Book Jacket

 

rank 41
word count 110667
date submitted 18.04.2011
date updated 24.05.2012
genres: Fiction, Literary Fiction
classification: adult
incomplete

Where She Lies

Nick Goulding

Dark secrets haunt the old novelist as she strives to complete her final work before it is too late. Can she really re-write childhood?

 

She turned her body into stone. Stone cannot feel. Stone cannot bleed.

As Emma lies dying, she has one urgent request. Words must be spoken if she is to finally let go.

In Edwardian Dorset, four children running carefree through Heaventree Wood become entangled in threads of good and evil that have rippled and weaved since time beyond memory. Enmeshed, their lives will never be free. Three men plot to take over the wood, but what is their real motive? Who is the girl in white flitting between the trees, and why is she so afraid? Threatened by an ancient evil, the children place their trust in Tewt, the mysterious man of the woods, and face betrayal.

Were they really days of innocence and imagination? An old lady, haunted and tortured by the past, prays she has enough time to finish her last work. The wood had always healed itself and hidden its secrets. But some things refuse to lie quietly. In the dark, evil does not always recognize itself.

A surreal novel within a novel, a tale of hidden things, 'Where She Lies' is a spiritual journey through time that questions reality and the nature of good and evil.

 
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tags

abuse, coming of age, crime, dark, deceit, dorset, historical, life, magic, murder, mystery, philosophy, psychological, secrets, sex, spiritelli, supe...

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285 comments

 

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Candymace wrote 48 days ago

I am thrilled to have found this awesome book. The first chapter starts with a chilling scene and someone close to death in the 1990's and then we go back to 1907 with a total contrast in style and content. The fantastic descriptive writing pulled me right into the setting and I was there sitting on the pavement with Emma. The arrival of the strange old man was a magical moment of mystery. I loved the weird dialogue and how elements of this came back in later chapters.
The characters are wonderfully written and each is unique and consistent. I loved Polly, such a lovely warm character to set against the cold, evil Phinias and others. The family dynamics work well and I liked the way Rebecca and Tom are fine on the surface but Emma picks up on tensions in their relationship.
There are some horrendous scenes of sexual abuse that are handled so carefully, treading the fine line between the shocking and the gratuitous. These scenes are so well placed within the magical world created by the old lady writer. I like the ambiguity over her identity. This works so cleverly. I also am impressed by the growing story set in the nineties and the link with events, seasons, landscape and the consequences of what happened in the past.
The old lady’s reasoning is wonderfully eccentric and it holds together really well.
I have to know how the story ends, who the old lady is and what the truth is about what happened to those children.
I came here to find the best in new adult books and I have found it. This is a wonderful book that will stay on my bookshelf. Candy.

Rowbo wrote 53 days ago

Hi Nick, I've just read the first two chapters but I wanted to say how much I love this book. The description, pace and characterisations are beautifully crafted. I can't wait to continue to read the rest of the story, It's already on my shelf and I've given it the maximum stars.

Rowbo (Kirabo)

brerandall wrote 74 days ago

Gosh! I must agree with the comments below. The writing is stellar, superb! It flows seamlessly, the description is lovely and creates a very specific world. The characters are engaging, the pace is just right. I can't say enough good things about this book!
This is going on my shelf very soon. Great, great work Nick!!

Cheers,
Bre
Memoria

EngLit Traveller wrote 153 days ago


Where She Lies – Writing of this high standard is quite unusual these days. It is certainly one of the finest works I have had the pleasure of reading recently. On all levels it is a success. It has all the elements of what I consider to be a very fine novel, though, of course, the ending is withheld. There is considerable attention to detail and yet the big picture is also carefully crafted. The characters are well drawn, consistent and generally presented through action and dialogue. The descriptions of settings are sumptuous, precise and controlled. Action is delivered effectively and with excellent development of drama. The fascinating plot is so carefully and thoughtfully crafted, I am in admiration.
I particularly liked the use of unusual themes such as the language of flowers subtly placed within the modern sections. The link between alchemy within the embedded novel is particularly appropriate as a metaphor for spiritual change. Alchemy is also perfectly chosen as the model that the old lady works with in her unique approach to changing the past. I have never come across the use of alchemy, emergence and the transforming power of literature in this form. That is masterful and is the work of genius.
I enjoyed the contrast between the sequences in which the children are taken on a transformational trek and the dark introspective elements set in the near present. It is clear that these scenes serve a powerful literary purpose.
I am searching for gripes but these are too superficial to note. There were a few minor syntactical issues that come down more to house style than grammatical concerns. I am backing this and have given six stars without hesitation. In a reality of many writers and few published authors, I am certain this novel will be picked out and appear in print. I wish the author good luck in his pathway and congratulate him on the high standard of his work.

