Savannah Oak

What a daughter Hayley has, I feel sorry for her. Maxine is one bad, bad girl, but one that makes for an interesting read. You really have a great mix of characters in here, from Max's mother, her boyfriend, the grandmother and now Chris, the hot new neighbour. This is definitely your best book out of the series and one that I would read right through if I had the time. The first 3 chapters by the way flew by fast, because they were captivating, but I really need to get back to work, which is the only reason I had to stop.

Unlike my previous review of one of your other books, I could not find any typos, the writing extremely polished, the language perfect, and the flow as I said was great. I liked how you did different character points of views, because this kept everything at a nice, fast pace, which is what I prefer in books.

All up a very impressive story with lots of intrigue. 6 stars.

Hi Alan,
I thought my comments would help your book the most by posting them here. Maximum stars.

The Savannah Oak is listed as fiction/crime. First, I have to say that this is not they genre I usually go for, but the extract was stunning. I have never been to the deep South, and yet I got a very real sense of the heat and the humidity. Al brought the location alive with all sorts of deft touches like the moss on the oak trees.

I got the feeling that there was a lot boiling under the surface as I read. Max, the daughter, has some huge hang-up and it seems to revolve around her mother. She is rich and well-educated, and yet chooses to live like a slutty tramp. I get the impression of an almost hopeless reaching out for the affection she never received as a child.

Hayley, the mother is one of the best character creations I have come across. The real woman has been suppressed, but little glimpses come through. The persona she projects is an artificial construct of how she has been taught to perceive herself in the structure of her powerful family. Her voice is utterly unique. Her inner musings end on three power words, which solidify her self-constructed character. That is a really neat trick.

Two things came over as potential flaws. The first was the smell of cat piss in the daughter’s apartment when no cat was in sight. The second was that neither the mother, nor the daughter appears to use the name of the now vanished husband and father. Their name comes from Hayley’s father. Maybe this will be explained later in the book, but those chapters aren’t posted.

I very much enjoyed the read and I am putting this on my WL with the intent to back it.

SAVANNAH OAK / Alan Chaput

Engaging, character-driven crime fiction brew here. Ingredients: A hand full of clever writing, a pinch of crafty word usage, several cups full of desriptive narrative with a perfect balance of 'show me' dialogue, spoken by perfectly characterized participants. Topped off with the right amount of southern charm, this book is one that should be read by each and every new member of the Authonomy community as a 'How To 101'.

E M Delaney

Just finished the five chapters you've shown, Al, and I'm quite impressed. The characters are vivid and their interactions entirely convincing. I understand and feel Hayley's anger and frustration at Maxine's dissolute life style as well as Maxine's rebellion at her mother's banal ambition for her. The recurrent images of Savannah's stalwart oaks are an effective symbol. And the absence of explanation for the characters' respective attitudes is realistic. No Freudian theories; just the incalculable mystery that blights innumerable families. There's tension, too--the impression that something sinister is brewing and no good can come of it.

My only concern was the need to reread the opening paragraph a few times. I'd change "Maxine's" to "Her daughter's" to nail the relationship. Maybe it's just me, but I like clear beginnings. Then, a little later, when Hayley sees Maxine with a man, I wasn't clear which one it was. Did she mistake Ronnie for Tater in calling him Maxine's live-in guy?

But these are rare exceptions. There's no mistaking who's speaking or thinking as your universal author passes from one character to another. The transitions are smooth and impressive; the descriptions of atmosphere and ambiance, always sharp but not overdone; and the back stories, never disruptive. I think you've really got something here, and I'm eager to read on.

Bill Carrigan
("The Doctor of Summitville")

Dear Alan,
This is amazing. There is some beautifully crafted writing here. I love the way that in a single chapter you set the scene so well. The expectations of her family, the Savannah Oak that's so symbolic of the family tradition, the conflict between Maxine and Hayley.
Little phrases like the ‘weed-rimmed lot’, the snub-nosed colt bouncing reassuringly on Hayley’s hip… somehow environment and characters intertwine seamlessly and you reveal so much about both in so few words. I sense both female characters are forces to be reckoned with and the tension between them, combined with the obviously fierce love of Hayley as the Mum set this up well as an explosive read.
This crackles.
Back with pleasure.
Kipper

Hi Al,

I’ve read three chapters of Savannah Oak. This is beautifully written, with a good pace and great sense of place. Your characterisation and narrative are excellent.

Below are a few chapter-by-chapter notes. These are just my opinions (and some, I suspect, are related to the fact that I'm a kiwi and we use English grammar rather than American), so take what works for you and discard the rest.

Ch 1

1) ‘snub-nose’
I thought it was ‘snub-nosed’ ?

2) ‘was taller, broader than the others’
I would consider saying ‘was taller and broader than the others’. The way it’s written, the reader (well, me anyway) gets thrown out of the story at this point as they’re mentally reading ahead - ‘taller, broader and…’

3) ‘Froze’
should be ‘Frozen’ (though maybe not in America).

4) ‘her weapon when threatened?’
remove ‘?’

5) ‘yellowed plastic’
hyphen or comma after ‘yellowed’ (depending on which image you want to convey)

6) ‘Hayley raised her hand once more when the off-white door swung open.’
This sounds as though Hayley raised her hand as a result off the door swinging open. Maybe say ‘Hayley was raising her hand once more when the off-white door swung open.’

7) ‘hair was dirty’
comma after ‘dirty’

8) ‘Unemployment had made living with Tater a necessity.’
Yet she has a trust fund, which, by the sounds of it, gives her a regular income. (Presumably this anomaly gets explained later?)

9) ‘Savannah Sole’
Did you want ‘sole’ or ‘soul’? If it’s a play on words, it’s lost me (which isn’t that hard to do).

Great chapter. Wonderful end hook.

Ch 2

1) ‘And he would because’
This doesn’t fit the line before. Either the line before has to be ‘plead for him to forgive her’ or this line has to be ‘And he would give it because’

2) ‘Hayley turned her car’
It looks as though you indent the starts to your paragraphs, but for five paragraphs at this point, they are flush. Very nit-picky, but I thought you might like to know. (Actually, looking back through the chapter, I see that they vary. You might like to choose one format and make all your paragraphs consistent throughout your ms).

3) ‘Patricia stared hard, trying to understand, but couldn’t.’
The tenses are muddled here, so it sounds as though Patricia couldn’t stare hard. You could say either, ‘Patricia stared hard and tried to understand, but couldn’t’ or, ‘Patricia stared hard, trying to understand, but failing.’ Or something of the sort.

4) ‘house coat’
one word

5) ‘toward the door, the corridor, the garden’
should be ‘toward the door, the corridor and the garden’ or ‘toward the door; the corridor; the garden’

6) ‘Steered her out of her cell…’
This is actually not a complete sentence. I would place a semi-colon in front of it and make it part of the previous sentence.

Ch 3

1) ‘an old grey frame house’
this needs commas and/or hyphens.

2) ‘pale yellow plastic soup bowls’
comma after ‘yellow’

3) ‘Everything in place to maintain’
there’s a big gap here before ‘balance’

4) ‘Sleep walking’
One word

5) ‘sleep walked’
one word

6) ‘But, she had to’
remove comma

7) ‘cute young guy’
comma after ‘cute’

8) ‘puppy dog’
hyphen

9) ‘door knocker’
hyphen

10) ‘Sleep walking’
hyphen

This is a nicely polished tale and the plot is developing beautifully. A great read. I noticed that you’ve already had two books at the ed’s desk. Have these been published?

Sue

Greetings!

First, thanks again for reading Eye of God, very appreciated. Sorry this took so long to get to, things have been rather hectic lately.

