The Shard

An intriguing plotline which offers so many threads which could be woven in many different ways that I was keen to read on to see which paths your book would follow. You are a good storyteller and this is pure escapism. It is lovely to be offered a book which you can literally become so involved in that you forget your surroundings and just become totally absorbed. I am sure your book will have wide appeal and I feel that teenagers will happily choose to read your book rather than being told that they have got to read it. Wishing you every success - Paula (Cuthbert - how mean is my valley?)

THE SHARD

Ted - This is way out of my genre but I read Chapter 19 - Midas. Your descriptive talents are here displayed at their best: an interlude where you describe bleakness of location and spirit. The companionship of Sol and Midas is captured as they reflect on their memories of significant women in their lives: mother and girlfriends. There are so many complimentary Comments on your book, so I am going with the flow on this one and it's happily Backed.

Best Regards. Tony Brady - SCENES FROM AN EXAMINED LIFE - Books 1,2 & 3.

THE SHARD (Chapters 14/22)
Ted Cross

Really great Fantasy novels have at least one quest, or characters roaming around into all sorts of unpredictable situations. The Shard is no exception and has everyone merging toward one confrontation. That isn't even clearly defined yet and with a goodly amount of conflict along the way.

With extraordinary skill, you have introduced the mystique of the Elves into this mix of Trolls, a Dragon of supreme power, and now a tribe of man-eating savages that are terrifying. This in no way distracts from the lurking Wyrmen who are sure to pop up at any time. It's the Elves that are revealed with a subtle shadowy way they have of remaining just out of the sight of Humans. This gives them a mysterious feel that really delivers an impact when you finally let us see one of them. Oh how I wish I could have been there myself to witness that meeting. You let me see it through your writing for you build up to it with the attitudes of your characters. It was reminiscent of the entry into the Elven outpost Rivendell in The Lord of The Rings. You show us the Beauty, creative skills, with a lustre that defys imagination in the nobility of the Elves.

You have given the reader a cast of characters with a variety of personalities so that it is constantly entertaining and makes me eager to see what is coming up next for each of them.

Can you tell I like your story? That's an understatement. It surely is going places and I want to join in the ride. I expect to see this one on the Editor's Desk as only a brief camp on your way to the house of a publisher who will congratulate themselves that they got you signed up first.

Keep up the great work.

Mary Enck
A King in Time

No wonder The Shard just beat me in MAYHEM. Very good Ted. Great story line and will read further. not into deep-constructive comment but this should be published and sitting beside 'Game of Thrones' on the book shelves.
Pat

Ted,

The comments I promised on The Shard.

I have found it difficult to come up with any constructive critism. I found your writing flows, your chapters are a nice length, your plot is intriguing (and yes, a more personal pitch works, I'm still struggling to decide how to focus mine :))

I scraped these few things together but only because I wanted to be of help in some way :)

When you refer to Midas and any other character with an 's' on the end, it isn't necessary, in my experience and education, to put the s after the apostrophe i.e. Midas' not Midas's.

In Chapter 2 you said 'Sir Brindor' three times in two sentences, I felt a 'he' would be less clunky.

And lastly, I have a similar issue as a commenter below but with different parts of the text so it's probably a preference thing. I felt some of the dialogue between Rina and Midas in Ch 1 jarred because of the mix of old and new language structure.

I.e. they say things like 'it matter's not' and then Midas starts a sentence with 'Suppose' rather than 'I suppose' and RIna says 'there've been no wars for ages'. 'Ages' with a capital I can believe but it is a bit casual otherwise. Perhaps 'eons'??
Hopefully they are something to think about but otherwise I like the book enough to put it on my shelf.

Danielle

Ted,

Splendidly captivating. From the very first sentence...

Sincerely,

Hi Ted,

I am a huge fantasy fan so felt more than comfortable reading this. I think you write very well and it is obvious that you have spent of lot of time building this world of yours and it shows in your writing. Highly starred.

Once thing which I could not help but notice is that I have a similar scene to one in your ms. In my prologue an Elf communicates with an eagle and as you know there is scene in which Xax communicates with a kestrel. Obviously I liked that scene in your writing lol

I really liked the Known Lands as a name.

One other reviewer mentioned that your writing reminded him of World of Warcraft and I did get a similar impression from the description of the Troll. Although I am not criticising you, I have no problem with your description, just pointing it out.

All I can say is that after reading the prologue and first chapter I know I could happily read the remainder of this ms and time willing I will.

I lack the analytical skills to point out any flaws in your spelling or grammar but for what it is worth I didnt notice any.

To sum up, I think you are on the right tracks and hope to see this published one day.

Hope my ramblings are encouraging to you :)

Charlie

The Shard.

Wow, Ted. That prologue is seriously action packed and I really enjoyed reading it. You got me straight into the pov of Miros, then killed him off. I was so surprised I just had to carry on reading to find out what you were going to do next.

Liked the change of character in one. Wasn't sure about the sentence – They fear the dragon but sleeps. It didn't seem complete or I missed what you intended. The descriptions were spot on. Particularly like – gossamer thread of magic. Beautiful.