Stark Silvercoin wrote 315 days ago

I can honestly say that Where She Lies is more of an experience than a simple read. I don’t think I’ve encountered a novel quite like this before. The characterization is stunningly strong to the point that it would qualify as literary fiction, yet it’s also a fantasy novel. Can literary fiction and fantasy live on the same page? I think it can within Where She Lies, whose plot has a duality nature about it anyway.

I’m not sure if author Nick Goulding’s writing desk is littered with hundreds of pages of notes or if he can just naturally keep both multiple characters and a complex plot straight, but it’s rather effortless when it gets to the page. Every little piece of mystery that is revealed seems to spawn more questions than it answers. Yet, I’m drawn to keep reading in the hope that I will find out more. There are also beautiful sensory words on almost every page, so that we are treated to sights, sounds, smells and tastes, which help to pull us right down into the story with the characters.

The language the author chooses to use is also poetic. It’s great when we can enjoy a good story and the language within at the same time.

I don’t really have any complaints at all. The story is really magical and in a sense kind of reminds me a bit of the Pan’s Labyrinth movie, where you never quite know for sure what is really going on until well into the meat of the story. I suppose some people may not want to devote so much brain power to the tale, but I feel that Where She Lies is a great investment. The more you put into it, the more you will get out. And the rewards are much greater in terms of reader pleasure than most of the current fantasy-type books that have already been published. I see no reason why this novel could not be published now and find a large, appreciative (and perhaps somewhat surprised) audience. It’s a unique tale that needs to be shared.

John Breeden II
Old Number Seven

Joe Kingdom wrote 7 hours ago

Now this looks exciting. How refreshing to come across something new and experimental. On my watch list. Very, very interesting.
Joe K.

Cosmicdancer83 wrote 1 day ago

For me, the joy of this book is the layering of the story-lines. I love books that aren't obvious and this book has mystery in bucketloads. I think the dark matter in this novel adds hugely to its dimensionality and if anything I would like to see more of this. I am intrigued by the relationship problems of Rebecca and Tom and I feel you could do even more to spice this aspect up. This is a brilliant and classic work. It will be published and I am proud to back it. Six stars.

Dr. J wrote 2 days ago

For someone who is older than her teeth and also older than the past 5 generations of cats she has owned, this is a delightful, classical read. I confess, however, that until I figured out the story offered by the old lady was a novel embedded in the author's novel, I was a bit confused. Actually, I was confused by more than that. Your mystery is multidimensional and, at times, it is difficult to figure out exactly where you are headed. Still, I tremendously enjoyed getting there (wherever) through your marvelous imagery, character development, and dialogue. I loved the local dialect spoken in the "Pig and Trumpet" and, to some extent, by Polly. You are great at painting word pictures (Coome Martin Dorsett) and personally I enjoy the longer descriptive passages and hope you don't shorten them. At my ancient age, I was shocked by the sexual abuse (by choice, I don't read erotica and am not use to such horror and explicitness) and hated the evil Phineas - but, again, I'm glad they are in your story because they add depth. I'm not sure I agree with your theme (if I've interpreted it correctly) relevant to the need for freedom from restraints and repression, but I have read, loved and learnt much from many novels by authors with whose philosophies I disagreed. And they were wonderful books, far more worth the time reading than much of the empty trash that sells now under the guise of a novel. Your manuscript, too, will be a classic. My only suggestion is that you make the plot a bit more transparent and less convoluted so that the average reader like myself can understand it. Blessings, Pat

Tito wrote 3 days ago

It is interesting to see how switching the two sections at the beginning and end of ch 1 has simplified the plot and made your book even more accessible. I really enjoy the way the story travels between past and present and seeing subtle clues placed with care linking the two time periods. I really feel you have added darkness very effectively and you could go further, I think. I am delighted to have this major work on my book shelf. This is a superb book and I'm so pleased to see it rising up the charts. Six stars.