This is really outside of my usually reading material, but I'll give it my best shot. If something is out of place in my comments, it is probably due to my complete lack of experience reading this type of story. :)

I liked the contrast between mother and daughter, but it really felt like a bit of a trope-type; the rich daughter of a powerful, confident woman digs into drugs and sex while the mother tries to rescue her... there wasn't anything about Maxine that made her really stand out to me. While I got the vibe she's a somewhat nice person beneath her rebel veneer, I really struggled to get behind her and feel a lot of sympathy for her. While in a few ways her mother wasn't quite as set to trope types, I still didn't get a vibe that there was something that made her unique or stand out. (Once again, this isn't usually my genre, so I'm not sure if this is actually the case, but this is what I observed as reading.)

As always, the writing quality is superb. Despite my reservations over genre, I made it through the first three chapters without a hitch. In some ways, I quite enjoyed the read, although there wasn't really anything to hook me personally since this isn't the type of story I normally read.

There were a few paragraphs here and there (albeit very rare) that I had to re-read to really get. Nothing one final run with the polishing cloth won't cure.

All in all, very well written and i think with the right audience, this will definitely be a hit. I hope that my comments were at least of some use to you!

Hi, sorry it took me so long to follow up my last comment. Been busy lately, haven't been on Authonomy much in the last couple weeks. Anyway, here's my ongoing critique right up to the end of chapter 3. Hope you find this useful! I'm looking forward to your opinion on the next chapter of "Tamria."

Just gonna go grab a beer. LOL!

James


Rest of Chapter 2:

“Time had passed fast and it had not been kind to her” – there’s nothing wrong with this but I wonder if a shorter “Time had not been kind to her” would be more effective.

“Shaken, Hayley’s heart lurched, but she dug deep and remained outwardly calm” – not sure what “dug deep” means, in this context. Do you mean she’s “digging deep” for a strong place inside her, to keep her composure? “Shaken, Hayley’s heart lurched, but she fought to remain outwardly calm.”

“terrible accident erupted” – is “occurred” a more appropriate word for this context? Or “happened”? Maybe even rephrase to: “On the third day, there was a terrible accident which changed both their lives.”

“In the months following” – would this sentence sound better if those two words, “months” and “following” were reversed? “In the following months, she received the best…”

“vague continuum” – I like this pairing of words!

“Oh, my God. Did Maxine see her life that way? Just vague memories?” – since this appears to be Hayley’s ‘thought bubble,’ perhaps it should be italicized? Thoughts that appear to be spoken should always be distinguished as such.

I’ve noticed you have three occurrences of the word “trips” in this chapter, all within close succession. There must be other words you can use, to avoid repetition. “outings”, “journeys”, “excursions” “holidays” – they’re a start.

“time to relax and take in the relationship she never had as a young girl” – think you might need an extra “had” here, as it’s referring to the past. “She wanted time with her mother, time to relax and take in the relationship she had never had as a young girl.”

“All her life she had sought her mother’s love. Other than the three trips to Paris, she’d failed” – would this flow better? “All her life she had sought her mother’s love. Those trips to Paris aside, she’d failed.”

“shriveled frame… shriveled mind” – thought this was a very clever phrase.

“Hayley had an urge to cry” – a more conventional “Hayley felt an urge to cry” might be better, but I seem to recall you warning me against using the word “felt.” I’ve seen it appear in plenty of books, though, so I guess it’s a matter of personal taste.

“steered her toward the door” – how about “steered her to the door” ?


Chapter 3:

“let his body calm, let his mind clear, let his soul mellow” – could sound better without the repetition of “let”: “Tater sat in his black ’84 Chevy wagon and let his body calm, his mind clear, his soul mellow.”

“Ronnie appeared in misery” – is this “telling”, not “showing”? Do you think you should “show” more here?

“The mildewed door swung opened” – typo. Should be “swung open.”

“Ronnie, in frayed baggy jeans and a limp white tee-shirt, gestured him in. An old Black Lab sat beside Ronnie.” – you use Ronnie’s name twice in two sentences. Since there can be no ambiguity who the Labrador’s sitting next to, why do it? “An old Black Lab sprawled on the floor beside him.”

I notice you use a lot of very short, choppy sentences, and often single-word sentences (like “Whimpered.”) This may be fine for the genre you’re working in and the kind of novel you’re writing, and it doesn’t seem to have done any harm to James Patterson (and his ilk…) – it’s very much the opposite of my style, which favours long descriptive passages. But I wonder if your writing might flow better in some cases if the sentences were joined up. There are occasions where the “choppiness” of the events described feels jarring. But this may just be me. E.g. –> “Tater entered, handed the pizza box to Ronnie. The prune-faced dog nuzzled the box, whimpered. Ronnie’s body odor was overpowering. Tater moved to the side.”

“Game on” – why is this underlined? Should it be italicized?

“Ronnie’s online life would never again be the same” – nothing wrong with this passage but why was “again” placed after “never” and not at the end? “Ronnie’s online life would never be the same again” is a more standard phrasing.

Why does Max refer to Tater as “Dude” in one sentence and “baby” a few lines later? Words like “baby” and “honey” are fine, considering their relationship; I can only imagine one guy saying “Dude” to another, not a woman using it.

“He crushed the beer can in his hand” – since we know it’s a can of beer – it’s been referred to several times in this scene – is the word “beer” redundant? “He crushed the can in his hand, tossed it in the trash”

Again with the “Dude”!

“she said, trying not to shout” – the word “shout” was used in the previous line. How about: “’Stop yelling,’ she said, trying not to raise her voice.”

“two hundred pound, six foot bully” – think “two hundred pound” and “six foot” should both be italicized, as they’re being employed as adjectives. “two-hundred pound, six-foot bully.”

“hundred and ten pound girl” – should also be italicized: “hundred-and-ten pound girl”

“Her emotions welled” – rather vague – what kind of emotions? -, and it brings to mind the “show, don’t tell” mantra we’ve all been taught. “She felt a flash of anger”, or something like that.

“She grabbed his beer can” – ok, that’s two uses of “beer can” in this chapter and nine references to “beer” (I’ve done the page count.) You don’t need to keep telling us what drink it is. Either, “She grabbed his beer” or “She grabbed his can”, or “She grabbed his drink”, to mix it up a little.

“She took a long swallow” – word repetition again. You used “took a swallow” a few lines before. Alternatives: ‘She took a gulp,” “She took a long draught,” “She chugged it down”.

“dodged the bullet” – maybe this is OK in a work like this but it is a cliché. I may have a few clichés in my own writing (every book contains some clichés!), but some are more acceptable than others. Some, like “quick as a flash,” and “like a bat out of hell”, are just so trite they’re inexcusable. Wonder if this belongs in that camp.

“thousand dollar birthday check” – is “check” an American spelling? I’ve seen it presented alternately “check” and “cheque.” And “thousand dollar” should be italicized. “She had a thousand-dollar birthday cheque”

“She shivered. Cold.” - 1, this is the lowest kind of “telling”, not “showing,” and 2, “Cold” is kind of redundant, after the word “shivered.” Why else does one shiver? Don’t be afraid to have a bit more description, your writing can afford to be a few words fatter here and there. “She shivered. Goosebumps prickled her skin.” That’s a start.

“pushed into a seated position” – don’t you mean “sitting position” ?

Should “sleep walked” be a single word (“sleepwalked”) or a hyphenated word (“sleep-walked”)? In published writing, I’ve never seen it as two separate words.

The word “beer” again!!!! You have nine uses of “beer” in this chapter. Why not “Too much booze, she supposed.” – That way you’re not reusing the same word.

“hung over” – this is another word that’s usually hyphenated: “hung-over”

“Her heart raced” – another cliché, or overused phrase. “Her heart thumped” - that might be better.

“God damnit.” – Should be either “Goddamn it” or “God damn it”. Don’t have the “it” as part of the word.

“Shivered.” – the same word again! You used “shivered” a little earlier. Try a different one.

“Being scared wasn’t an option” – how about: “She couldn’t let herself look scared.”

“beer breath” – aaaargh!!! So many BEERS!!!!! I think I might have to have one now!!!!! [zombie voice:] "Must... have... beer...."

“staggered by her” – “staggered past” ?