You drew out the angst between Midas and Rina in two very well and I connected with them straight away. Their dialogue was realistic and suited them well.

This is a very well-paced fantasy. I like the way you drop into the action. It kept me reading and wanting to read more. Take my hat off to you. A very good book, excellent story and a job well done.

Ted, I’ll post a first comment on the dozen chapters I’ve read so far. I’ll carry on with The Shard, and post again later. The writing is clear and fluid, I have no problems with imagining a scene or what a character looks like. Your descriptions of the natural landscapes are spot on, just enough brush strokes to paint a vivid picture without muddying it with unnecessary detail. You introduce a bunch of potentially interesting characters, hinting at an interesting plot, so I’ll just point out the two things that nag at me.

I know you have been told the opening is too slow. I think the problem isn’t so much the pace as the content. The story is about a world hurtling towards a war. The wheels are turning before the story starts, so all the characters you introduce are almost immediately on a war footing, so to speak. This whole first section is about military manouevres and to my mind it’s missing a bit of human interest. Concentrating on armies and the conduct of a war precludes strong female characters for a start. I would have liked to see how these people, not only Midas but the ordinary, non-military people live when they are at peace. What the world looks like. You say there hasn’t been a war for centuries, so the story ought to reflect a peaceful society, but your characters are all kings, nobles or soldiers, all waving their weapons about and rushing backwards and forwards on military missions. I realise that in the build up to a conflict soldiers are going to play a major role; all the more reason to introduce them in peacetime so the reader can get to know them a little as people with jobs and families not just soldiers. For example, I don’t have a clear idea of Midas’ relationship with his sons, which I think you intend to be much more complex and modern than Medieval.
I’m not advocating a long digression into the customs of the country, but a little balance, with a few characters who are not military, or who come from a civilian background that you could describe. This is a big book, it can cope with a little whole world building.

The other point is about the language. Although as a general rule you are consistent, more or less contemporary with a slight American twang, you do sometimes throw in archaisms and I find that it jars. For example the first exchange between Midas and Rina:
Rina –‘I can’t take it any more, Midas.’
Midas –‘ You always bring that up.’
Rina – ‘Perhaps. It matters not.’
Midas - ‘They’ll be fine.”
It mixes archaic and modern speech patterns, but the characters also sound like actors in a tv series. I think you should decide how you want them to sound and stick to it. And I would seriously consider changing milord to My Lord. Milord is too like the Edith Piaf song, or how Jeeves addresses Bertie Wooster.
These are just first impressions. I hope to get back to you with some more later.
Jane

This is a classic legend, a modern myth well told in period language. Although the wording is ornate, it's not flowery or overblown with modifiers.

I'm not sure, but I wonder if there's another level referring to modern life or current times. I can't put my finger on any particular thing and perhaps I'm reading something into it, but it's like seeing movement in the shadows from the corner of my eye.

If you like C.S. Lewis or J.R.R. Tolkien, you'll love this. Backed!

I dont know why but it reminds me of War Craft for some reason?

Hi Ted. Here’s my commentary on The Shard of Kathkalan. It’s a bit short compared to the long wait for it to come, but that’s because there was very little I could add. I have read the first 10 short chapters and these are my first impressions. Please take with a pinch of salt and don’t hesitate to bite back.

This is a very polished work, one of the best I’ve seen so far. It is also a very confident High Fantasy with very subtle use of elves and dwarves, promising a mature and original tale rather than anything derivative. It is very well written with engaging and complex characters. Also a Fantasy that features football (let alone any sport outside jousting) has to be applauded. It is very enjoyable indeed and deserving of publication very soon.

A few things caught my attention however:

1. At the outset, I was disturbed by the presence of willows at the top of a rocky escarpment. I felt that perhaps landscape isn’t quite as strongly featured as with JRRT for a good reason?

2. I was a little confused by the names. Welby is very suggestive of northern England / Scandinavian origins and the names of its inhabitants simply don’t match, suggesting something Greek. This made me think about how much cultural information is given: there’s a plethora of information but it is difficult to place as your different localities and different peoples don’t have as much of immediate identity as could be conferred via the sounds of their names. The barbarians beyond the East Gate being the exception.

3. This also brought a further thought that there’s a huge amount of characters and places to learn about in very short space. It’s difficult and can be confusing when you use a number of parallel plot lines. I don’t know how to fix that, but somehow the ideal is to have everyone and every place instantly recognisable. I’m sure you can do it.

4. The profusion of detail also causes a little slackness in the plot, whereas the style of writing and the pace of the narrative demand a plot as taught as a violin string. I love Edo and Orcbait, but I can’t help but feel their episode is unnecessary as Vorix still needs to speak to an intermediary. Similarly, it seems silly for Dalthis to go all the way to the Dwarf just to bring back a rebuttal and then try again. Plot eddies like that let you down whereas you otherwise provide a clear tidal wave of events ineluctably flowing in one direction.

