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James Lark

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first registered 20.10.08

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about me

James Lark has worked extensively as a writer and musician for several years, combining both in his work for theatre which includes Io Theatre Company's adaptation of 'The Snow Spider', original musicals 'Miracles at Short Notice' and 'Tony Blair – the Musical'. He has co-written and directed internet dramas 'Degrees of Separation' and 'The Sitcom' ("if you haven't already watched it you absolutely must" - The Guardian) and several short films, most recently 'Purgatory', 'Beach' and 'Hide and Seek' and 'Summer's End' (which won an Andrew Cross Award in 2006) as well as a couple of features which are now gathering dust pending a weighty contract from anyone who cares to make them.

His other writing ranges from prose to plays, song lyrics, sketches, monologues and scripts for radio and film; he co-wrote 'Fringe', a complete guide to the Edinburgh Fringe published by Friday Books, and has written and performed several character monologues for BBC Radio, one of which won a Jerusalem Radio Award in 2004. Since learning many things about writing comedy in the Cambridge Footlights Dramatic Club he has written for Ealing Live!, Focus Theatre Company and The Friday Thing, as well as co-founding improvisation company The Uncertainty Division, which has involved surprisingly little writing.

James also wrote this biog. He did it in the third person because that is generally how his biog has been required and, being of a slightly lazy disposition, he cut and paste a lot of it. He apologises for any confusion this has caused, including any doubts about the nature of his existence; he is, he promises, a real person.

He is delighted that his novel 'More Tea, Jesus?' has been chosen for the Authonomy digital imprint less (though not much less) than ten years since he started writing it and he is sorry to have taken it down from this website but to be honest when he re-read it there were bits (only bits, mind) that embarrassed him (usually due to a surfeit of pretension), so he is performing a necessary rewrite. He promises that once this is dealt with he will do a bit of rewriting about his lengthy, dispiriting and ultimately successful attempts to get it published, in order to satisfy curiosity and popular demand - you'll be able to read about it at www.talktorex.co.uk

In the meantime, in case people are interested in seeing what his writing is like when he's not talking about himself, he is going to start putting his second novel 'The Broomby Symphony' up on the site, a story which in spite of the lack of Jesus some would consider less commercial than the first.

Even so, he hopes you like it.

favourite books

David Mitchell - Black Swan Green
Flann O'Brien - The Third Policeman
Jonathan Franzen - The Corrections
William Burroughs - Cities of the Red Night
James Joyce - Dubliners
Michael Frayn - Towards the End of the Morning
Patricia Highsmith - Ripley Underground
Anything by Dickens
Anything by Saki
Plus an awful lot of P. G. Wodehouse

my websites

http://www.jameslark.co.uk     http://www.talktorex.co.uk

HarperCollins is not responsible for the content of external internet sites.

Self-publish with CreateSpace

my books

The Broomby Symphony

James Lark

Somebody has been copying Philip Broomby's music... but it happened before he even wrote it.


Philip Broomby would give anything to be a successful composer. Unfortunately, in the musical cul-de-sac of the 1980s his dream seems more than a little archaic. Nor is he helped by the distractions surrounding him, ranging from parties at which girls with asymmetrical hairstyles throw up on his manuscript paper, unwelcome erotic fantasies about Anthony Michael Hall and an unfortunate accident with a piano lid. Yet things finally seem to be going right for Philip when he is commissioned to write a full-blown symphony.

The opportunity quickly turns into a nightmare when Philip discovers a recording of his symphony – made before he had even started writing it. Has Philip unknowingly transcribed a piece of music he has already heard? Is his composition teacher actually a time-travelling music thief with a Swiss alter ego in the 1940s? Or is the whole thing just a horrible coincidence?

The truth lies over 100 years and 700 miles away and Philip finds himself on a historical, geographical and emotional journey on which he glimpses the extent to which his life is wrapped up in the past… and discovers just how far he’ll go to bury it.

 

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latest

iandsmith wrote 4 days ago

James Sorry. I took the Broomby Symphony off my desk, but it's still ....

j.l. wood-miller wrote 6 days ago

Hello James, Thanks for backing "An Unfinished Innocence". I enco....

j.l. wood-miller wrote 10 days ago

Hello Mr. Lark, I've read a bit of "The Broomby Symphony" and it's....

tisha wrote 11 days ago

Greetings James I have placed a series BOOKS FOR BEGINNERS on Kindle....

j.l. wood-miller wrote 12 days ago

Hello Mr. Lark, To receive the first chapter of "An Unfinished In....

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my comments

latest

I wrote 14 days ago

I like this an awful lot - you obviously love language and you use it with panache. Not an easy read, but nowhere near as difficult as some of your critics have suggested... When do we get to see the rest of it? James view book

I wrote 14 days ago

Hi David - thanks for getting in touch and pushing this my way. It has a really stylish voice and I like the dark vein of humour that runs through it. There are a few places where you might helpfully guide the reader through what's happening - as many of the comments here attest the writing (and dia... view book

I wrote 21 days ago

Nathan - this packs quite a considerable punch. It's not easy reading but there's enough wry observation in Gary's narrative to keep it from getting unbearably morose, and there's an awful lot of truth in your characterisation. Keep up the excellent work. - James view book

I wrote 21 days ago

Hi Sheena, This is a very entertaining read - really well-observed, I'd say there's as much Jerome K. Jerome in there as Bridget Jones and though I may not be the target audience I found things like the taking-a-coat-off-whilst-sitting-down passage genuinely funny. For what it's worth, a coupl... view book

I wrote 24 days ago

Thanks for pushing this in my direction. This is really well written - good characterisation, witty dialogue and chapter one has me hooked. Looking forward to reading more. view book

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