“door slam closed” – just “door slam.” “Moments later she heard his door slam.”

“She made a beeline to the bathroom” – hmm, it’s another modern, very well-wrung phrase. Again, maybe fine in your genre / type of fiction, but I’d avoid it. “She made for the bathroom” - there, that’s two words shorter and doesn’t lose any of the meaning.

Al,
Here are my comments on Savannah Oak. Hope you find them helpful:
• "had thrived in Savannah soil nearly as long as her family" is said as if she knows how old the tree is, which wouldn't make sense if its in her daughter's apartment parking lot. Maybe you need to say it "looked as if had thrived in Savannah soil...."
• $1,000 check, according to my style guide :)
• "court-trained" seems like an odd description. I wouldn't imagine you'd see much in a court. If she was used to seeing crime scenes or having to look at pictures for her legal career, that would make more sense. I'd suggest rewording....
• I don't follow the logic of the sentence "Like wearing outgrown jeans...." Don't know what you were trying to get at here at all. Makes more sense if "wearing too-tight jeans" but I don't know if that's the same meaning as what you intended.
• Max's mom and boyfriend make it sound like her trust fund checks are big, but she views herself as homeless. Maybe you need to qualify just how big they are in some way?
• Can you shower someone with sensitivity? I'm not sure that works...
• I'm in the third chapter and am wondering how on Earth Maxine hooked up with Tater. Doesn't seem like they'd run in the same circles. It would be good for that to be addressed her if it isn't later.
• At one point you say Maxine's condition, which makes it sound like a medical issue. You may want to phrase differently (i.e., Maxine's living conditions)
• You've got a comma you don't need in "And I'm not, your debutante"

Overall you have a great cast of characters. They are well fleshed out and I enjoy how different they are. By the end of the fifth chapter though, I'd like to see the pace pick up. While Tater is certainly a creep, you have yet to establish that he's an actual threat. Without that, it's hard to continue to sympathize for Hayley, who just comes across as a control freak...Hope to come back to it when I have more time.

I'd also appreciate some more backstory on Maxine. The way it reads, she went off the deep end when she graduated college. Was that the case? Was simply being given a trust fund and not allowed to move back home what triggered her lifestyle choices? If so, it makes her hard to sympathize with. Also, I'd like know whether she's doing something for the homeless beside writing a blog. Maybe she's volunteering in a shelter? Otherwise she seems to be pretty self-involved.

Hope you found my read helpful.

Best,
Melissa

Book Cover Critique

A very beautiful image you have chosen. The over hanging tree branches and the arch are wonderful design patterns; much character in those branches. Usually one does not want to put the center of focus down the middle of the page but since your horizon is low and the tree branches take up most of the negative space, I would say it is artistically pleasing. I get the feeling of calmness and a twinge of mystery as oak trees have a tendency to do especially with all that eerie moss hanging from them. The large branch near the top is a wonderful element that should not be covered up. You did good putting the title near the bottom.

As it seems you will be sticking with that particular image, I have a few comments that may improve your cover making it even more appealing. First off, as the image is a beautiful one the colors are very dull (most likely taken on a cloudy day around noon). A way you can fix this problem is to go to a photo editing software and enhance color saturation. Bring out more of those greens and yellows and a bit more light. I think a slanting ray of light would look nice coming from the branches but that may be too much.

Lastly, your title has a few problems. The font is very general and the color too dark. Because you have picture filled with curves and represents a more old fashioned feeling, might I suggest a more script-like font, one that will reflect the same feeling and motion as the oak trees. I can understand how the color of the title may be difficult since your image is very busy with much color. A yellow or a green would fit, but be careful not to go too light since the space at the bottom is composed of a white. To fix this problem you could add a transparent shadow behind the title allowing you to use a brighter color (photoshop has some nice ways of achieving this effect). As a final comment, keep the author name small but still readable. At the moment it almost looks like an extension of the title. Until the day you have a good reader following the author name (important-- that I understand) needs to be small like how an artist signs his work. I say this a lot but I find it to be very important and a common mistake among beginning authors.

I hope this helps. I love the cover so far and hope this may improve it.

Hi,I read to chapter four and I have very little complaints.
Hook: It seems too wordy to me, I would cut “adult” out of “adult daughter”.

Pitch/Blurb: I think this is one of the better blurbs I've read. It seems to capture what the story is about and introduces a few key characters and makes the beginning chapters, which are a bit slow a little more suspenseful.

Chapter One:
I really like how the story dips into Hayley’s thoughts. She’s an interesting character with a clear voice.
One think I noticed about thoughts is the format. Most of them are in italics. “Oh my! He’s going to—“ But, “Ridiculous. Move on.” Isn’t in italics. I don’t find the lack of italics confusing or anything, but I think consistency is important, so keep all thoughts in italics or put none of them in italics.

“She supposed a dime qualified as a detail.”I love the idea of a wealthy woman still picking up a dime. I also like how the quote from the dad was slipped in.

I feel this description is lacking. “She stopped on the mildewed steps fronting Maxine’s building. Wood veneer peeled off the warped door.” The ending of it just feels abrupt to me, like one more thing should be mentioned.

I like that the story switches POV’s/ head-hops. I think it works smoothly and it helps make this story more complete, makes each character more interesting and the dynamics between them. It also make them more sympathetic and easier to relate to. Maxine isn’t a great daughter and Hayley isn’t a great mom and with them bouncing off each other it easier to be sympathetic to them.

Chapter Two:
I like that Tater is so creepy, but that isn’t really commented on in his sections, it’s just normal day for Tater. I also like that “Maxine” turns to “Max” here.

The setting is written well so it’s nicely prominent. I really liked the mention of the animals. “The moss-encrusted monster had been living in the pond since Easter and seemed to enjoy the place.”

I liked the scene with Zach, it added a nice bit of lightness and a little humor to the story that was kind of getting a bit too heavy.

Chapter Three:
Good believable dialog in this chapter.

“His eyes drilled her, as he lit a cigarette.”
I’m not sure about the comment before “as”. Just seems wrong to me, not sure though.

The argument between Maxine and Tater is well done it grows in intensity and then winds down smoothly.

Chapter Four:
I didn’t like the underline under “his” in “Though often his focus had been outside the marriage.”

Over All: Can’t say much more, but this is a good read, well written with layered characters and good dynamics. It’s slow, but there’s a good amount of tension to keep the reader going.

Alan,

I finally got around to reading a couple chapters of Savannah Oak, coincidentally just as you are doing some editing! The first two chapters quickly set up some dramatic situations and hint at troubles in the past. Lots of mother/daughter troubles! Maxine is an interesting character -- young and confused, longing for independence yet resenting the way it was thrust on her, and trapped in a relationship with a nasty jerk of a boyfriend. I suspect she really wants a relationship with her mother but can't bring herself to admit it. Her contrasting internet personas -- the socially conscious blogger and the slutty "Wild Tigress" -- reveal her desires to do good in the world and to be loved. I want to know how she gets out of this hole!

I didn't notice anything that needed correction. This is easy to back.

Karen Eisenbrey
CRANE'S WAY
ENDURANCE
TIME SQUARED

Hi Al,

Sorry it has taken me so long to return the read. I wanted to wait until I had time to concentrate on it fully.

Here are a few of my thoughts after reading your opening couple of chapters.

You clearly are a master craftsman. There is no denying your technical ability. This is impressively polished writing. I doubt I could find a typo no matter how hard I searched.
You set the scene well. I can see and almost smell the Deep South. Your leading female characters are very well rounded and believable. It’s unusual to find a man capable of capturing female voice so effortlessly (Nicholas Sparks is the only author I know who does this well) so hat’s off to you for such convincing protagonists.

I really enjoyed Maxine, or to be clearer, I really enjoyed disliking her. She’s truly horrible and I feel she gives this story dept.
Haley, on the other hand, I liked very much. I have a suspicion that there is a lot more under the surface with her and the little glimpse you give into her hidden depts. are very intriguing.