That’s it for the moment. Hats off, this is very good stuff indeed and I will be reading more. Good luck with this. I am genuinely impressed.

Cheers, TRM.

An epic sword and sorcery fantasy, but with intriguing SF leanings. There is a lot of good stuff here, though as a sometime reader of fantasy (rather than a diehard fan) I did briefly think - oh, good grief not more elves!

The other minor niggle was the choice of "Midas" as the King's name. This has so many links to mythology and the King who turned to gold everything he touched, that it coloured my acceptance of your character. If this is intentional, then fine (I probably just need to read more of the book). If it is not intentional, then you may want to rethink it. I found it distracting and it preveneted my upfront belief in your character (but that may be just me and a sign that I've spent too long immersed in old myths and legends).

All in all, this was a good read and, I think, should sit well with regular fantasy readers.

J.S.Watts
A DARKER MOON

I read the first six chapters of The Shard. I enjoyed what I read but think that you could work on how your story flows. My head is swimming with all these different characters and before I feel familiar with a character the story moves on to someone else. I do like the description in Chapter 4 of Dryin Hador. All the best =)

The Shard (Young Adult) - It would appear the author's fantasy world is very similar to that of Tolkein's. In the prologue the reader is introduced to Xax, a wizard, who is journeying to an as yet unspecified place. Descriptions here are very vivid, his connection with a kestrel is very well done and the reader is made aware of oncoming difficulties. In the next eleven chapters read, some of the factions peopling the world are introduced together with a little of their backstory and struggles against once another. The thread running throughout, is one of impending danger and a coalition coming together.
In chapter four Vortix, king of the barbarians, has deep concerns about invaders, which are given voice during an audience with rangers of a king with whom Vortix now has an uneasy peace. He is so concerned he says 'a king crawling out to meet a captain.' I had problems with this chapter as Vortix knows the might of the invaders has crushed all tribes opposing them and my question is this. If invasion is imminent why was no alliance sought earlier? This thought was endorsed again when it is revealed Vortix knows who these invaders are, what they look like, the weapons they use and battle formations employed.
In chapter eight Valgorn, a dwarf, begins to train Geldath, (introduced in chapter six), in the art of weapon play and warfare. I thought this was odd as the impression I got in chapter six was he hardly knew Geldath, but it turns out he had done the same to prepare Geldath's brothers. No explanation for this is given.
I would suggest the author might consider putting in a skirmish between scouting wyrmen and Vortix's men, although this may have been hinted at in the discovery of bodies in the wood of the elves. If so, make it clearer as this would heighten the interest of younger readers and be a good hook to draw them on into the story. Also, in the short chapters, just to keep in the minds of the reader the wizard still has a part to play, it might be an idea to show him continuing to travel as, had it not been for my notes, I would have forgotten about him.
In summary: This is a simmering pot coming to the boil. The writing is fluid although a scattering of old language was a little distracting, but I accept this may be a tool the author uses to show how speech differs from one people to another. Descriptions are well executed. Dialogue in the main is realistic, although in parts a little flaky. Characters, their personal situations and traits, being nicely developed. My feeling is young adults, in view of the trilogy of films of The Lord of the Rings and that of The Hobbit currently being made, may very well seek to enjoy further tales along the same line and would enjoy this book.

Child - Atramentus Speaks

You seem to have a good grasp of dialogue and dialect. Exciting end to the prologue. Definitely makes chapter one seem closer.
Backed and starred.
~Richard
Twin Fates

The Shard Notes.

First thing I will say is that this is a joy to read with a critical eye, as there are so few obvious flaws that I can just get on with reading and enjoying the story. Second thing I’ll say is that the story is worth reading.

I have an irrational prejudice against prologues, so I am not going to say much about your prologue other than ‘are you sure it is necessary?’

I don’t mind short chapters, but someone wouldn’t read my MS because of the short chapter length(!) Really, it’s in my comments. You have to be aware that people kinda come up against the buffers when they reach the end of a chapter. It can help to keep them turning pages, as long as there is something they want to get to (it worked for Dan Brown), or it can let them ease out of your world every time a chapter ends, if there is not enough of a payback or hook or cliffhanger, or whatever you use to keep them immersed. The short chapter length has to be accompanied by a sufficient piece of gratification or expectation to get the readers to launch themselves into the next chapter, lest their interest wane. Longer chapters are immersive in and of themselves, but over-long chapters will cause fatigue. If in doubt, run each chapter through into the next one, unless it really doesn’t make sense.

Having read 11 short but finely crafted chapters, all good in themselves, I have one major misgiving – nobody I care about is in an obvious situation of ongoing imminent and realised peril. I feel that somebody needs to be. The nebulous threat of the wyrmen is in the future and uncertain, somebody needs to be in danger of losing their life NOW. Perhaps someone who is running ahead of the wyrmen and only just managing to keep out of their clutches, trying to warn those who are in the main narrative of the story? Someone with a piece of crucial information that can save the day?