Tito wrote 4 days ago

This is a fantastic read, it gets better everytime I return to it.

Jessica Kitten wrote 8 days ago

I have fallen in-love with your writing. I found the first chapter extremely readable and exciting and I'm looking forward to reading on. Roll on the weekend :D

Jess :)

Glenn Muller wrote 8 days ago

If you like lush descriptive sentences then this book is a rainforest. Not a quick read, even if you can't put it down, Where She Lies needs to be read at the pace to which it has been written.

Well done, Nick - starred and shelved.

Glenn Muller
(TORQUE)

EngLit Traveller wrote 13 days ago

This is truly an exceptional work. I have no hesitation in recommending it.

angelwithabullet wrote 14 days ago

Gosh, you write so well, I'm embarrassed to put my own work on display! I'm afraid I won't be able to read the rest of it though ... I get too caught up in thrillers and I'm working alone in a very big building, so it doesn't do one's confidence any good! Your writing is so vivid and clear and dark and dramatic that reading the first couple of paragraphs brought all sorts of emotions to light.
Brilliant piece. I'm giving it five stars.
Kaye x

JoMount wrote 14 days ago

Nick
I think you have struck just the right balance between description, action and dialogue. Having returned to read this I can see it has been polished to perfection, as others have noted. I adore your characters and feel strong emotions through them. Although I find the sections with Blisset and Phineas uncomfortable to read they are wickedly and carefully crafted. The 'fantasy' sections are much darker now and they fit much better into the book. I noted in chapter 17, I think it was that you write Birthday instead of birthday, but that is all I could spot that might be altered. I always feel I am emerging from a dream when I finish reading your chapters. This is writing at its very best and I know many others will agree. Thank you for it.
Jo

BillyD wrote 14 days ago

Your descriptions and ease of story line are a pleasure to read. I enjoy the character building and appreciate the pure descriptions looking through the eyes of the characters. Thank you. Am adding to my bookshelf.

Watchmaker wrote 15 days ago

One word: brilliant!

SallyXB wrote 16 days ago

Hi Nick,

What a great opening to your story. You pose more questions than you answer, leading the reader to want to find out more, link the characters, and find out what is really going on. I smiled reading it as your character Emma (1907) is about the same age as the character that introduces my novel, Four Movements. You are further on with your writing than me though, as it comes across as very polished and it flows nicely. I believe great fiction lies in mystery, and that is what you have successfully created here.

Thanks
Sally

Kirstie wrote 16 days ago

I would buy this tomorrow if I could!
I have never read anything quite like it but I want to read more.You have an amazing writing style, particluarly with descriptions. And the story is so mysterious. It felt more like dreaming than reading.
I love the dialogue, particularly Polly Popinjay.
I have only read the first two chapters but I will definitely be reading more.
The writing is of such a high standard that there is not much to criticise, however I did notice 'Don't Gorge, George' with a misplaced capital.
I also wondered if 'quarr' should have a y or perhaps this is a regional variation.
Personally I thought that the line 'Bit tender. but I won't die from it,' sounded a little mature for the character Emma.
But these are the only tiny points I can find.
I'm glad to see it doing so well on Authonomy. Have given full stars and a place on my shelf.
best wishes
Kirstie

Kirstie wrote 16 days ago

I have read the first two chapters and will definitely be reading more. Your writing is truly brilliant. The descriptions are so vivid that I feel like I am there. This feels more like dreaming than reading. The dialogue is spectacular too, especially that of Polly Popinjay. The work is of such a high standard that there is nothing much to criticise. I did notice one or two tiny points. 'Don't Gorge George,' shouldn't have a capital on Gorge, also a missing y I think on the word 'quarry' - unless this is a regional variation? And when Emma says 'Bit tender. But I won't die from it.' I felt this wording was a little too mature for her age.
I've never read anything like this but I would buy it tomorrow if I could.
Glad to see it doing so well on Authonomy
Have given six stars and will put on my shelf
Best wishes
Kirstie
T