Very impressive dialogue. There is never any confusion around who is speaking while at the same time there is no author intrusion to explain. You trust your readers to follow, and it pays off. I love this aspect of your writing.

My only concern in the opening is pace. You build tension well, but there are times where I did want things to move a little faster, I wanted to be hooked sooner. You have fabulous imagery but I think I want to see more action initially and let the description come later when I’m glued to the prose.

Janny :)

Hi, Al. Sorry it's taken me so long to get back to you.

I read all of this. It's a good read. Well written, pacey, with a natural flow. I haven't read your other books but I'm thinking about it :)

Your characters are well drawn. Hayley, the worried mother. Maxine, the 'almost' daughter from hell! Tater, the deceptive and irritating boy friend. I'm drawn in and wondering how it's going to pan out.

I thought the dialogue was just right. Realistic and punchy. I like your use of quick, snappy sentences. Something I like to echo in my own writing.

I was thrown a little in C4 when I came across a few paragraphs that read the same as the beginning of C1 ... not sure if this is intentional or not ... just found it a bit strange. Nevertheless, I finished what you have here and enjoyed the read.

There's nothing I can fault in the technical aspect .. seems fairly well polished to me.

Best of luck in your endeavours to reach the desk a third time. Must be some kind of record, eh?

Mick

Hi Al,
Wow, are you sure you aren't spying on my family? :) You're depictions of Haley, her daughter Maxine and Haley's mother are so real that I was instantly drawn in. I was Maxine (well without the booze and sex) and my mother was Haley after I left for college. My grandmother is even starting to develop Alzheimer's. Your story brought me back to that time and made me see it in two different perspectives. I love that. I love how you are in both of these women's heads simultaneously and I think that it breathes life into the story.

I will definitely be back to read more of this, although I hope this story takes a drastic turn that doesn't sum up my life :)

Frith,
Kayla Shaw
PHILOSOPHIA

{Savannah Oak} – Alan Chaput
Chapter 4:
Great portrayal of Maxine in this chapter, and I truly felt the awkwardness between her and her mother, and Hayley’s difficulty with talking. You create a vivid picture of the feelings of your characters, and I like your writing style that is at times quite abrupt and to the point.

Good luck with your editing! Here are some more detailed thoughts ☺
Best wishes,
Cara

I’d merge sentences to read; ‘Flickering red and yellow neon tubes beckoned, making her salivate over the thought of more body art.’ → to reduce the number of shorter sentences, making those other short sentences have more impact

Next para I’d begin with ‘She sucked in a deep breath’ → more active. Then finish; ‘This was real, bringing with it the cleansing sensation of the outdoors.’ → also eliminate ‘air’ in ‘This was real air’ because you have just mentioned air twice, so we know what you’re talking about

I’d say ‘A nice walk she made once a week or so, but more than that, an excellent place to meet Ronnie.’ → again sentence merging

I’d just say ‘Ronnie was already there when she arrived, dressed in a NASCAR tee-shirt and jeans.’ → we know she’s going to the French Bakery so perhaps no need to repeat. Also, changed structure to improve flow, maybe? So the reader isn’t disrupted by the clothing description in the middle, which could be seen as irrelevant

I’d say ‘As she approached Maxine’s apartment complex, she saw a girl who looked just like her daughter come out of the bakery – with a much older guy in a ratty NASCAR shirt.’ → firstly, ‘daughter’ so that ‘Maxine’ isn’t repeated again. Then, the ‘much older guy’ separated as such for more emphasis and shock

‘Hayley considered intercepting’ → I’d have the comma in this sentence before the but, not after

‘Too riled to continue…’ I’d put another comma after ‘wouldn’t’ in the next sentence. Also in next para, comma after ‘stride’

Hi Al,

Sorry it took so long to get back to Savannah Oak. I’ve reread your first three new chapters. It’s been a while since I read them the first time.

General comments: Hayley is gutsy and motherly at the same time, and I think that’s a great combination. She’s obviously strong, intuitive, intelligent and sophisticated, and doesn’t miss a thing. She knows that her daughter needs help and she wants to help, but knows how stubborn her daughter is, too. I get the impression from the very beginning that Hayley will have a tough time getting Maxine out of her terrible situation.

I love your descriptions—I can see the big oak tree and the messy apartment.

Simmering tension. Never a dull moment. Great handling of thoughts and internal monologue. I couldn’t find any typos or grammar errors.

Specific comments on the first chapter:
1) One of my favorite lines: Gnarled branches soared, swooped and snaked overhead.
2) I’m not sure why some interior monologue is italicized and some isn’t.
3) I got a little confused when: Maxine gestured toward the door and moved nearer. Hayley backed up to avoid being nudged, then stepped out to the landing. I reread and then realized that Maxine had practically pushed her mother out the door. Maybe that could be a bit clearer, or maybe it was just me. It’s late at night here.
4) I love the sharp contrast in voice and attitude between Maxine and Hayley. The moment the viewpoint changes it’s immediately obvious. Great job!

Specific comments on the second chapter:
1) Again, the viewpoint shift is really good. Tater is so completely different and his voice comes through loud and clear. Shorter sentences, swearing, opinions all work to show the kind of person he is.
2) I like seeing Hayley with her own mother this time. A contrast between mother and daughter from chapter one. Some good backstory.

Specific comments on the third chapter:
1) Tater is obviously a bad guy and tension is building. I didn’t like him in the second chapter, and now I really don’t like him. I’m hoping Maxine will see who he really is and leave him.
2) The arrival of Chris looks like it’s going to open up a new set of problems for Maxine. Good job increasing the tension.

This is really good, Al. I'm giving it six stars and I will try to make room for it on my shelf soon.

Susan/Greenleaf (Chameleon)

Dear Al,
I'm traveling, so my allotted time on the internet is strict, however, what i read of Savannah Oak i found impecably written. Your characters are funny and alive and i believe i have a daughter exactly like Maxine.
On my desk with all the stars.
Best,
Maria

Hello Alan,
Thanks for inviting me to read this.
I've read the first chapter - and though thrillers are not my bag, you do have something interesting here. I think I'd like to read from book one - but this opening chapter of the third book brought the characters to life without a need to know the back story.
Your writing flows really well, but from reading some of your comments, I think you already know how well you write.
Only one negative point - and please don't get out the colt 45 on me for it. I think it reads more like a film script than a novel. Was it that at one time? Or do you have experience in that area? Something about the descriptions kept me from getting into the tale you were telling. I think I'd like to watch them as films rather than read the books.
Other than that one small point, I think you have something valuable here.
Keep up the good work.
Kaye x

I'm about to go to bed now but here's my follow-up on your first chapter 'review,' the first half of the second chapter.

James

***

“He sat down at his desk, scooted in, and clicked on the icon” – I’ve never heard the phrase “scooted in” before (so maybe I’m just ignorant on this) but there is no mention of him actually logging onto a computer here – we’re just told that he sits at his desk. Maybe need to mention a computer somewhere.

“continue through the day” – maybe “throughout” ?

“fire ant venom” – think “fire ant” should be hyphenated. “fire-ant venom”

“She intended to be unfaithful again” – think “meant” is a better word for this context. Or “she was going to.” “His throat tightened. Only one reason for that invitation. She was going to be unfaithful again.”

“would snivel and plead with him to forgive her” – feel a more compact phrasing would be: “His soon-to-be-disciplined girlfriend would snivel and plead for his forgiveness…”

“exquisitely landscaped” – since this is being employed as a compound adjective (or whatever the technical term is!) I feel it deserves a hyphen: “exquisitely-landscaped”

“centuries old survivors” – need an apostrophe after “centuries.” “centuries’ old survivors”

“pearlescent lagoon” – I think this description!

“large alligator” – I’d just drop “large.” It what you would call telling, not showing. And most alligators are “large”. So just “an alligator sunned himself.”