I couldn’t understand why the dwarfs would train a young man in fighting skills, as it seems that they are doing this for no reward whatsoever and there is little apparent threat on their route, so he’s not even cannon fodder, do they owe someone a debt or are dwarfs just like that?

I’m still waiting for the magician from chapter 1 to make a return . . . I’ve lost the thread of who he was and why he was there. (Useless, aren’t I?)

Chapter 14. There is great love between my people and the flora and fauna . . . flora and fauna didn’t seem right, it struck a false note, why would an elf speak Latin? Between my people and anything that lives . . . ?

Chapter 15. He wore worn leather clothing seemed a teensy bit of an awkward phrase. Also, slung behind him on his steed? Calling the beast a horse in one breath and a pony in the next just didn’t seem quite the thing.

Edo silently wished that it wouldn’t rain . . . sleet or snow . . . I get a mixed message here, hoped the clouds were headed elsewhere?

Chapter 16. Havlin said, ‘What man will ever understand . . . but I’ll never regret marrying (her to?) you.

Some 16 chapters in, and I’m wondering why you had the prologue and chapter 1, because they don’t add anything to what I’ve read. Yet. The essence of the prologue comes out quite effectively in conversation as part of the backstory as Midas talks with his wife. The intrigue (the prince being the one who provoked the elves) is all but unheralded, none the worse for that, but consider some sort of foreshadowing / mirroring or whatever, so that it appears to be part of a pattern rather than an apparently isolated event. We like patterns so we can go Aha!

The mail shirt seemed over the top as a gift, unless they think Geldrath brought them luck. (As one of the dwarfs doesn’t believe in luck this could be used for a bit of tension / comedy?) Or is this part of some bizarre and sneaky plot to embroil the youth in their skulduggery?

Chapter 23. ‘Yes, I supposeD I need to see the prince shortly.’

‘Mayhap my runners have tracked him down.’ The mayhap sounds out of place as you don’t use many archaisms.

You use ay? Where I would use eh? I would pronounce ay to rhyme with pie, as in ay caramba. As far as I know it is a variant of aye or an expression of dismay. I could be wrong.

Democracy seems out of place as a concept in this meeting, as does revolution; kings were overthrown or deposed, and the Prince could do a mock horror ‘should just anyone be allowed to rule? I can imagine the mess . . .’ while the reader can grin knowingly.

Chapter 25. ‘I am not sure it is my place to speak much about them.’ The ‘much’ seems superfluous.

The reason for Alvanaria leaving the woods is presumably the message from the wizard in chapter 1 (2 – because of the prologue), the gap seems too large to me, if there was something to keep the thread of connection, possibly two three little vignettes, or mentions in passing somehow of a matter that can tie these widely spaced events together, instead of just the one mention of wizards as not being men (Linvaris) pretty much immediately before. This does give a heads up, but seemed sparse.

27 chapters in and again I think that there needs to be a bit more mortal peril. The rangers and Geldrath have had a pretty easy time, as these things go, the intrigue is good, the potential debacle of an attack on the elves, but something that brings a feel of clear and present danger to the work would ramp up the tension, heighten highs and bring the lows down lower. Some of it could be the observations of the wizard, concerned about the rampaging horde of wyrmen, maybe?



I’m that bit more gripped now that Zareg has died, but it seems predictable that it would be him. I think it would be stronger if it were Edo, because that would cause a real quandary.

Chapter 34 - end. "...tonight should be an interesting meal." I thought this was an odd turn of phrase, the meaning is clear enough, but it took me out of the narrative.

Chapter 36. He knew the dwarfs were up to something, but they had never said what.
The dwarfs have shown him the map and intimated (at least) there intentions, telling him there are secret entrances, when they stayed at the inn, after his illness.

Chapter 38.The Black Woods across these mountains were so foreboding - I think you mean forbidding.

Chapter 39. A testament to the strength of their build. This phrase seemed a little'off'.

Chapter 40 and still not enough peril and fear. Midas lost one of his sons in the prologue, the barbarian died. What else? Oh yeah, the elf, he probably died. All at a bit of a remove, or before we've started to care about them, or they were cannonfodder. If., for example, Alvanaria had twins, and her daughter is off finding out about the Wyrmen, that would be someone else to care about and there would be a poignancy, Father dead, Mother going off into peril, all that. The scale of the threat has not really been established at this point. 45,000 Wyrmen, sure, but I have no idea of the numbers of any of the other contingents. Most of the nastiness has been committed by the prince, or the kiddies throwing stones, or trolls, or the cannibals that the trolls happened to. The wyrmen need to be better established as a threat. If you are going to have a prologue (and I'm not endorsing the habit) then the ravages of the wyrmen would seem a better subject than the troll hunt. There are some mildly scary passages, but you need to scale the heights and plumb the depths a bit more. Don't be afraid to kill people off. Don't be afraid to put major characters in harms way, as long as you get them out of it in a fit state to carry on.