Kirstie wrote 16 days ago

I have read the first two chapters and will definitely be reading more. Your writing is truly brilliant. The descriptions are so vivid that I feel like I am there. This feels more like dreaming than reading. The dialogue is spectacular too, especially that of Polly Popinjay. The work is of such a high standard that there is nothing much to criticise. I did notice one or two tiny points. 'Don't Gorge George,' shouldn't have a capital on Gorge, also a missing y I think on the word 'quarry' - unless this is a regional variation? And when Emma says 'Bit tender. But I won't die from it.' I felt this wording was a little too mature for her age.
I've never read anything like this but I would buy it tomorrow if I could.
Glad to see it doing so well on Authonomy
Have given six stars and will put on my shelf
Best wishes
Kirstie
T

Cosmicdancer83 wrote 20 days ago

I thought I'd got the wrong book at first, the changes are so dramatic in the first chapter. But it works perfectly. Great drama. The time sequence works so well. Brilliant.

Candymace wrote 20 days ago

This book is shockingly brilliant - one minute, heavenly Edwardian family life, the next pure horror. I love how the book has changed since I last read it. Story-telling of the highest order. This novel will be, is, a classic of our times. I love it. Candy.

JoMount wrote 21 days ago

How extraordinary! I had thought it might not be possible to improve upon your book but I have seen such a transformation in the first chapter. You have a different start time, now and it all runs in sequence. The conversation between the two girls is lovely. How sinister your Phinias has become. He is straight out of my nightmares, I know it. This is such a superb book. Such a gifted author.
Jo

kshaw wrote 22 days ago

Hi Nick,
Unfortunately I only had time to read the first chapter today and I have to say that I am so intrigued! The very first scene is so powerful and amazing and then you go right in to weaving a beautiful picture of these girls' lives. It reminds me of Anne of Green Gables gone terribly awry, the way that you capture the girls' voices and actions. Please don't take offense to that, I mean it in the best way possible-it is one of my favorite children's stories.

I also must say that I love how you are weaving the systems theory into the story. That is truly brilliant and will make a great underlying theme if you are doing that on purpose. I can't wait to read more of your wonderful book, I am highly starring this and I it will find a home on my bookshelf very soon!
Frith,
Kayla Shaw
PHILOSOPHIA

GirlSoBlue wrote 22 days ago

Where She Lies is my favourite book. I love it. There are so many treasures in it. I really like the new working of chapter one. It makes so much sense to put the 1880 section at the front. I like the dialogue between Emma and Ivy, it brings their characters out so well.
What a stunning, amazing work. Gorgeous writing, sensual and complex. Six stars, of course.
GSB

ironinthesoul wrote 24 days ago

I've read some bloody good books in my time but I've never read anything like Where She Lies by Nick Goulding. It is a satisfyingly complex tale set in Edwardian Dorset which follows up the story in more recent times. If you liked Atonement and Pan's Labyrinth you will love this fantastic work. Honestly, it is by far the most accomplished work here - beautifully written, intelligent and gripping plot, wonderfully drawn characters, a deep underlying philosophy, shocking thriller and emotional roller coaster in one. This is professional writing in bucket-loads.
Don't miss this extraordinary page-turner.

Treasure Seeker wrote 24 days ago

I love the new version of chapter one of Where She Lies. The date sequencing is easier to follow and the timelines flow beautifully. Moving the section with Mercy back a few chapters is masterful, it fits with the church scene very well. This is a gripping and very engaging story. I am happy to back this amazing book. Six stars.

Licudi wrote 25 days ago

I am following your book with bated breath and I thoroughly approve of the changes you have made to the first chapter, particularly. I think it allows the reader to have a better sense of the flow of time and make the connections that you clearly want people to pick up on, whilst still maintaining the mystery. I'd like to say it is difficult to know what other changes you could make to this book as I think it is surely to be a runaway best seller.

Daniel Rider wrote 25 days ago

Hands down, this is some of the best writing I've seen on Authonomy. Nick Goulding writes in a detailed, flowing, and yes, poetic, style that is beautiful and engaging. His attention to dialogue and period detail (in three periods, nonetheless!) is excellent, and there are scenes here that evoke strong emotions of fear, dread, and nostalgia in the reader while keeping mystery and suspense throughout. In particular, the scenes where 1) Emma meets the old man and 2) where Emma thinks about her friend's parents really got me in the gut.

