introduce the missing sister was very clever, also.
I was distracted by the POV shifts in the first few paragraphs. When she walked into the room, it seemed to be 3rd person, but then Jeff's eyes followed her. That led me to think this was now his POV. Then it seemed to shift to Dema's POV.
IMO, the recalled conversation between the sisters was somewhat melodramatic. It didn't read true and the characters seemed very contrived. Maybe that was intentional since it was a recalled scene... But it pulled me out of the story.
There were occasions that I thought the paragraphs would have presented better if broken up. For example; "Dema looked up to see Jeff standing in front of her desk. She knew that her emotions were naked on her face." I think the next sentence should be a new paragraph, because you are now changing subjects. "Jeff said...."
The mechanics, punctuation were good. I didn't notice anything wrong.
IMO, the first Chapter would benefit by ending in a stronger hook; something that would keep the reader engaged.
The pacing is good, easy to read and enough action to pull the reader along. That's good, because this is a large piece. 122K words is on the upper end of Novel length. Some publishers might shy away from a MS this long from an unknown author.
While I didn't read past Ch 1, I wonder if you could streamline it. For example in the recalled dialog between the sisters, there was some repitition. The redundancy might be why it seemed contrived.
These are just observations. I don't mean to sound harsh. Keep in mind that your voice is strong and clear. Your vision is marvelous. I wish you good luck with it.
Raechel
Echo

I am no critic or reviewer so this may be slightly rambling, and I am slowly but surely working my way through the chapters, honest. I am not reading anything else it is just a case of too many other things to do.
There are two stories happening here: the shaman detective; and the myth. Somehow, I can almost see them separated and made into two different books. The myth which is working as the back story to Dema being the way she is, could easily be reworked into its own story, and I believe, could have potential for the origins of vampirism, for I take it you are suggesting with the Carpathian (Transylvania) connection that some early form of shamanism was misconstrued, and interpreted as vampirism, hence Dema’s propensity for drinking blood as a means to remote viewing. This is why I feel the back story myth is possibly a little too heavily weighted in relation to the present day action: Dema’s crusade against drug crime.
When I first read your description, I imagined a cross between Castaneda and V. I. Warshawski, i.e.: a sort of tough detective who just happened to also be a shaman. I understand your original recourse to weaving in ancient myth as an explanation for Dema’s transformation, but there must be a lot you could draw on from ancient cultures on the North American continent. I really like the idea of a drugs enforcement officer who uses mind expanding medicinal concoctions to obtain a greater awareness, in contrast to the people she is busting who use drugs to exploit and lose themselves. Unrelated, but moving in portrayal, have you ever read A Scanner Darkly? A detective who goes so deep one almost doesn’t know whether he has infiltrated the drug scene or the drug scene has infiltrated him.
I particularly liked Dema’s dream state, while lying wounded in the snake cave; and her grandmother’s description of her induction into shamanism. I can imagine Dema’s transformation being more metaphorical, the subtlety of it adding greater depth to the story.
I have a suspicion that you want more, to go deeper and are seeking a way to do this. You mention that we cannot all be James Joyces. Maybe not, but we can be our own true voice. I take it you have a good job and are not in want of money, have the modern stable comforts, regular friends and family etc Well then, you are free to write as you please and what you truly believe, to make it as truly crafted and as beautiful, dark, scary, poetic, as you can. You give me the impression there is something niggling you that dissatisfies you with this work in its present form. Well if that is so but you still believe there is something that can come out of it, go to it. Do not believe you have to compromise. As for the malarkey on this website and the desperate need by so many to get to the editor’s desk, I have the impression Harper Collins are yet to publish a book discovered on Authonomy, so as far as commercial publishers are concerned they are really only looking for money spinners. A friend once said to me chasing money is like chasing shadows but when you follow the sun the shadows follows you.
These are just some ideas; I thought it high time I gave you a little feedback.