You definitely don't need to start another chapter when you move to a different scene. Chapters can happily accommodate three scenes, sometime more, sometimes less. If you move to another scene within a chapter it is a good opportunity for subtle (or not so subtle) mirroring of words, action, motives, symbols--anything which you can imbue with significance to tie the threads together more tightly. Don't overdo it to the point where it feels forced, but it is something which you can have fun with while exercising your creativity. Or not.

You call the Sea of Ashes a lake and an inland sea, or am I mistaken?

If the dragon were known to be active, the journey on the lost road would be far more fraught.

Chapter 43. Vorix was all ready (already) up and directing

Chapter 44. The fight with the dragon could be bloodier and harder. After a first encounter (where the dragon can kill a couple and maybe gets wounded) you can build the tension with the dragon making off with one of their party and they can seek it. It seemed too easy after the build up, almost a let down, the virtual adrenaline just gets going and then it's over. Hunting the dragon whilst being hunted by it through the tunnels and caverns is an opportunity it seems a shame to pass up. Especially if they don't know if there are any other dragons in there. Then they can discover the big one is dead. Then there'll be a much nastier shock when the goblins turn up, because the reader will think they're safe.

Chapter 44. No sooner did he think that thought then (than) he . . . Awkward phrasing and typo.

Chapter 49. I'm a little puzzled by 'moss' growing in the absence of light in the cave.

this blade was far lighter than what he expected. You don't need the what.

Chapter 50. I really don't know why I was uncomfortable with the phrase an 'ancient crone healer', I guess ancient crone is getting close to tautology, and the fact that she is fussing over orcbait's wound makes it obvious she is a healer. Sorry, not big picture at all . . .

Chapter 52.

Geldrath's recognition of the significance of the worked stone is a nice moment.

Given Geldrath's significance in the storyline and Xax's occasional prophetic vision, could Geldrath not be hunted because of similar visions on the part of the Bilach? That could help ramp up the danger and tension. And the mystery. Why are people after me? Who is this guy and what has he done?

People that the characters (and therefore the readers) care about need to be in the path of the wyrmen, or potentially in the path of the wyrmen, or we need to feel their encroachment somehow, as well as follow at their heels. Midas' wife and daughter take refuge in Pangalia, the strongest city in the known lands?

Chapter 72. You have (long lances and barding)--I think this represents something you have not yet written.

He couldn't comprehend the breadth of Death--I'm unsure about breadth here--enormity? It's probably more hackneyed, but it works . . .

Chapter 76. That's not reassuring . . . I think your vision betrayed us. Somehow this feels wrong in Alvanaria's mouth. Perhaps it could be rephrased without the betrayal?

The reaction of the barbarian could be more despairing???

The End. Geldrath needs to grow in stature over the course of the book, he is the 'nobody' with whom a number of your young male readers will want to identify and from whom they will want to derive some vicarious wish-fulfillment. He also needs to make amends for his cowardice in the face of the dragon. It doesn't matter how hard it is for him, but he needs to show increasing signs of bravery and capability as a willed and witting progress. Antos could also have his personal growth being pointed up a little, again, younger male readers may well identify with him, as he is bookish and sensitive, he is an alternative to Geldrath.

As a Tolkien fan, I found this a fascinating read, Ted - I enjoyed the first four Chapters although I was getting a bit confused with the three different kings by then: Vorix, Midas and Alderic. Eighty seven chapters and counting seems like quite an epic - and a commendable one at that. I wish you all the best with this novel in the future. Highly rated.

this is so lyrical and gripping. i'm truly enjoying reading it.

Nice pacing and tight dialogue and thread arrangment mate. I'm really enjoying the read atm. I hope the near future holds some 'paid' reads in it for The Shard. It deserves it.
More comments as I read more.

Hi Ted,

I'm a big fan of David Gemmell, and I liked your take on the heroic fantasy genre. It had that atmosphere of fathers and sons, honour and valour as well as fear and failure, especially with the troll encounter in chapter one. I think your tone is important - it helps keep this type of story nailed down in realistic terms that we can engage with, and I think that can be a difficult thing to do in fantasy. Six stars from me

Pat

Dear Ted, a tale of such sorcerous intent , sizzles with the writers, deep and descriptive text. The tale is woven so wonderfully, its a joy just to read. You are right, there is a gap for another great fantasy. So go out and grab it with both hands. I applaud your fantastical efforts, which are full of emotion and passion. Good luck with your book, and beware of wolves in sheep's clothing. You can do a lot better, there's no need to be keep begging, backed because its brilliant. Cicuta, [ Carl, Arcane ].

Hey Ted. I've been revisiting some of my favourites and thought I'd stop by. Reread the prologue and chapter one again just now. I'll be back. I've been bouncing here and there between edits on DcA, and nano. After this month I should have a free spot open. Three, actually. One will be yours. When a book hits my shelf now it stays there for a long time. Although this made need to change in the months to come. I hope others do the same thing. It would be damn nice to see fantasy (great fantasy) get a fair shake here.