That said, I found "Where She Lies" a bit of a difficult read. In many ways, it is an "experimental" novel, with a minimalist opening full of dread and intrigue, but light in detail, switches back and forth in time periods as we see the mystery unveil over the course of years, and a number of changes in perspective. I think everything works except for these changes in perspective. At the core, I find Emma's tale and the world the book weaves when she is front and center vibrant and interesting; when we've suddenly got sections of other characters, this is what throws me. These non-Emma sections, while well-written, take out the excitement and immediacy (the "must-read-ness") of the book, for me, at least, especially when the characters are new ones. I wonder how the book would read without these changes in perspective, if it was all Emma-centric. As I read, I imagined the first chapter this way, and it was much more gripping. This is just food for thought, but it is the one thing I found perplexing in an otherwise compelling piece of literature.

EngLit Traveller wrote 27 days ago

One of the joys of this site is to watch a novel evolve as the weeks go by. I had identified WHERE SHE LIES as a unique work, worthy of publication, some time ago. However, it has been polished handsomely even since then and I have no doubt this work, and this talented author will go far. There are elements of the classics here but also a very distinctive new voice that publishers need to take notice of. In the future those seeking exemplary work will not only quote work such as ATONEMENT but will also, no doubt refer to this book. Superb art form.

ShebaDiva2 wrote 27 days ago

I love the changes in chapter one. The new section of dialogue really brings out the characters of Ivy and Emma at an early stage. They are wonderfully drawn throughout this book. Fantastic writing.

Nick Goulding wrote 29 days ago

Hi Kit,
Thank you so much for taking the trouble to read 'Where She Lies' and for your helpful and constructive comments. I really appreciate your words. I'll take a little time to go through the review, naturally. Just a quick response - I've just been working on a dialogue between Emma and Ivy which helps develop character, early on I feel. The rape and death are not all they seem and do not necessarily indicate the end of the book. Naturally there are twists and turns. As to suggesting key dramatic sections, I am unsure what to suggest, as the novel builds sequentially and there are variations in pace (high drama/dialogue/description, etc.). I'll give it a thought. I aim to use two 'voices' - the novel is written by the old lady in a more 'fantasy' descriptive and purple mode whilst the external narrative line has a leaner, more up to date voice. The intention is to leave much unknown in the first chapter (I personally enjoy books that are not linear and obvious). Naturally the issues that one person finds difficult are those that others enjoy, so my aim in responding to feedback is to balance views and listen to my own instincts, too. Certainly there are some useful pointers in your review, and I shall continue to let the work evolve with these in mind.
I have put 'Rūta' on my watch list to read as soon as I can. As a former teacher I'm very interested to explore it. Thanks again.

Tito wrote 29 days ago

I love the dialogue in Where She Lies, it has a realism like no other book I've seen here and it delivers character perfectly. The multiple layers of the book are so tantalising and rewarding to explore. What a plot! I really like the way innocence and imagination blend with such horror, the underbelly of humanity! This is a work of genius. Backed and top rated, 6 stars, of course.

Kit Masters wrote 29 days ago

Hi Nick,

I think that you've done an increadible job on this one.

I read your first two chapters and then I jumped about a bit to get a flavour of what came next.

I'd really like to read a little more and I'd be very pleased if you could direct me to where any dramatic incidents occur so I could get a better understanding of this intriguing work.


I have a few points that I'll leave with you to think about or dismiss as you see fit, (just trying to give you some constructive comment rather than massaging your ego with the obvious praise you deserve.)

I feel that the first chapter is a little problematic.

You open with, I suppose, the death or near death of your main character; coupled with your pitch it sets the tone for the very interesting premise of this book.

I think that more could be done here to introduce Emma and start the interest in her character.

I think that as Literary Fiction more effort here to use this as a hook for your reader would be more interesting than the hook which comes later in the chapter.

You are in effect giving away the ending of a book without really relating to us why this is important; think about "Romeo and Juliet" or "War and Peace," at the start you know that these chaps called Romeo and Juliet die and that Moscow burns, you know intrinsically how they died, why Moscow burned, and you know, you can feel, the roller coaster in between the first page and the last.