What a fascinating story - I wish I had this one on Kindle.
The relationship of the sisters is touching and sets a nice background, and then we are straight into the action. The intrigue carried me along, the insight into the seedier side of life seeming realistic, and the anti-drugs message so appropriate for our times. Who won't be rooting for the good guys (or gals) to win!?
The growing sense of mystery carried me along, and I was not disappointed. I'm up to 10 and I can't put it down.
Lovely writing, easy to read - you deserve to get ahead with this one. Full stars and backed. Good luck!
JayDee
The Chronicles of Eva

A fascinating mix of modern and magic, this has a great plot and a great MC. It is well written, realistic, with gritty undertones and a fast pace that sucks the reader along. One nitpick is that Dema's flashback doesn't quite fit into the pace at that time.

Best of luck!

Selena Hallahan - 'With Teeth'

Definitely something I could become engrossed in very quickly. Backed and rated.

Cat
"Lies & Love"

Greetings Jim, I'm reading "The Lamia" now and will gladly back it with stars. Many thanks for backing "The Doctor of Summitville." Best of luck, Bill

Jim -

The Lamia - A riveting story. I came to ch 6 with Dema running for her life and ending up wounded in the cave with a crowd of black snakes. Huh. I saw you like Joseph Campbell whose knowledge and understanding of myths was phenomenal, and inspiring. You do an interesting weaving of shamanic traditions with the modern world. Maybe take out the occasional pesky 'had' and 'that' where not needed.

Backed, Pia (Cours of Mirrors)

The Lamia - Adult Dema Culver is an engaging character who is haunted by the sudden and unexplained disappearance of her sister years ago.
The author writes realistically, the dialogue is crisp and though the characters are briefly drawn their personality and appearance is apparent and to my mind, this is a skill not easily achieved. I particularly liked Dema's use of her gender to extract information from an unwilling source. Descriptions of cityscape and countryside are well observed and Dema's background, interlaced with her back story in bite sized pieces, added to the tension and mystery of the work. Dema's hiding place upon being shot and pursued was the hook that kept me reading into the sixth chapter and on into the seventh. A book set in modern times with an age old legend at its heart makes this more than an enjoyable read.
Nitpicks: Dema and Kore - how old are they when Kore tells her to keep away from drugs? It might be an idea to work their age at this time into the story. From the dialogue between them they sounded young but the question was how young as Kore went out at night alone. There are a few typing errors I have no doubt you know of already but thought I'd mention them just in case.

Child - Atramentus Speaks

A fascinating read, with an unusual plot. I welcomed the fact that she was drawn into the spiritual realms, as that is my favourite place to be. This is an original piece, and I am happy to back it. Eunice - The TempleDancer.

Fascinating premise. Combining hot-topic current events, cops and robbers, ancient mysteries, the mean streets of Chicago and the timeless landscapes of the Southwest, this book has it all, written in a clean, clear style that doesn't scream "Look at me!", but allows the reader to slip comfortably in a strange world the pits ageless intuitive wisdom against the cagey wiles of amoral, exploitive greed. A cautionary tale for our times that offers an alternative world view to boot. Backed.

Jim,

What a fascinating premise. The combination of shamanism and drug thriller is not one I've come across before, that's for sure.

I read three chapters and this is a good and fast moving read.

A few minor observations:

--early in chapter one hair brushes against a cheek, it wasn't entirely obvious that this was Dema's hair brushing against her cheek; and

--in chapter three I was surprised she didn't take her gun with her when she went out, I would've expected an agent to do so.

Otherwise, though, I found nothing to comment on. I enjoyed this and would happily read more.

Backed

You have a great book here Jim and I'm Pleased to back it.

Many thanks for backing THE SECRETS OF THE FOREST - THE TIME ZONE.

regards,

Neville (The Secrets Of The Forest - Series)

You provide us an outstanding fantasy with a clever plot and fascinating characters. Rich imagery. Polished writing. A remarkable read. Backed.

This was always my favourite poem by Keats. :)
Well written and involving. Dialogue is a strength and the background comes across as authentic. Characters convince and the mysticism is 'believable'. Happy to support a fellow fantasy writer.
Jim Darcy
The Firelord's Crown

Dema, an officer in drug enforcement, driven by the memories of her drug-haunted sister's disappearance. She turns out a real asset when questioning informants, her being a charmer, and she and Jeff start closing in - slowly - on Tonio. If Dema would learn to listen to her instincts, she wouldn't be in the mess she finds herself. Still, 'the Culver women are stronger than even most of them know'. Excellent action scene as she escapes - yetch, snakes - the phobics will love that. But this is where Dema finally finds herself...