I know. Not much use as a comment, but consider it an 'atta boy' for great writing.
Later
Gerry

THE SHARD Chapters Prologue to 20
You start with the "Two white moons.." and the reader knows this is something out of the ordinary and special. We see Lord Midas treat the distressed woman with respect and kindness and then include his eldest son in the search party for the boy. There's tension as the men creep forward, Miros feeling both nervous and excited. Despite the clues in your pitch, I didn't expect young Miros to die. I felt I was just getting to know and like him. It was a shock! Well, at least I've learnt trolls are dangerous.
In chapter 1 we see the wizard Xax sending an urgent message and then sit down to wait. But we do not know what the urgent message is about. Chapter 3 and we meet Midas again, watching his two younger sons train with Sir Victus. His wife has changed. The conflict between then is very clear, even if Midas remains civil with her. She blames him for the death of Miros three years before and fears for her younger sons, especially the elder, Antos. She wants to take him to her father's and allow him to study with tutors. I felt for both parents; Rena is still mourning for Miros and wants what's best for her remaining sons: she knows Antos is more suited to study than weapon training. But she's wrong to blame Midas for the elder son's death and he seems to be a very loving father. He tries to explain that Antos will have to learn the basics of warfare for his own survival. His wife is not listening, even before Midas is called away . And then we are given the first sense of something dangerous. The elves have killed a band of men who foolishly tried to cut down trees in the elven wood. Midas is uneasy. The men were poor and not from his neighbourhood. They must have been paid to do it. You end the chapter with his question: why would anyone want to provoke elves?
So you've given us a great start to this fantasy adventure. Already I respect Midas and care about him and his two sons. I'm especially concerned about the more studious Antos. You've shown the danger of trolls and I've been shocked by Miros' death. The conflict between Midas and his wife is clear and now there may be danger from the elves.
I just had to read on. We meet Edo the tracker and his quiet partner, Orcbait (good name!) Edo is attractive as a character, despite his lice, reluctance to wash and his bad teeth (not as bad as Orcbait's black teeth!.) He's called before the barbarian king and we hear of the invasion of a savage race from the east. No time can be lost, King Vorix must meet with Edo's king. I sense that although Vorix is genuine, there might be trouble with the younger son, Domnix.
The sense of danger mounts when Midas is called to gather his men and join the army of his king. What are they fighting? No one seems to know.. I liked Midas' friendship with Brin and also his jokes and banter with Sol, but there is a growing sense of unease as the army assembles and where is Dalthur with his message from the Elves?
. I liked Geldraith, a sixteen year old, leaving his gruff father to join the guards at the east gate, but the reader knows he is heading for danger. He thinks life there may be boring because there's been no wars for centuries. But the dwarves who accompany him know of the build up of the armies and are keen to start his training straight away. This is well described and I'm getting the feeling Geldraith may become a great fighter: he's already better than his brother at that stage.
Then we hear of the terrifying Wyrmen when King Vorix meets Edo's commander. They are destroying all in their path to the west. Edo, Orcbait and the hunter, Zareg, are sent out to find more about the snake like race. I'm thinking can Zareg be trusted?
Midas is called to the elven forest. You build up the suspense and shown the importance of this when even Midas is excited! It feels magical and mysterious when they wake up in the clearing with the beautiful elf lady sitting beside them. But they soon disagree over the importance of the trees and their meeting flounders. Meanwhile, Edo and the hunter Zareg have encountered many groups of refugees and are attacked by goblins. But in chapter 20 worse is to come. They hear and see a tribe of cannibals. This is really sinister. Zareg kills one of the women who runs into them . The blood may attract the trolls and Edo is covered. They creep away, leading their horses, but what is to happen now?
A great story so far and very well written. You've built up the tension and suspense and introduced many different creatures. I'm dreading to think what the Wyrmen are like. Now Edo and his two companions are deep into barbarian territory and in grave danger. I would read on if I could.
I will place on my shelf when I have a spare space. Good luck with finding a publisher.
Cherry G.
The Girl From Ithaca

Lots of delightful aspects to this fantasy - all the standard personae (wizards, elves, dwarves, a quest, noble lords, trolls) but blended into a really normal landscape - Welby of all places - a typical middle earth shire, apart from the three moons of course. Lovely. The magic is well done (like the chat to the falcon) and the language is neither too olde worlde and overlain with thees and thous, nor too modern. The writing is fluent, the dialogue excellent, the characters well defined. The book will appeal greatly, I should think, to Tolkien lovers all. Backed with pleasure, Jaye

Now I've read this, I'm more frightened of goblins than ever! I like the economy of writing which adds to the tension. Edo and Zareg nicely contrast each other in personality and role. The importance of the horses runs through the plot and the fear of horse thieves becomes very real. Backed.
Lara
Good for Him

Most definitely my genre, Ted. I have read LOTR more times than I’d care to admit.