The second section of this goes back to 1907, which is fine, but I feel like we're left here a little too long, and the sleepy nature of the village, is a little, well... sleepy considering what comes before and after.

I'm also not sure about using the place and date subheadings, I think that they are a little too simplistic for you and the depths you are penetrating with your poetic narrative.

Perhaps here it would be better to spend more time introducing the voice you have going on in the itallics; again something I don't personally click with as it's a little distracting.

Maybe try a longer section of prose in this voice so that we are lookingforward to each time it crops up within the narrative.

I think you want to set up Emma's internal monologue with this and I see that it may be useful later.


Finally you have a hugely dramatic incident, one that is told superbly well, and this is your hook.

However I have no way of knowing what this is about and connot yet see the links between it (1880~) and the main theatre of your book which is the 1907 sections.


You tell this whole chapter beautifully, and it was a pleasure to read, yet I can't help but feel that this structure is only here to make the novel commercial.

I hesitate to say but the opening and the "hook" at the end of the chapter are border line cliche, a pitfall you avoid because of the sumtuousness of your prose.


Reading on I see that the structure of chapters will be 1907 incidents, followed by short visitations in on the aged novelist, who I love at first read and empathise with hugely.

I feel happy to read on now, but I feel uncertain as the impact of the rape scene has changed the way I read every line!

I like the old lady's voice, and I'd likle to feel more of it in the 1907 sections.


I sincerely hope that some of these suggestions may be of use to you, and let me assure you I could've written far more about the excellent qualities of your writing!

I see these plaudits that you deserve in the comments before mine and I agree with everyone of them.

This is a book which deserves its high rating here and no doubt it's place on its journey to Waterstone's shelves and e-book downloads!

Sincere thanks for the read,

Kit

Licudi wrote 29 days ago

The changes to the first chapter are wonderful. I love the dialogue between Emma and Ivy. There is a lovely building of character added to the powerful and shocking drama. The mystery is superbly crafted. Top level writing.

AudreyB wrote 30 days ago

I have wanted to read your book for quite a while. I love the work of Alice Hoffman, who writes literary fiction with a touch of other-worldly fantasy, and yours seems to fit the same niche.

But I have to tell you, there's writing here that could be improved. I don't mean in the sense of making something rough into something good, I mean in the sense of making something wonderful glow with perfect polish. I wondered why you had us learn about the argument of the girls via narrative rather than showing it to us? I felt the same at the description of her father. Why not a brief scene in which mum calls him 'more sheep than Shepherd" instead of a paragraph of narrative? Your writing is obviously good enough for these small touches.

But other than that, this is one of the most compelling stories I've read here on Authonomy. The first pages reminded me a bit of Atonement, in that we learn about the setting through the eyes of a young girl, and we need to be aware of her errors in interpretation. I want to read further, which is a rare treat.

~AudreyB
Forgiveness Fits

Candymace wrote 31 days ago

Just seen this book has been here exactly a year. The reviews are so right, it is pure magic. An awesome read! Candy.

Grace_Gallagher wrote 32 days ago

Excellent opener, your writing is beautiful and easy to read. You create characters that seem instantly real, that takes real skill. I've only read a little, but I'll be back to read more.

Best of luck,

GG x

John Saville wrote 35 days ago

Stick the choke in on the first bit
Larks are always solitary
Intelligent

shelf

JS

Cosmicdancer83 wrote 36 days ago

Congratulations Nick on a fantastic novel, which I see has been here a year today. It is a first class work that will be so big when it's published. Well done.

Amelia C wrote 36 days ago

Hello Nick. Sorry it has taken me so long to get here, but finally I have found the time to read some of Where She Lies. I’ve had so many requests, it’s hard to keep up with the books, such as this, I have chosen myself. I have now read up to chapter 6 and have to agree with the comments below, this book is awesome. It has everything a good book should have; a carefully crafted plot, engaging characters, splendid attention to detail and a great pace. Beautifully written. There is very little else I can add that would be fresh, I think it has all been said. I have given it 6 stars and will be coming back for more very soon.
Amelia
Mungai and the Goa Constrictor