Three “lagoons” in this paragraph. Change one of them. “swamp”, “pond” and “lake” are viable alternatives.

“went in the frosted double doors” – “went” Is a dull choice of verb. Something better, “She left the car in the visitors’ lot, strode through the frosted double doors”

“the place smelled antiseptic like a hospital” – here’s how you might “show” a little more: “Despite the tasteful furnishings and soft background piano music, the smell of the place was antiseptic, sterile, like a hospital.”

“fretted the legacy would end with Maxine” – to improve flow of that sentence you should add “that” after “fretted.” …she recalled, with a bit of pride, the things her family had done for the community, and fretted that the legacy would end with Maxine.”

“’Hello, Mama.’ [next line:] Her mother…” That’s an unnecessary repetition of who this person is. And the next sentence begins “Mama.” Maybe replace with “The woman.” “’Hello, Mama.’ The woman, dressed in pink flamel pyjamas, turned.”

Hi Alan,
returning your read of Mr Unusually's Circus of Dreams. Thanks again for that. I've used your feedback to make quite a few changes.
I read the first two chapters and loved every minute. This is quietly gripping, nuanced writing. I am interested in all three characters introduced and want to understand their lives and motivations, which is a fantastic achievement in just 2 chapters! Both mother and daughter were well observed (as a mum of three myself I loved all Hayley's internal questions as she notices the details of her daughter's apartment - how like a mum!)

There were no real slips in your writing, so I can't be terribly constructive. Once or twice I felt a word or two was slightly out of POV. But this may be because I'm a Brit!
e.g. Hayley uses the phrase "Sometimes life sucked", it felt too young/informal for Hayley's character.
In Max's POV there is the phrase "occasionally abusive boyfriend", I wondered whether she would see it like that, or if she would cover up for him more/or for her staying there and not directly label it as abusive. Not sure. Also "opened her word processor" didn't sound like a young person. I think only people over 40 even remember word processors! That includes me, but the young people I know wouldn't call it that. She'd probably just call it "Word", or just leave the reference out altogether, in her eyes, she switched on the computer and started typing.
Just a few very slight niggles as you can see. This was pretty flawless writing but captivating too. Brilliant stuff.
6 stars from me and a future spin on my shelf if at all possible.
All the best,
Sharda.

My return read:

I read your first chapter and enjoyed it. The topic - homelessness, especially among young people -is very relevant in today's climate, especially in America and some parts of Western Europe. So that should be reason enough for a publisher to sit up and take notice. Your writing is very sharp, concise and well-polished, though I did notice a few things, like typos, and instances where you might use different words. Since you pointed out a list of helpful corrections for me, I hope these will be useful for you.

Rated five stars. Thank you for the read!

James

***

“Oh my! He’s not going to” – if this is Hayley’s “thought bubble” shouldn’t it be italicized?

“Hayley stepped out of her car into the summer heat and slung her bag over her shoulder” – three “hers” in this sentence. Consider changing one of them. “Hayley stepped out of the car into the summer heat and slung her bag over shoulder.”

“She stopped on the mildewed stoop” – what’s a stoop? And “stop on the stoop” has a very amusing ring, probably not intentional! Don’t you mean “step”?

“harder this time to get over the pounding percussion” – rather than “get over” how about “be heard over”? “harder this time to be heard over the pounding percussion”

“Though afternoon” – doesn’t sound quite right. For one thing, afternoon is so vague – what time in the afternoon? If it’s late afternoon, the light wouldn’t be that bright. “Though midday” would be fine. “Though early in the day” is perhaps most suitable – since the light is generally brightest at that time.

“Where they cooking meth in here” – typo. “Were”

I think you need to describe Maxine and Hayley a little. We haven’t heard any specifics yet – only that Maxine is an “old” woman (though whether that means middle-aged or actually old isn’t made clear) and Hayley has hooded eyes. Is she skinny (if she’s a drug-user, very likely), what colour hair, does she have tattoos? That would be very indicative of a rebellious personality. Just telling us that she has blond hair would suggest something – blondes after all are generally perceived as being less intelligent than brunettes. Red hair might mark her out as “different,” having a fiery or unusual personality. These are all things worth considering. I gave Dio bright red hair in my novel deliberately to emphasize the fact that he’s got quite a quirky personality.

“thousand dollar check” – should be “thousand-dollar”, hyphen

Why is “her” underlined? The convention would be to use italics. I’ve never seen underlining used in fiction before. Yet you brought me up on use of capitals.

“shaking from frustration” – I feel “with” would be more appropriate

“Jack Daniel whisky” – feel you don’t need “whiskey.” Everyone knows that JD is a brand of whiskey, even me (I don’t drink much)! Just “pulled out a bottle of Jack Daniels and poured herself a stiff one.”

“A tear trickled down her cheek” – nothing particularly wrong with this sentence, but I wonder if it feels clichéd? Maybe a different word than “trickled”.

“heart-rendering pain of rejection”- should be “heart-rending”

“directed her browser to her Savanna Sale website” – two “her”s her, when one might be better. “directed the browser to her Savanna Sale website.” After all, you can’t really *own* a browser. A computer is an individual’s property, even a program on it, but internet browsing software is “public domain” – nobody owns it.


“Once the Internet video connection came on…” – nothing wrong per se with this sentence, and your writing is extremely sharp and to-the-point - but I wonder if all this information is unnecessary. Just tell us she longed onto Facebook and clicked on her profile. She’s turned on the camera, so we know what she’s going to do – make a video call; no need to know about waiting for the video connection to come on. Feel free to disregard this, of course. Most readers wouldn’t notice it.

“Her imagination swept her up. Anticipation built. Her body heated” – the first, I think “swept away” sounds better. The middle one is passive – it doesn’t happen to anyone, within the confines of the sentence. “She felt a surge of anticipation” or something along those lines. “Her body heated” is fine, but maybe show more than tell here. “She felt a flush spread across her cheeks, a swelling of excitement.” That’s just a start.

{Savannah Oak} – Alan Chaput
Chapter 3:

I loved the tension in this chapter; beginning with the opening – quite ominous! Good interactions shown between Max and Tater to develop their relationship.

The pace moved along quickly, very engaging. My main concern, however, is that sometimes (although I loved the short, snappy, tension –building sentences) I feel you need to break them up with more longer, fluid phrasing. This creates more variation and rhythm, so that when the shorter ones come, there is more bang and impact! : )

In opening para, I’d say ‘The man’s phone number was in Max’s call history, and a reverse look on it had provided the address – an old grey frame house on a block littered with pathetic, rundown ones.’ → you repeat ‘phone number’ twice, and ‘old’ and ‘house’ twice. Plus I thought a merger of the sentences reads better

I’d just say ‘… he called Ronnie.’ → no need to repeat ‘phone number’ again

I’d say in para “Don’t give me any of your lip”… ‘Tater leaned in, his big eyes widening into a glare.’ → just for variation. The short sentences here are great for the tension building, but sometimes too many can spoil the effect.

I’d say (after ***); ‘Max woke on her back with a start, head thrumming with a terrible ache. She lay on wet grass, a full moon hovering above.’ → again, sentence merging to make some more fluid, longer ones amidst all the short snappier ones. Also changed to ‘woke’ = simpler, and ‘was’ to ‘lay’ → more active

Last para; ‘She made a beeline to the bathroom to wash. For a moment she paused, looking deeply at herself in the mirror….’ → again, lengthening the short sentences

Hope this is helpful, as always!

Cara
The Awakening: Dawn of Destruction

Al,
Though this isn’t the kind of book I usually read, I can appreciate that it is very well-written and polished prose. The setting is sketched in deftly with minimal description without slowing down or distracting from the action. The characters come over very vividly, though none of them is particularly likeable.