Overall, the writing flows well. But for me, the story doesn't. You start off with the beginning of an attack. As soon as you told me that Sir Victus had trained the hero and that the 5 other people wore the red and black checkers of Welby, I wondered where this was going. Do I need to know this right now? Then for the next many paragraphs you explain the back story of this attack. We left Dalthis sliding through the undergrowth but when we get back to the attack, we learn (I think) that Midas (having seen the track the villagers showed him) already knew the target was a troll. I guess what I'm saying is I don't quite follow your choreography and I think you have the skill to show the back story in other ways. Maybe a discussion of whether trolls take kids?

Chapter two provides a lovely picture of a landscape but it’s very much a narrative and this new chapter has no discernible relationship with Ch 1. That’s not necessarily bad, but it has me wondering. For me, your opening hasn’t grabbed me.

Chapter 3 is rather more encouraging. Things are happening, we start to get a picture of some of the characters. And I learn that Miros is, indeed, dead. So the effort I’ve made to get a feel for this character has been a waste of time. And I wonder whether you need Ch1 at all.

This is, of course, simply my opinion as a reader. What you do with it is up to you.

I dipped into several chapters. Not my genre at all but I thoroughly enjoyed what I read. You have a good paced style and the whole thing is absolutely believable. It's as though you've actually lived there at some point. I was transported into that world. Very good piece of writing and I wish you luck.
Fontaine (Legacy°)

I dipped into several chapters. Not my genre at all but I thoroughly enjoyed what I read. You have a good paced style and the whole thing is absolutely believable. It's as though you've actually lived there at some point. I was transported into that world. Very good piece of writing and I wish you luck.
Fontaine (Legacy°)

Hi
I am just into ch3. I find the writing flows smoothly. I appreciate I am not being overwhelmed with grandeur and heroism, but rather you build a more normal, believable world (with the exception of wizards and trolls, etc).

A couple questions or things to think about: Most readers would perhaps not think about this - In the opening you mention two moons "shining" although the sun has not yet set. In order for them to be crescent while the sun is still up, then they must be toward the direction of the sun. In which case, the light from the sun would wash out their reflected light and it would be hard to describe them as "shiny".

In ch3, Midas passes a garderobe (new word for me woohoo) - why does he hold his breath? wouldn't he be more likely to smell the roasting venison on an inhalation?

Intrigued to keep reading at end of ch 3.

Hi Ted, I've been following your thread(s) re: favourite books, lack of fantasy/sci fi readers etc., and I thought I'd give your's a quick read. I read Chapter 17 (because you wanted later chs read) and found it eminently readable, but you need to look at the amount of times you start sentences/paragraphs with 'He' - a lot! I've written both fantasy and sci fi - one YA sci fi due to be published in 2011. Tim

The Shard is a strong Sci Fi/Fantasy tale that feels epic to me, and your opening scene is flawless paced. The setting is aptly described, even poetic at times. You know your genre, and the readers of your genre will flock to this book. I can find nothing to suggest - it has the feel of a published work. Bravo.
Lizzi
(Out of Sync)

There's a thread for your great story, Ted.

http://www.authonomy.com/forums/threads/64522/the-shard-a-great-hero-story-/

Pia :}

I read to ch9. As you say, not much like mine. Yet were I a teenager again and fresh from reading LotR I'd happily have read this. As you point out, the market for this type of book is huge (I'd venture much bigger than for mine!) so hie thee to an agent!
Best wishes, and good luck. Harriet

I love this layered plot-line of characters, mystical creatures, and dark truths. I love how you mix age old creatures, the absolute of fantasy, with hard decisions and painful realities. This book has merit, and from the first few chapters, most certainly you have an intelligent pen for writing.

Backed with Pleasure.


Laura
"Jhevalia"

A very good 'old school' fantasy. This is the kind I really like and you have started a good one. You are an excellent writer but might I suggest continuing edits to clear up small glitches with grammar, typos, etc. I had a reader point out to me a simple misspelled word that was the right word but the wrong spelling and I had overlooked it at least a dozen times. I'm still editing! This is very nice indeed. Backed with pleasure.

I hope you will take a look at my novel, Earth Reaver. I would welcome any comments and your backing.

Herschel Shirley

I would very much like it if anyone could point out such typos or grammar mistakes, because I am not aware that there are any left. Honestly, if you see something, please point it out.

A very good 'old school' fantasy. This is the kind I really like and you have started a good one. You are an excellent writer but might I suggest continuing edits to clear up small glitches with grammar, typos, etc. I had a reader point out to me a simple misspelled word that was the right word but the wrong spelling and I had overlooked it at least a dozen times. I'm still editing! This is very nice indeed. Backed with pleasure.

I hope you will take a look at my novel, Earth Reaver. I would welcome any comments and your backing.

Herschel Shirley

Hi Ted,

I’ve really been enjoying your book and was going to write a lovely, in-depth review thingy but I have run out of time so I thought I would give you what I got rather than nothing at all. Your book has been a great read and I am looking forward to reading the rest of it. A few little nitpicks are below:

Prologue:

The two men looked relieved and found open spaces on the nearest bench, but the woman, her graying black hair in tangles around eyes red from weeping, ran forward and dropped to her knees near Midas, hands clutching at his breeches. This sentence is quite lengthy and it took me a couple of times to understand what you were saying.