Olga13 wrote 37 days ago

finally i have read your book. very sorry for the delayed but so many requests and just giving my best to read one by one...on the top of my daily job and my own book..
anyway, shall i cry ? yes...shall i jump from my sofa if this novel will be in screen? yes. good characteres, well written and magical touch of fantasy and (bit) action / drama. and the one thing that i do like about movies or book (which attract to read or wacth more) is that we dont want to stop reading until we found out what is the end...and I really hope that someone will notice your masterppiece....sooner i have space on my shelve..will back u up... all the best...x

Lara wrote 37 days ago

Absolutely loved this. No point in leaving yet another review, there are plenty here and I have nothing I want to carp about or would wish to alter. One of the few books on this site I would actually buy . . . and I expect to be able to before long. BACKED
Lara
A RELATIVE LOSS

JoMount wrote 37 days ago

Where She Lies has kept me enthralled. I don't know what it is about this novel that keeps me hooked. Is it the absolutely beautiful writing, the superb descriptions, the engaging characters or the extraordinary plot? Written to the highest standard, this has pride of place on my shelf. I love the way we dwell in the past, absorbed in a magical storyline and suddenly are confronted with the most shocking scenes. That is a clever literary manoevre. Then we emerge into the near present, as if awakening from a dream, or a nightmare, only to discover the old lady is dealing with the horrors of the past every day. I cannot wait to read this in full when it is published.
Jo

Cecily Macintyre wrote 38 days ago

This is very strong visually - done any scriptwriting?

Cyrus Hood wrote 38 days ago

Hi Nick, I have just cleared all my books from Authonomy and posted a new work, Hellion 2. There are issues within this work that I am most anxious to get right. Would you please take a look and let me know if there is anything that you feel might cause offence, regarding the holocaust.

many thanks

Cyrus

GirlSoBlue wrote 38 days ago

Where She Lies is an awesome book and I adore it! I really like the sensual writing. Budding sexuality meets Edwardian values and dark evil. An exciting combination. Thrilling writing.
GSB

gajs78 wrote 40 days ago

Hi Nick,

I had read the first chapter of 'Where she Lies' when I first joined the site. I was sure I had commented, I must be going senile as I see I haven't.
I re read the first chapter and have stopped at chapter three to leave my comments.
I really have to say that this is the most polished book I have come accross here to date. I could find no fault. The first chapter inroducing Emma and her almost dream like world, puppets etc is written so well that I had to read on. The chapters ending was the ultimate hook, it was then that I realised I was in for a treat as it got a little creepy!
The jump back in time again displays no fault, your historical accuracy and attention to detail is flawless.
Polly and Rebecca were releastic and well rounded. Your descriptions were beautifully written, poetic.
The book takes on a distinctly darker tone and I really can not wait to find out what will come next. You create many questions in this book, compelling the reader to continue if they want to unravel any answers. Stunning
Highly starred,
This book should be published not whiling away here.

Jayne

Natalie1 wrote 40 days ago

Intriguing and beautifully written. It is on my watchlist for further reading! Natalie (The diary of John Crow)

Thayer Berlyn wrote 40 days ago

I adore the poetic and rare style of this work. I read through Chapter 2 and will return, there is no doubt. This is the kind of story that absorbs all of the senses...a gift, I think. The many comments before mine speak in like mind to my own thoughts on reading this book thus far; it would be impossible to not repeat that the characterization and sense of place simply breathe.

Respectfully,
Thayer

Karamak wrote 41 days ago

Hello Nick, I have just spent an enjoyable hour reading your book, I was only intending to read a small sample but you pulled me in! Excellent !
With best wishes Karamak.

Treasure Seeker wrote 41 days ago

This is very fine writing, Nick. I really like how you have embedded both the Edwardian narrative and the 1990's in a very accurate historical setting. The details are perfect, yet not intrusive. I was not sure electricity would have reached those parts by the early twentieth century but I checked and you are quite right. Most enjoyable.

Licudi wrote 42 days ago

Where She Lies is a masterpiece that has got even better over the last few months. It is a mysterious, dark read with a thrilling and engaging plot. You will fall in love with the perfectly drawn characters and the magical setting. The book cleverly weaves a sinister tale running through Edwardian Dorset with a skein of consequences in the present day.


EngLit Traveller wrote 43 days ago

This is a fascinating, gripping novel that I have thoroughly enjoyed. The pace is excellent, varied so carefully. The plot and descriptions are perfect. I shall read on.