Maxine I found convincing as a character in her relationship with Tater, her slobby behaviour and her withdrawal from her mother’s expectations. What I didn’t understand about her was why, since she is obviously meant to be an attractive girl, she bothers with an ugly creep like Ronnie. I can see her getting friendly with Chris, but Ronnie?
Hayley I wasn’t totally convinced by, but this whole world is so out of my experience that I might be completely wrong. I found it a bit perplexing that she allows Maxine to edge her outside, just to pound on the door to be let back in again. I wouldn’t have thought such a tough character would let herself be pushed around by such a limp rag as Maxine.
The conversation in the Japanese restaurant didn’t convince me either. The conversation is more like an interrogation, Hayley with her lawyer’s hat on. I realise though that this is the third in a series of novels, and might be completely in character.
Both Tater and Ronnie are both suitably seedy with an undercurrent of violence. The character of Chris might be a breath of fresh air, though he makes me think of the cowboy in Thelma and Louise…
Your use of the ‘following’ theme is very neat – Hayley tracking Tater, Tater tracking Ronnie.

Your writing is enviably clean and well-edited. I just noticed a couple of (minor) nits. You use the expression ‘centuries-old’ twice to describe the oak trees (once with, once without hyphen)
I’m not sure you need capitals for names of animal or plant species.

Thanks for drawing Savannah Oak to my attention, I wouldn’t have looked at it otherwise and would have missed a good read.
Jane

What a fantastic book. I read all five chapters which is highly unusual for me. I was very impressed by your style of writing which was easy to follow and flowed smoothly. Your main characters are strong and the dialogue is realistic. Hayley seems to be stuck in a bubble where nothing matters but upholding the family name. I got the feeling that in reality she found it a burden and longed to be free of the responsibilities and chains that this wrapped around her. Maxine on the other hand is the classic rebellious daughter. She despises everything that her mother stands for and seems determined to lead the kind of lifestyle that she knows her mother loathes. Maxine and Tater live a seedy warped kind of existence. Apart from the squalor they live in they seem to feed off each others depravaties. This is a real melting pot of emotions. There are things which only seem to be hinted at in these five chapters such as the scars on Hayley's arm and how they got there and her paranoia which manifests into carrying a gun around with her at all times. Then there is the issue of her distant relationship with her mother and the sadness she feels that it is now too late to start over. I like the way you have built these characters up before the reader is introduced to the crime side of the noveI and not rushed straight into the action. I can't find fault in Savannah Oak at all. I really enjoyed reading it and I have no doubt that it will do well. Keep up the good work!

Kim (Pain)

Al,
I don’t have time to review books, so, like most here, I review small portions of books, and because of this, I avoid commenting on plot development… I stick mostly to nitpicking.

Savannah Oak threw a wrench in my spokes (not much to nitpick). I scoured two chapters, and here’s what I found: “Mom isn’t the(_)freaking center of the universe.” Stray underscore character… This is it… all I could dig up.

I suck when it comes to describing why I like a particular book. I'll give it a try though.

The language in Savannah Oak is plain − sentences and paragraphs are all easy to follow, smooth, clean and lean. The dialogue feels perfectly natural. The characters feel like people I’ve already met, but don’t yet know… real people… real situations. I used to read Anne Tyler’s books for the same reasons I enjoy reading Savannah Oak. The well-defined, interesting characters… personalities and situations I could relate to.

Alan Chaput, I believe, is among the top writers on autonomy.

Hi Al,

I read what you have posted of Savannah Oak, and the first thought that crossed my mind was: why is this not already on bookshelves? Your writing is professional and clean, moving forward at a fluid pace while still taking the time to delve into descriptions. You somehow managed to strike the perfect balance between rhythm and release in your narrative, allowing the reader to spend time with each character's internal thoughts while maintaining the story's momentum. I've very impressed with how efficient you make your descriptions, utilizing rich, almost poetic language in small doses in a way that allows the reader to envision exactly what the characters see or feel without tripping over overdone metaphors.

You have a real gift for showing the reader exactly who your characters are in a very short amount of time. I feel as though I already know Tater even though he's only had a few short scenes so far. And the two central figures, Maxine and Hayley, are wonderfully described. By showing what goes on in their heads, you've made them sympathetic and realistic. Hayley's devotion as a mother and Maxine's rebelliousness are two themes that have been explored countless times, and yet you managed to make it seem fresh. I find it especially interesting how sympathetic you make Maxine, who could very easily be nothing more than an unlikable, ungrateful brat. By showcasing her insecurities in a subtle way, you allow the reader to really see the world from her point of view and understand why she behaves the way she does.

Even though your story doesn't open like a typical body-was-found crime, there's still an uneasy suspense that looms over it, a sense that something bad is coming. You do a great job of setting up Tater as a villain while teasing the reader with hints about Hayley's past. Why does she carry a Colt wherever she goes? The feeling of looming danger coupled with the easy flow of your narrative make this an unexpected page-turner.

Savannah Oak is an immersive, engaging read, and it's easy to see how it's received so much praise. In fact, I'm surprised I'm reading it on Authonomy and not between the bookshelves of Barnes & Noble. Any publisher with an ounce of sense should snatch this up and parade it as this summer's must-read. Six stars, and I wish you the best of luck with this!

Cheers,
M.
Astral Sea: The Pandora Project

{Savannah Oak} -- Alan Chaput
Chapter 2:

I really like the tension you bring into this chapter with Tater and Max, and their relationship. You portray some of the issues in this relationship in a nice subtle way, through Tater’s reflective thoughts. There is a little hint of creepiness conveyed to the reader by the way he observes her. The short sentences later on near the *** break then help in your portrayal of Tater’s state of mind. He sounds almost slightly deranged, and a little possessive! Yet what I like is the reader doesn’t really jump to either side – both Tater and Max appear as complex human characters. We can understand why Tater is possessive if Max goes and cheats on him, but then who wouldn’t cheat on a guy like this? So both characters have their flaws, I like!

Smooth transition back to Hayley, and then we go into Maxine’s perspective. I like this a lot! You also break up the action and switch scenes at precisely the right moment, with lovely images – I particularly liked ‘Times like this she wanted to climb into a jet, kick on the turbines, and shoot into the sunset…’

Anyway overall great stuff :)
Have a great day!

Cara

This is well written, starts extremely well, and quickly captures the attention.
I have a few small problems - 'dangerous people' in the first paragraph sounds oddly childish and there are just a few too many adjectives. But my principal complaint is the pace. For this genre a rather cleaner crisper style would speed along a little faster. I don't mean the corny Dick Tracey type of pace - but this gets a little too tied up in description and pointless dialogue for me.
But that does not detract from some excellent story telling and definite intrigue - enough to keep the reader's interest active.

Hi Alan, I've read the first couple of chapters of 'Savannah Oak', and found a well-written and cleverly crafted story. The pace is good and your drop in plenty of little clues about your characters to hook the reader in. The scene with Hayley and her mother is excellent, capturing the sadness and frustration of dealing with dementia. Your characters are well drawn and your dialogue authentic.

A couple of specifics - Chapter 1. The sentence about graduation day confused me a little as the first time I read it, I thought that today was graduation day when, in fact, it happened earlier and I wondered if moving 'on graduation day' to the beginning would make it clearer that it is a past event.

In para 3, I felt the use of two sets of hypenated words so close together jarred a little

As an English person, I have no idea whether 4 ounces of Jack is a lot or a little. I'm suspecting it's a lot or you wouldn't have mentioned it but for me it stopped the flow of reading while I wondered about it. Maybe saying a 'generous slug..' or something like that might make it clearer to an international audience - if that's who you want your audience to be, of course

Ditto a 'concealed carrying licence'. As we have no right to bear arms in this country it stopped the flow temporarily while I worked out what it was.

I know this is going to pan out into a very interesting and engaging story and I will come back to it soon to see what happens.

High stars for a very well-written piece of work.

Melanie
La Vie en Rosé

Hey,
I read part of your book the other day, i am going to read more tomorrow and i also thought it was well written.
If you haven't already please can you return the read, comment and rate. I've rated your 4 stars

{Savannah Oak} – Alan Chaput
Chapter 1:

This is quite a powerful opening to a book – with vivid images and a skilful command of words, you set the scene well and I liked the way you established the mother/daughter relationship.