Maybe you could write something like “The two men looked relieved and found open spaces on the nearest bench. The woman, her graying hair in tangles around red, puffy eyes ran forward and dropped to her knees near Midas, hands clutching at his breeches.” All I’ve done is broken it up into two sentences so its shorter and swapped some of the wording and punctuation around.

Chapter One:
You wrote “Yet, there are still no people, he thought. They fear the dragon but sleeps” which is kind of disjointed and I think perhaps you meant “Yet, there are still no people, he thought, they fear the dragon but sleep.”

You wrote “The wizard knew that the ruins of what had once been an inn called the Great Tower lay past the road; after more than eight hundred years it location was clear only to one who knew where to look.” Perhaps writing something like… “The wizard knew that the ruins of an old inn called the Great tower lay past the road. After more than eight hundred years, its location was clear only to one who knew where to look” as I don’t think there needs to be the “what had once been” as its ruins so we already know that it is run down or not even there anymore.

I did read a lot more of your book but got too caught up in it to keep a running note on little nitpicks. :-) Overall I think you have written a great book, with vivid descriptions, a lively plot and great characters. Keep it up, I think you’re doing great!!

Joyanna (The Prince and The Sorcerer)

Excellent first chapter. Starting out with the 2 moons sets the scene apart from the typical earth. The characters are already vivid in my mind.

Elizabeth Love
(Pouring the Cup)

As promised Ted, I have read almost all the chapters from 12 to 21, I find the whole really charming and a very good read. You have written a very good tale here, when I first started to read at the begining, just to get the gist of the book, I thought oh no, not another one of those tales? But when I got to reading chapter 12 and onwards, it really caught my imagination and the whole thing comes across really well. I want to know what happens after Edo shuddered with fear, was it the fear of his tooth ache coming back? No, it was what is to come later?
Good Luck Ted. Backed earlier after I had a quick look at your writing.
Norman.

This is well written and clearly within its genre. For those who are advocates, this will go down well. I think you could do more to make the opening more of a hook. There are times when you don't make the most of the potential drama in a scene. For instance, In 7 the practising of techniques, Geldrath, Gorm etc. It could be made much more immediate. But well done, backedL
Lara
Good for Him

I have not read your book yet Ted, But I will certainly take a look at the later chapters as you ask. The trouble is that it takes up so much time to read the whole lot, so we try to assess the merit by the first few chapters. I quite often read the first and second and then skip through to the later chapters. But with some books I find I am so caught up with them that I end up reading the lot, and spend far too much time staring at the screen while I should be in bed! I wish you Good Luck and wiil be back.
Norman.

I can see why you said I'd enjoy this! It's a definite winner, and the story is incredibly well told :) Backed (again, as I remember backing it some time ago ^_~)!

Dear Ted Tolkien Cross,

I like your coat of arms and wish you battles won.

Backed and best.

GK Stritch
CBGB Was My High School

Great descriptions – the air was thick - watch a rabbit skitter - a small brook bubbling. These and many others create great images, well done. I enjoyed reading this and will back it with pleasure.

Tony
Aqua Omega

Hi,
this is really fantastic.
I love it a lot. All the best.
S. vinay kumar.
The ark and the aroma of peril

Your brilliant tale grabbed me and kept me riveted. Believable characters. Realistic dialogue. Awesome world building. Vital writing. I absolutely love this masterfully composed story. Backed.

I genuinly loved this work. I loved the way is is written and the style. Talent is here and I have a small feeling this will go all the way.

I want to back this with pleasure

Brendan Doherty
The Russian Hat

I genuinly loved this wowk. I loved the way is is written and the style. Talent is here and I have a small feeling this will go all the way.

I want to back this with pleasure

Brendan Doherty
The Russian Hat

A gripping and emotional tale. The opening chapter was superb; the scene with the troll who killed the boy was eerie and surreal. To your credit, you have done your research and your medieval fantasy novel felt authentic in both dialogue and narrative--with no anachronistic slang or phrases. This was a great read.

A grim and gripping fantasy

Lynne Ellison

The Green Bronze Mirror

Ted, Just finished reading chapter one. You have a great style that I enjoy. Don't have much else to say I really enjoy your writing and the story. Just a comment on grammer, a mistake many people make and still a mistake that gets into print all the time too.

If the noun is longer than one syllable and ends in 'x' or 's' you do not put another s after the apostrophe. For example - Midas's - should be written - Midas'. It should also be pronounced as it is spelled but many people even if they get the grammer correct and spell it out Midas' will still add the extra s when reading it aloud and pronounce it "Midas's" even though it should still be pronounced "Midas'. The exception to the rule is if the word is one syllable: Jones is Jones's, Zeus is Zeus's.

I will back this book as I think it is a worthy piece and I throughly enjoyed the reading. And I don't back many books. I really have to like them to do so.

This is a very good story. When I was a child I would not have put it down. I have now put away childish things, but it is excellent.