'It is not good,' replied the snake. Thus we move from the squalid dives of drug dealers into the mythical realms of shamanism. Dema is transformed, though she does not at first realise it. And the story is transformed too, from an exciting crime mystery into something quite extraordinary, and a refreshing change to the usual 'supernatural' fantasies that abound ... backed.

Possible nits: The characters use each other's names in dialogue a bit too often, which can sound unnatural.

Soory. Forgot to add that I would love to back it. Jerry [paperbat]

I personnaly loved this book [ch. 1,2 and 4]. I might add however that to make it enjoyable to a wide audience, make sure you fill out the relationship story threads, so readers can emphasise more. All the best.
Appreciate you looking at my childrens' book .
Jerry [paperbat]

Dear Jim,
I really like your use of dialog in the opening chapter. You're telling 3 stories all at once, and each one is clear and not confusing in the least. You have an excellent fantasy and a crime story all in one. Great job!

BACKED
Elizabeth Wolfe (MEMORIES OF GLORY)

This is very well written and engaging from the first chapter. i will keep it backed to finish the rest of it. Very best of luck.

A book that draws you in so that you want to read on and on to find out what happens to Dema. Just one point, in your pitch you refer to the DEA - I wasn't sure what this was until I started to read the actual book. I would have welcomed the full title of the agency so that I knew before I began to read.
Backed
Robert Davidson
THE TUZLA RUN

Dear Jim,

I would say a very well written book. Gripping story. Backed.Hope to see you reciprocate.

Regards,

A Skein of Geese

I like the way that Lamia uses touches of the ancient "feel" (names, snakes in caves, Granny Sedna...) in a modern setting, it gives it resonance and depth. It is a refreshing change from the slew of vampire/werewolf/zombie hordes that are devouring shelf space. The chapters are a good length to keep the tale spinning along, the writing is assured, with a good feel of place and time. I would look at the dialogue between Dema and Kore in chapter 1, as it seems almost "off-the-shelf", which is a shame, given the rest of the book. Can you make it more intensely personal to them, rather than having it feel rather "one-size-fits-all"? If, for example, Kore was being useless, in her lost-to-the-underworld way, and Dema got angry with her (maybe over a birthday or something important to one or the other), Dema would be carrying an even bigger load, which would add poignancy. I know, everyone does it, but I guess there's a reason for the old "If only I had said somethng nice, it was the last time I ever saw my Father" trope.

A gripping sci fi fantasy that has the makings of a best seller.
Backed with pleasure
Helen
The Last Dream

Good narrative and dialogue, and a well defined main character. The flashback was good, as a means of relating history, rather than descriptive paragraphs. Well done. Backed.

Craig Ellis
The Sun and the Saber

powerfully written and with such detail that I can only believe you know your area well.

BACKED

wooo a shaman love magic stories.. backed your book :)

What a great start. There is an indefinable thread of mystery that seems to tie me into it. It is so well written and structured that I hope to return for more. Super pitch adds to the promise. Well done. Backed of course. Gordon - The Harpist of Madrid

Interesting setup and characterization. I was sufficiently intrigued to read the opening, although legal system fiction isn't really my favorite. Redline: "Stay away from them, that's all I ask."

What a fantastic premise!

Totally engaging, and your writing skills are suberb.
My complements.

Backed with pleasure
Johanna Kern
Master and the Green-Eyed Hope

Hello Jim,
I started reading your book sometime ago and carried on. Such a good read, well crafted and you really have a grasp on some aspects of science. Love your vivid characters that are still playing out in my head. Who did y our book cover? excellent. Congrats.........BACKED by me for sure, and best of luck with this book of yours. This is not my genre, it is good to cross over and comment on the skill etc of other writers. I would be so happy if you would review my work. COMMENT and if you feel, back my book. If not that is OK too and best of luck again

Denise
The Letter