Some great little descriptions, I particularly enjoyed these ones:
“weed-rimmed lot”
“gnarled branches soared and swooped and snaked overhead” – great alliteration
“stale smoke” (alliteration again!) ‘sweet incense, and pungent cat urine.’
‘court-trained eyes missed nothing in her search for clues’

I like your varied use of language and sentence structure – creates good rhythm in your work. For instance, the short few sentences; ‘Picked it up. Pocketed it.’ … and also ‘They used to sparkle so. Drugs? God, she hoped not.’

Your prose reads smoothly, very polished I could only find a couple of nitpicky suggestions that I hope you’ll find useful :)

I’d put commas in sentences as follows
“Her daughter’s low budget apartment was in a depressed part of town, littered with drug pushers and dangerous people.”

Not sure if this sentence reads as fluidly as it could ‘But, all summer long Maxine had lounged and lingered.’ Maybe a comma after ‘long’ would do it… or else an expansion on the idea/what you are talking about to make it feel more complete?

I look forward to reading more!
Cara
The Awakening: Dawn of Destruction

I enjoyed reading your book. I admire your attention to detail. And I like the educational aspect: "Understand the big picture, but pay attention to the details". I like the fact that its full of emotion. Indeed, you made me cry: "Hayley wanted to say, I love you, but the words lodged in her throat". That erected memories that connected to the lost of my grandma.

Anyway, I'm still reading

Hi Al,

Savannah Oak

I’ve read your first three chapters.

I do like the punchiness of your long pitch. The invitation to “meet”, “follow” and “watch” your characters is rather good. It reads like an advertisement, which is no bad thing.

I’m a bit unsure about “ensuing mayhem” in your short pitch - perhaps it’s almost a cliché.

Your work is very neatly written. It reads pretty much like a published novel. I like the switches between the characters’ POV. It keep the pace up nicely.

Ch 1. There’s some lovely alliteration in your second paragraph. Lounged and lingered.

Ch 2 I like the contrast between “predictable, (and) raunchy.” Does Max know Taters can see what she’s doing? I thought she could - and then she sends a message to a man inviting him over, so I wasn’t sure.
“No need to solve what he could devour.” Very nice! I also like “He always sent gifts. Never himself.”

In Ch2, you use the spelling “gray” for Mama’s eyes. In Ch 3, you use “grey” for the old house.

I will star this very highly because it's a very well-polished and read-able story.

Thank you for inviting me to read,
Lucy

I read all of what you had here, and found your story to be developing. However, I never exactly understood the plot except in the simple form of the mess Maxine had made of her life given the circumstances of her existence. This is not my type of genre that I usually read so I am probably not the one to give a critique of what is written. What I can say is that your dialogue is well written and you develop your characters well. Best of luck with your book.

Not my usual genre, but as you had contacted me I got up early today and read the first 3 chapters and was captivated! Well written, you are straight in there and can almost smell the atmosphere.
Bon Chance as we say in France!

Many thanks, Al, for rebacking "Doc." I believe you've boosted it a notch. I've just read Chapter 1 of "Savannah Oak" with pleasure and admiration. What writing! I like the skill of your character drawing--the contrast between mother and daughter, the different values, the mutual frustration. I like the apparent simplicity but the subtle achievement of depth. In a few pages, we see these people in three dimensions, and you've planted enough conflict.to propel us forward. I ponder the title: oak, a symbol of strength and stability, perhaps a bridge between generations . . . I'll read more this evening, and "Savannah Oak" will soon be on my shelf again. --Bill

Hi Alan,

Due to an hectioc life, I've only had tiome to read the first two chapters, but this was enough to know that you have a good story here. Even though you are still setting the scene at this stage, you have done what you need to - kept the reader wanting too read on.

The technical aspect of the writing is good too, in these two chapters I found just one minor typo (stone, which should be stones in chapter two).

Ron

I have just had the chance to read all your Savannah Oak, sorry for the delay.
Your writing is fantastic, it flows so well and the scenes were effortlessly conjured in my imagination.
I'm not sure whether I like, dislike or feel sorry for your characters yet. I needed more book to decide. (A good thing, kept me intrigued).
The four ounces of Jack Daniels sounded strange. Did she measure it? It made it sound like she is careful and limiting her drink. Maybe in America they have four ounce glasses, in England we wouldn't have a clue what four ounces of JD is.
Dallas and this sort of thing is incredibly popular over here.
I loved the whole feel of your writing and I'll six star it even though I have no idea how this story will pan out.
All the best, Pollyanna, 'Marsupeople'.

Hi Al

I have just finished reading everything you have posted so far and I have to say that I really enjoyed it and would have carried on reading if there was more here.

The characters are very well developed and interesting. Hayley is immediately likeable although there is definately a feeling of repression of her true character that I am sure will surface more as the story progresses. Maxine is my favourite character. Although she has some pretty serious faults, seeing her through her mothers eyes brings some tenderness and sympathy for her situation. The descriptions of the support characters are dealt with effectively when they are introduced which avoids confusion and engages the reader immediately. The only thing I would have liked is more physical descriptions of Hayley and Maxine as it is difficult to picture them at the moment.

I get the impression that there is a mystery unravelling in the background, possibly surrounding Hayley's accident and I like the glimpses into the past particularly during her time with her mother.

This has a great pace and it flows very well as you read. I liked the descriptions you used as you avoid cliches but occasionally I found that you overuse adjectives and they become a bit of a list. eg Rain splattered, drizzled drenched the windshield - I think this would seem more natural if you picked one out of splattered/drizzled/drenched.

Finally, I am no ornathologist but the seagull that perches on Amos' head later turns into a pigeon!

Good luck with the rest of the book. Fantastic start.

Cheryl x

Kia ora Alan,

Following your very close crit of my chapter, I thought I'd return the favour. A lot of it may come down to taste and style so feel free to snort 'silly kiwi sheepshagger!' and discard. Overall, I enjoyed the first chapter and there were times when I got happily immersed in the plot but a few instances when it started to 'feel like writing' and pulled me out of it.

Here a few things to consider below and a few bouquets after that:)

into the bowels -a touch cliched
dangerous people -a tad vague
The magnificient tree.... -is this sentence necessary? (or I would get rid of 'surely')
She had no desire for.... -a very 'telly' sentence -i think you are showing her attitude clearly enough through the whiskey slugging.
A few too many colours and adjectives included imho- is it really necessary to describe the colour of the door bell? I'd try and leave a bit of space for the reader.


Really like :
'The squalid conditions tugged at Hayley'
Your inward speech
The very intriguing hook at the end of the chapter
The worry the mum has about her daughter -really drew me in

Hope this helps

Best wishes

Kaal Kaczmarek

Hi Alan,
I appreciated your excellent review/edit of my work so much, I thought I'd check out yours. I've only read one chapter so far, but plan to read more after this (I never write comments "later"). Being in recovery from addiction myself, I find myself being caught up in the story, and actually enjoy contemplating the perspective of those in the family not hooked on drugs. I like how you've created a sense of setting through the heat and the description of the tree.
I like the feel of your tone and voice, the only critique I have is that sometimes you do a little more "telling" than "showing". For example, in the first couple paragraphs you say, "her daughter's low budget apartment was in a depressed part of town littered with drug pushers and dangerous people." First off, it sounds a bit cliche. And, most importantly, you would be much better off "showing" me what depression and low-budget looks like rather than "telling me". For example, "the wood peeled off the warped, laminate siding of the single-story duplex. Walking up the cracked sidewalk to her daughters' door, she wondered how weeds could poke through the concrete while nothing green graced the littered stretch of gravel that passed as a front yard." That's always what I've been taught, the big cliche statement: "show me, don't tell me." Generally, this is good, compelling, read, but that first line stood out pretty glaringly to me.
Anyway, hope this helps. I appreciate you taking the time on my story.
--Mike

Hi Alan, Maxine must be every mother's worst nightmare, but then Hayley's mothering might may have left a lot to be desired - time will tell. There are various strands the the story, I suspect, which have yet to be revealed. I enjoyed the chapters you have posted and your pacy style. Would you care to take a look at my own book 'Sanctuary' which deals with the fall out after an abusive marriage breaks up. All the best Tina Cox

I read all five chapters. I couldn't stop until I finished. You've created a great, and varied, cast of characters and you did a great job bringing them to life. In the first two chapters, the reader knows a great deal about Hayley, Maxine, and Tater. Hayley is likable and I feel sorry for her because her daughter is a nightmare. And the boyfriend, Tater, is scary. I can't wait to find out what happens. I hope you'll upload more chapters soon. Now I think I'll have to read your other books, too. I love this one.
Highly starred.
Susan/Greenleaf (Chameleon)

I've read the other Savannah books, and what hit me as I was reading Savannah Oaks is the definitive and unique style of the author which makes these books immensely enjoyable, easy to follow, and well-paced. Hayley and Max are fascinating characters that kept me interested in trying to figure them out. The setting of the south is always a rich environment. Another great thriller from one of Authonomy's best authors.
Lizzi
God of Wine

Highly readable, entertaining story! I really like the way you present two sides of the situation with Maxine and Hayley. Max's lifestyle is pretty alarming -- you can understand Hayley's concern -- but at the same time, Max's values in a lot of ways make more sense. She is less materialistic, no as obsessed as Hayley is with her wealth and social position and family pride.

Well done! High stars, will shelve.

Elizabeth Buhmann
The Made-Up Man

What a daughter Hayley has, I feel sorry for her. Maxine is one bad, bad girl, but one that makes for an interesting read. You really have a great mix of characters in here, from Max's mother, her boyfriend, the grandmother and now Chris, the hot new neighbour. This is definitely your best book out of the series and one that I would read right through if I had the time. The first 3 chapters by the way flew by fast, because they were captivating, but I really need to get back to work, which is the only reason I had to stop.

Unlike my previous review of one of your other books, I could not find any typos, the writing extremely polished, the language perfect, and the flow as I said was great. I liked how you did different character points of views, because this kept everything at a nice, fast pace, which is what I prefer in books.

All up a very impressive story with lots of intrigue. 6 stars.

Another well written beginning, Al - your characters and settings come alive, the story intrigues and you keep us wanting to read!

Hi Alan,
I'm stopping by to begin a "return read" on "Savannah Oak"--
Your first chapter is excellent--highly starred. Already, I am drawn in by the characters, the setting, and a few foreshadowings of danger. Your writing is lean (the way I like it) and there's not much here to pick on, but I do have some questions for your consideration:

Some of your paragraphs are tabbed and others aren't and I don't personally understand the pattern.
I've had glimpses into the dens of some fellow men and women who are wasting their lives away with rec drugs and usually when they have the curtains drawn shut, the lights are dim, not all turned on. They walk around with heavy hooded eyes and the light irritates them. So, I was surprised that Max had all the lights on.
Last, and the only issue I have where I feel a change is needed, is when Max opens the door for Hayley and there isn't a speck of staging where Hayley actually enters the house so the whole time I am led to believe that Max is blocking the entrance and Hayley is still on the step. Then, next thing I know she's inside staring at a filled ashtray with squashed butts. If you could check that part out and see if I am on to something ...
Anyway, I will read more when I have time. So far, it reads very professionally. BTW, I am just getting into the Holly Barker series by Stuart Woods (my second in the series) and so this genre of yours is among my new favorite realms.

Question on start of Chapter 2: Does Max make money from her live Webcasts? Tater would support her making a bit of dough from that alone, right? He just does not want the men to show up in person? Could you have Tater muse that she made a bit of money from merely showing off online (which is why he allows it) or is this kind of thing free all the time?

Dean

Hi Alan,
I thought my comments would help your book the most by posting them here. Maximum stars.

The Savannah Oak is listed as fiction/crime. First, I have to say that this is not they genre I usually go for, but the extract was stunning. I have never been to the deep South, and yet I got a very real sense of the heat and the humidity. Al brought the location alive with all sorts of deft touches like the moss on the oak trees.

I got the feeling that there was a lot boiling under the surface as I read. Max, the daughter, has some huge hang-up and it seems to revolve around her mother. She is rich and well-educated, and yet chooses to live like a slutty tramp. I get the impression of an almost hopeless reaching out for the affection she never received as a child.

Hayley, the mother is one of the best character creations I have come across. The real woman has been suppressed, but little glimpses come through. The persona she projects is an artificial construct of how she has been taught to perceive herself in the structure of her powerful family. Her voice is utterly unique. Her inner musings end on three power words, which solidify her self-constructed character. That is a really neat trick.

Two things came over as potential flaws. The first was the smell of cat piss in the daughter’s apartment when no cat was in sight. The second was that neither the mother, nor the daughter appears to use the name of the now vanished husband and father. Their name comes from Hayley’s father. Maybe this will be explained later in the book, but those chapters aren’t posted.

I very much enjoyed the read and I am putting this on my WL with the intent to back it.

Hi Alan,
I owe you a read. Sorry it’s taken me this long. Below are my findings/comments. They are of course my humblest opinions, so please take them for whatever they’re worth.
Your pitches are well written, but they are fairly vague on the plot and hooks. Instead, you focus on character introductions. If that was on purpose, then disregard, but I think it might be more impactful to pitch the plot a bit more. Could just be me, though.
Great imagery.
It’s nitpicking, but I’d change “punch” the button to “push.” I know people always say punch the button, but in prose, how many people actually punch buttons? It seems a bit too colloquial.
This is a strong start. Your writing is clean and polished and you have very likeable characters. Good dialogue and pacing. This isn’t typically something I’d read, but your writing has a way of drawing the reader in. I’m not surprised you’ve had so much success here. Highly starred.
Phil
(Deshay of the Woods)

I am here for our read swap.
Savannah Oak is a bit outside of my normal range of reading, but with that said I found myself immediately engaged. Your work has expanded my scope of reading and I am greateful for that. I can tell that you have put a lot of effort into your writing and it certainly shows. You do a wonderful job of setting the scene, and of making your characters come to life.

Great, enticing first chapter Al. Reads coherently and easy for a slow reader like myself!! Crime fiction isn't something I read a lot of, but too be completely honest, this is something I would read more of! You create a vivid picture for the imagination, and pay great attention to detail - with the the senses!
All the best Al ;)
5 stars!!!

I've read the first two chapters, Alan and quite simply, I can't suggest anything to improve it. Characters are real, dialogue interesting, prose, pretty much as I imagined since I've read some of your other Savannah books - spot on.
Best of luck
Sue

I have read chapters 1 and 2. The characters are well-developed and realistic, including the dynamics between Hayley and her daughter Maxine. Quickly, the plot draws a reader in. I enjoyed your metaphors and descriptions. You are precise and concise with your words. There is something here for everyone, bits of literary fiction and thriller rolled into one.

I, too, like to find specific corrections. Here we go:
~In the long pitch, the sentences beginning with directions like "Follow" and "Watch" are a bit cliche. Makes me feel like it's a movie preview.
~"Mom isn't the_freaking center of the universe." You have a small underscore in this sentence, could be a glitch.
~"She read through the draft of today's additional...." Addition?
~"...the thick canopy of live oak trees..." I think we can assume they are alive.
~"...but the stone were cold and unresponsive." Noun verb agreement; either "the stones were" or "the stone was"
~"She ran fingers through her hair and tried to calm. Tried to focus on something better." I have a couple of opinions on this. First, I think she runs "her fingers" through her hair. Secondly, I'd put a comma after "calm" instead of a period.

Very minimal corrections necessary. And again, mine are only suggestions! I can see why you've been on the editor's desk! Wonderful writing!
-Cassandra Porter